Joel Veitch: Kittens and ‘Scarey’ Flash animation

Do i recommend you check out this chaps work, such creativity …. !

Joel Veitch, 27, of rathergood.com is a freelance web maniac based in London. He gave the world the Frightened Boy animation, and the world was very scared.

“My mission is to destroy production values through swamping the online world with badly-polished graphics.” he says.

A Frightened Boy http://www.rathergood.com/vid

for those into to some rough music and like cats, this flash animation is for you …… Show it to your kids, by all means, but NOT just before bedtime … !

http://www.rathergood.com/vines

These ones are rather good also …. [a little more ‘mild-mannered!]

http://www.rathergood.com/punk_kittens

http://www.rathergood.com/independent_woman

http://www.rathergood.com/kittens

http://www.rathergood.com/vikings

I fact, check out the whole of his blog at: http://www.rathergood.com You’ll be there for hours.

Clearly, skilled folks with nothing better to do šŸ™‚

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John Paul Caponigro – Photographer

http://www.johnpaulcaponigro.com

I thought, for the giggle, I would show you the price of photographic works, by a ‘proper’ photographer, dealing with some of my subjects. Caponigro is famous for some of his work, depicting Stonehenge.

http://www.johnpaulcaponigro.com/store/prints/index.html

or, from this gallery, they ask a very reasonable $1500 per print. Don’t believe me, take a look ….. >

http://www.photoeye.com/templates/ShowDetailsbyCat2.cfm?Catalog=PW006&LTD_EDITIO=1

I have included this here, for your information, so you may see how insulted I am, to be contiually asked by people to give my work to them for FREE or an occasional fiver.

NO, forget it .!!!

Caponigro biog:

Born in Boston in 1932, Paul Caponigro is renowned as one of America’s most significant master photographers. When he was thirteen, he began to explore the world around him with his camera and subsequently sustained a career spanning nearly fifty years. He is currently regarded as one of America’s foremost landscape photographers.

Acclaimed for his spiritually moving images of Stonehenge and other Celtic megaliths of England and Ireland, Caponigro has more recently photographed the temples, shrines and sacred gardens of Japan. Caponigro also inspires viewers with glimpses of deep, mystical woodland of his New England haunts.

He approaches nature receptively, preferring to utilize an intuitive focus rather that merely arranging or recording forms and surface details.

Music has always been an essential aspect of his life. Although he shifted from the piano to photography early in his artistic career, he remains a dedicated pianist and believes his musical training and insight contributes significantly to his photographic imagery. In his photographs the visual ā€˜silence’ becomes as tangible as ā€˜sound’.

Paul Caponigro has exhibited and taught throughout the United States and abroad. Recipient of two Guggenheim fellowships and three National Endowment for the Arts (NEA) grants, Caponigro’s images will be found in most history of photography texts and contemporary art museums.

I refered to this chap’s work and that of Fay Godwin, in my Photography BA Dissertation at:

http://tash.gn.apc.org/photo_degree_ntu.htm

I observed:

It is possible to conclude that so long as you stay away from public order situations, you will come to no harm.

Perhaps at the other end of the spectrum of photography to “front Line” action work, but still subject to restriction and injury, Fay Godwin has strikingly similar tales to tell.

She also feels her liberties threatened. In her book “Our Forbidden Land”, and a letter to BJP , she recounts her desire to photograph Stonehenge. On writing to English Heritage for permission to take photographs, outside normal working hours, she was asked to put up with film crews that may be present at the same time, and for a fee of Ā£200. On protest, the fee was waived but she was asked to restrict herself to just one visit, by appointment. Godwin replied saying that:

“Advertising film crews may be able to afford huge location fees. I do not expect to be charged for personal creative work.

Further, Stonehenge has been interpreted by many eminent photographers such as Brandt, Caponigro, Misrach, who have spent time with the stones and got to know them. It would be unthinkable for me to attempt in one visit, my interpretation. In future, it would appear that Stonehenge would only be interpreted by English Heritage `approved’ photographers. Possibly this could amount to a form of censorship?”

At the same place, Godwin experienced another form of censorship. She was within the circle at Stonehenge in June 1988 when there was fighting between the police and those attending the solstice:

“There was a very nasty atmosphere. I took a snap with a small amateur camera and as it was still dark, the flash went off. A policeman turned around and said `if you take any more pictures I’ll smash your camera’. This was before the riot started”.

