{"id":6036,"date":"2022-05-03T18:02:57","date_gmt":"2022-05-03T18:02:57","guid":{"rendered":"https:\/\/alanlodge.co.uk\/blog\/?p=6036"},"modified":"2022-05-03T18:07:08","modified_gmt":"2022-05-03T18:07:08","slug":"radical-landscapes","status":"publish","type":"post","link":"https:\/\/alanlodge.co.uk\/blog\/archives\/6036","title":{"rendered":"RADICAL LANDSCAPES"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><br>RADICAL LANDSCAPES &#8211; TATE LIVERPOOL EXHIBITION<\/h2>\n\n\n\n<p>5 MAY \u2013 4 SEPTEMBER 2022<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-340_xnrkvra.jpg?resize=640%2C880&#038;ssl=1\" alt=\"\" width=\"640\" height=\"880\"\/><\/figure>\n\n\n\n<p>Official View \u00a9 The estate of Claude Cahun<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><\/li><li>Activism, trespass, and the climate emergency. Take a fresh look at the British Landscape and the art it inspires<\/li><\/ul>\n\n\n\n<p>From rural raves in Castlemorton to anti-nuclear protests at Greenham Common, this exhibition presents a radical view of the British landscape in art.<\/p>\n\n\n\n<p>Expanding on landscape art as being limited to paintings of lush green hills, enjoy art that reflects the diversity of the British Landscape and the communities that inhabit it.<\/p>\n\n\n\n<p><em>Radical Landscapes<\/em>&nbsp;features two new commissions by Davinia-Ann Robinson and Delaine Le Bas. In&nbsp;<em>Rinkeni Pani (Beautiful Water)<\/em>, Le Bas explores her English-Romany heritage to engage with themes of trespass and climate change. Davinia-Ann Robinson\u2019s installation&nbsp;<em>Some Intimacy<\/em>&nbsp;combines salvaged clay and sound to powerful effect.<\/p>\n\n\n\n<p>Experience Ruth Ewan\u2019s&nbsp;<em>Back to the Fields<\/em>, which brings live plants and trees into the heart of the exhibition. Immerse yourself in Gustav Metzger\u2019s psychedelic installation&nbsp;<em>Liquid Crystal Environment<\/em>&nbsp;which harnesses the natural energies of heat and light.<\/p>\n\n\n\n<p>See over 150 paintings, sculptures, photographs, films by artists including Jeremy Deller, Ingrid Pollard, Tanoa Sasraku, Derek Jarman, Hurvin Anderson, Claude Cahun, Alan Lodge and many more.LeftRight<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/jeremy_deller_cerne_abbas_2019_c_the_artist_an.width-340_ELy9Hrj.jpg?resize=536%2C651&#038;ssl=1\" alt=\"A male figure holding a stick created using neon lights\" width=\"536\" height=\"651\"\/><figcaption>Jeremy Deller&nbsp;<em>Cerne Abbas<\/em>&nbsp;2019 \u00a9 Courtesy the artist \/ The Modern Institute, Glasgow. Image courtesy of Jack Hems<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/ingrid_pollard_-_oceans_apart_1989._tate_c_ing.width-340_z0QoXcy.jpg?resize=536%2C826&#038;ssl=1\" alt=\"Two figures - one kneeling and the small child standing - playing in the sand \" width=\"536\" height=\"826\"\/><figcaption>Ingrid Pollard&nbsp;<em>Oceans Apart<\/em>&nbsp;1989. Tate \u00a9 Ingrid Pollard. All Rights Reserved, DACS, 2022<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/ruth_ewan_10.width-340.jpg?resize=553%2C749&#038;ssl=1\" alt=\"An image inside a gallery space with plants on the floor by the window\" width=\"553\" height=\"749\"\/><figcaption>Installation view of Ruth Ewan&nbsp;<em>Back to the Fields<\/em>, 2015. Photo credit: Marcus J Leith. Courtesy of Camden Art Centre<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-340_S4XFSX0.jpg?resize=591%2C402&#038;ssl=1\" alt=\"\" width=\"591\" height=\"402\"\/><figcaption>Peter Kennard<br><a href=\"https:\/\/www.tate.org.uk\/art\/artworks\/kennard-haywain-with-cruise-missiles-t12484\"><em>Haywain with Cruise Missiles<\/em><\/a>&nbsp;(1980)<br>Tate<a href=\"https:\/\/www.tate.org.uk\/about-us\/policies-and-procedures\/website-terms-use\">\u00a9 Peter Kennard<\/a><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Thalia_Campbell_Greenham_Common_Peace_Camp.width-340.jpg?resize=586%2C286&#038;ssl=1\" alt=\"A quilt, made up of different colours including purple, blue, yellow and white, with a dove, a tent a fire, a caravan and a peace symbol embroidered on the material.\" width=\"586\" height=\"286\"\/><figcaption>Thalia Campbell&nbsp;<em>Greenham Common Peace Camp<\/em>&nbsp;c. 1982 \u00a9 Thalia Campbell Design, courtesy The Peace Museum<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Alan_Lodge.width-340.jpg?resize=587%2C302&#038;ssl=1\" alt=\"A group of young people at a festival\" width=\"587\" height=\"302\"\/><figcaption>Alan Lodge Castlemorton Free Festival, Malvern, Worcestershire May 1992. 1992 \u00a9 Courtesy Alan Lodge<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Li_Yuan-chia_Untitled_1993__Li_Yuan-chia_Found.width-340.jpg?resize=622%2C396&#038;ssl=1\" alt=\"An orange and yellow toned image of a landscape\" width=\"622\" height=\"396\"\/><figcaption>Li Yuan-chia&nbsp;<em>Untitled<\/em>&nbsp;1993 \u00a9 Li Yuan-chia Foundation. All Rights Reserved, DACS 2022<\/figcaption><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>RADICAL LANDSCAPES &#8211; TATE LIVERPOOL EXHIBITION 5 MAY \u2013 4 SEPTEMBER 2022 Official View \u00a9 The estate of Claude Cahun Activism, trespass, and the climate emergency. Take a fresh look at the British Landscape and the art it inspires From &hellip; <a href=\"https:\/\/alanlodge.co.uk\/blog\/archives\/6036\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1],"tags":[934,938,936,16,937,127,29,935],"class_list":["post-6036","post","type-post","status-publish","format-standard","hentry","category-1","tag-exhibition","tag-landscapes","tag-liverpool","tag-photography","tag-radical","tag-show","tag-tash","tag-tate"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/6036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=6036"}],"version-history":[{"count":3,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/6036\/revisions"}],"predecessor-version":[{"id":6040,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/posts\/6036\/revisions\/6040"}],"wp:attachment":[{"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=6036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=6036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alanlodge.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=6036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}