{"id":337,"date":"2002-11-18T00:21:00","date_gmt":"2002-11-18T00:21:00","guid":{"rendered":"http:\/\/tashuk.wordpress.com\/2002\/11\/18\/337\/"},"modified":"2002-11-18T00:21:00","modified_gmt":"2002-11-18T00:21:00","slug":"337","status":"publish","type":"post","link":"https:\/\/alanlodge.co.uk\/blog\/archives\/337","title":{"rendered":""},"content":{"rendered":"<p><b>Film and Materials<\/b><\/p>\n<p>These are the specification of most of the 35mm film I use.  Almost exclusively Fuji for colour and Ilford for Black and White. There are thousands of sensible materials, available for use.  But, after some experimentation, it is best to settle down, and get to know a small selection, at some depth.<\/p>\n<p> Fuji Film UK<br \/>\n<br \/><a href=\"http:\/\/www.fujifilm.co.uk\">http:\/\/www.fujifilm.co.uk<\/a> <\/p>\n<p><a href=\"http:\/\/www.fujifilm.co.uk\/professional\/film\/pdfs\/Fuji_Chrome\/Provia100fRDPIII.pdf\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/provia_100.gif?w=640\" border=\"0\"> . . Fuji Provia 100F Colour Transparency <\/a> <\/p>\n<p><a href=\"http:\/\/www.fujifilm.co.uk\/professional\/film\/pdfs\/Fuji_Chrome\/Provia400f.pdf\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/provia_400.gif?w=640\" border=\"0\"> . . Fuji Provia 400F Colour Transparency <\/a><\/p>\n<p><a href=\"http:\/\/www.fujifilm.co.uk\/film\/frameset_35mm.html\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/superia100_box.gif?w=640\" border=\"0\"> . . Fuji Superia 100 Colour Print<\/a> <\/p>\n<p><a href=\"http:\/\/www.fujifilm.co.uk\/film\/frameset_35mm.html\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/superia200_box.gif?w=640\" border=\"0\"> . . Fuji Superia 200 Colour Print<\/a> <\/p>\n<p>Ilford<br \/>\n<br \/><a href=\"http:\/\/www.ilford.com\">http:\/\/www.ilford.com<\/a> <\/p>\n<p>Ilford Black &amp; White Products<br \/>\n<br \/><a href=\"http:\/\/www.ilford.com\/html\/us_english\/bw.html\">http:\/\/www.ilford.com\/html\/us_english\/bw.html<\/a> <\/p>\n<p><a href=\"http:\/\/www.ilford.com\/html\/us_english\/pdf\/HP5_Plus.pdf\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/hp5thumb.gif?w=640\" border=\"0\"> . . Ilford HP5 Plus Black and White <\/a><\/p>\n<p><a href=\"http:\/\/www.ilford.com\/html\/us_english\/pdf\/FP4Plus.pdf\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/fp4thumb.gif?w=640\" border=\"0\"> . . Ilford FP4 Plus Black and White <\/a> <\/p>\n<p><a href=\"http:\/\/www.ilford.com\/html\/us_english\/pdf\/Pan_F_Plus.pdf\" target=\"_BLANK\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/homepage.ntlworld.com\/tash.lodge\/Blog_Pix\/panfthumb.gif?w=640\" border=\"0\"> . . Ilford PanF Plus Black and White <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Film and Materials These are the specification of most of the 35mm film I use. Almost exclusively Fuji for colour and Ilford for Black and White. There are thousands of sensible materials, available for use. But, after some experimentation, it &hellip; <a href=\"https:\/\/alanlodge.co.uk\/blog\/archives\/337\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-337","post","type-post","status-publish","format-standard","hentry","category-1"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=337"}],"version-history":[{"count":0,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/337\/revisions"}],"wp:attachment":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}