* * * * * *

So, would Capanigro and Godwin be given any facility now-a-days to interprete the monument in a photograph now? Would the police have cracked TURNER round the head, while he was trying to paint it??

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Who Owns the Land: The copyrighting of our heritage

Fay Godwin

Violations of Rights in Britain Series 2 No.17

All over Britain, land is being taken away from the people who own it, or ruined by planning blight. People are being denied access to land, much of it common land, which they have valued for centuries for its beauty and natural resources. This echoes the past enclosures of the commons, by which land was taken from ordinary people and out of public use by the wealthy and used for sheep farming. Now land is being taken from us for cars, in particular for commercial road traffic. What is more, the money we pay in taxes is being taken away from public transport, health, education and other essential services while a staggering £28 billion is being spent on road building programmes. The government has announced plans to streamline the planning processes, so that there is less chance for us to protest at these violations of our land. Worse still, the Criminal Justice Bill now going through parliament would criminalise civil disobedience and protest.

But the protests will not go away. Despite these threats, battles still rage over Twyford Down and Solsbury Hill where whole communities are up in arms over the consequences of the government’s policy. More controversies lie ahead on the route of the Folkestone to Honiton south coast expressway, including the beautiful Brede Valley near Winchelsea in East Sussex, a High Weald Area of Outstanding Natural Beauty, where even roads Minister Robert Key foresees ‘heritage and landscape problems’.

At any time the Department of Transport may commandeer the land on which you live to build roads. And if you think of making a photographic or video record of what the DoT do to the land, beware. You could lose all the rest of your property. The only people allowed to use cameras are the faceless security people with their ubiquitous scanners, the police, and to a more limited extent, the accredited press. While all our lives are being permanently documented in an Orwellian manner, whether shopping, visiting museums, or driving our cars, as ordinary citizens it would seem we have no right to document our landscape.

While the police and their private security forces keep a full photographic record of all protesters, the government forces are more and more often preventing photographers from recording the damage to the land, and of course, their assaults on the protesters. Press photographers are endangered by Government demands for their exposed film, so that they are often seen as hostile by the protesters. Freedom of information looks to be further off than ever.

Maggie Lambert, a mature photography student, went to Twyford Down to photograph the stakes in the ground, and various ecological aspects. She and others were prevented from going on land which the DoT did not even own. She was served with an injunction which could have made her liable, with other injunctees, for all the damage and delays caused by the protesters, to the tune of nearly Ā£2 million. She was in fact not a protester herself. For several months she faced the loss of her home and financial ruin. She was supported by the NUJ, and the DoT lost its case, but will surely try again. One of the judges seemed particularly incensed that she was “not even a commissioned member of the press”, that she was taking the pictures for her own purposes. She was in fact the only photographer to be injuncted, and she was coincidentally the only student, and the only woman photographer. “I only wanted to photograph our landscape,” says Ms Lambert.

Apart from confrontations between the DoT and protesters, there are many other ways we are prevented from making a photographic record of our land. Some of our best-loved national institutions show the same worrying trend towards censorship.

Until recently photographers have been able to choose to photograph our landscape and heritage whether owned by the National Trust or any other institution or agency, and to publish the pictures. Now both English Heritage and the National Trust have copyrighted our heritage. English Heritage demanded a minimum of £200 per visit in 1988, perhaps more now, for the privilege of getting inside the ropes at Stonehenge to take photographs for my book Our forbidden land. Most of us who have not been commissioned, could not possibly afford to pay any fee, let alone such a huge fee. Stonehenge is central to our heritage, and until it was enclosed (that is, taken away from us) by English Heritage, photographers such as Brandt, Edwin Smith and Caponigro and many others had given us their views. Now, however, the only views we can see are those approved by English Heritage, commissioned by them, or at least permitted by them. They have effectively copyrighted Stonehenge. Needless to say, since I cannot get close enough to form my own view of this great circle, I have shown through my photographs how the site has been trivialised by the theme park approach of English Heritage.

That much loved institution, the National Trust, with over two million members, is potentially a far greater problem, since they are the third largest landowners in the country (largest are the Forestry Commission, under threat of privatisation, and MoD, definitely out of bounds to photographers). I am particularly concerned about the Trust’s gardens, and in the longer term, the open landscape. Their directors vigorously deny that they either censor our views of their properties, or copyright them. When I wrote a letter in a photographic journal pointing out that they do just that, they called me in to a meeting. They said there were three main conditions so far as photography was concerned. Firstly, they must control their image. If that is not censorship, I will eat my hat. Secondly, they state that they do not wish unsuitable products to be advertised, using their gardens as backdrop. That is easily dealt with, simply ban advertising in their gardens, unless permission has been granted for an agreed fee. And thirdly, of course, they need to make money by selling postcards, books etc. Well, the Trust with all their clout should be able to produce publications well enough so that the odd independent photographer is not a threat to them.

I am certainly not prepared or able to pay a ‘facility fee’ of anything up to Ā£200 a time to photograph in their gardens. They hold these properties on behalf of the nation, I am a member of this nation, and I happen to be a photographer. They do not charge painters a facility fee, nor writers who write about the properties.

The Trust assured me that they welcome amateur photographers, but at the same time would like to authorize any publication and to retain control of copyright. They know perfectly well that amateurs regularly publish their photographs in large-circulation magazines like Amateur Photographer and Rambling Today, and yet the Trust discourages ‘professionals’ whose work receives a far smaller circulation. The Trust also uses ‘volunteer’ amateur photographers to do some of their publicity work, and these photographers have to agree to give full copyright to the Trust and to “relinquish all rights…apart from private/non-commercial use”, as well as delivering all negatives and prints to the Trust.

We are being prevented from recording what I consider to be ‘our’ heritage, but which the Trust consider the be ‘theirs’. They are more landownerish than many of the most hardened private landowners.

This attitude to photography is a hindrance to all of us, and the government’s moves towards new laws on privacy in the wake of paparazzi-induced paranoia could pose an added threat to photographers, and reinforce agencies such as the Trust and English Heritage in their censorious ways. For instance: Terry Hulf, a Sussex photographer went for a walk on Trust land at Fairlight. He was coming down a public bridleway when he was accosted by two men. They told him that he had no right to take pictures on Trust land, and demanded his name and address so that they could report him to the local Trust warden, and to the police. Hulf refused, whereupon the men threatened to smash his camera.

There is no way the Trust would condone such thuggish behaviour, but the question that must be asked is: where did these two self-appointed ‘vigilantes’ get the idea that it was against the law to take pictures on National Trust open land on a public right of way? I think the Trust have only themselves to blame for this mistaken perception.

It is the National Trust jubilee in 1995, and I sincerely hope that they will see this as the occasion to change their attitude to photography, and see that photographers pose no more threat to them than painters, cartoonists, or writers.

It is imperative that we are free to publish our views of our land, whether to show the beauties of National Trust gardens or open landscape, Stonehenge, or the disgrace of the undemocratic methods of the Department of Transport in closing off access to and ruining many of our best-loved landscapes. The attitude of both these bodies is worryingly similar, and is symptomatic of a wider attitude to secrecy and the control of information among public bodies. It is an attitude inimical to reform and to enlightened environmental policy.

As Lloyd Timberlake wrote in Index on Censorship (June/July 1989), “it is impossible to maintain environmental quality and to use environmental resources sustainably without freedom of information. This has been true in the past, is true now, and is the basis for any hope that humankind will be able successfully to cope in the future with new environmental challenges”.

James Bryce proposed in his Access to Mountains (Scotland) Bill of 1884, “No owner or occupier of open country shall be entitled to exclude any person from walking or being on such land for the purposes of recreation or scientific or artistic study, or to molest him or her in so walking…”.

“For whoever may own the land, no man can own the beauty of the landscape; at all events no man can exclusively own it. Beauty is a king of property which cannot be bought, sold or conveyed in any parchment deed, but it is an inalienable common right; and he who carries the true seeing eyes in his head, no matter how poor he may otherwise be, is the legitimate lord of the landscape.”

Walks Around Huddersfield, G.S. Philips

Fay Godwin is a photographer and the author and co-author of 14 books including Our Forbidden Land, in 1990. This was a polemical look at the state of the UK environment with a plea for the basic human right of access to land and for a freedom of information act. She is well known for her workshops and landscape/environmental lectures. She gave a Schumacher lecture in 1991, was made an honorary Fellow of the Royal Photographic Society in 1991, and was President of the Ramblers’ Association from 1987-1990. She is now vice president of the RA.

http://www.charter88.org.uk/pubs/violations/godwin.html

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Entitlement Cards Unit: Home Office consultation on the subject, is now closed

Stand: A Cynic’s Guide To Entitlement (*cough* ID *cough*) Cards

http://www.stand.org.uk

The Government’s consultation on “Entitlement” Cards has now closed. Thanks due to the thousands of people who took the time and effort to write a response to the Home Office’s proposals and/or let their MP know about their feelings regarding ID Cards.

http://www.stand.org.uk/IdCardResponse.html

Home Office: Entitlement Cards Unit

The Entitlement Cards Unit is responsible for running the consultation exercise on an entitlement card scheme and for general policy on identity cards and proof of age cards.

http://www.homeoffice.gov.uk/dob/ecu.htm

Privacy International FAQ on the ID Card proposals is well worth a read

http://www.privacyinternational.org/issues/idcard/uk/uk-idcard-faq.html

This is a hugely complicated subject. For my own views and interest on the wider subject of surveillance, please visit my ‘main pages’ at:

On being watched @ http://tash.gn.apc.org/surv_10.htm

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Goose Fair BBC 360 image

http://www.bbc.co.uk/nottingham/360/goose_fair/aerial_shot.shtml

Include this here, because its a local event, well, you know, at the end of my street! and its an example of ‘good practice’ of this format. Hope to do more like this myself …..

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Operation ‘Real Estate’ – Nottinghamshire Police

Gun law – Guardian: Monday December 4, 2000

Britain’s police are famed for walking the streets armed with nothing more lethal than a truncheon. But now, for the first time, bobbies on the beat in two violent districts of Nottingham are carrying guns. John Kampfner asks, is this the shape of things to come?

http://www.guardian.co.uk/g2/story/0,3604,406343,00.html

From deep inside Sherwood forest, a revolution in British policing has begun. But its leaders deny it is any such thing. “There is nothing exceptional in what we’re doing,” says Assistant Chief Constable Sean Price. “This is not a Genghis Khan approach. We’re only doing what the police have always done – deploying the level of force appropriate to the threat.”

From his desk at Sherwood Lodge, the headquarters of Nottinghamshire police, Price is masterminding Operation Real Estate. At its heart is a strategy that, so far, every other police force in Britain has balked at – putting armed officers on the beat.

The decision was taken in February, when rival gangs shooting out a territory dispute left several people injured. Locals knew what was going on but were frightened to get involved. “I knew at the time this was the thin end of the wedge,” says Price. “If we hadn’t got a grip quickly, it would have got out of control.”

Six officers, operating in pairs and armed with Walther P990 pistols, were deployed on the Meadows estate and nearby St Ann’s, and have been there since. Supported by two “armed response vehicles” – ARVs – in which Heckler and Koch MP5 submachine guns are kept, they help unarmed officers to work the beat from dusk until the middle of the night.

Armed policing is, in itself, not new in Britain. It is a part of daily life in Northern Ireland, and people on the mainland are used to seeing armed officers at airports, City of London checkpoints and siege incidents.

But since Nottinghamshire police put armed officers on the beat, forces around the country have been watching closely. The officers and community leaders I spoke to in Nottingham admit there is no going back.

And the precedent it sets for the rest of the country is not lost on the local population. “This is a watershed,” says Delroy Brown, a community leader at the Afro-Caribbean national artistic centre in St Ann’s. The district is racially mixed, but most of the recent violence has involved black youths.

Brown does not dispute the need to do something, but wonders whether the police have thought through the race-relations implications of their actions. “This marks the paramilitarisation of the police. If they are armed, within five years you will see a disproportionate number of black youths being killed by mainly white officers.”

The police are sensitive to such fears. They insist the decision was taken only after considerable consultation with the council and residents. Price is adamant that the community is united across all ethnic groups – white, black and Asian – in supporting the move. He and his officers on the ground say there was no racial element in the violence and there is no racial element in the response.

According to Inspector David Powell, chief inspector of operations, the use of guns is only part of a broader strategy of combating criminality and drug dealing. The police and the council are targeting resources at the youngest gang members – around 12 years old – in an effort to stop a downward spiral into crime.

“We’re trying to give communities the confidence to stand up against violent behaviour,” he says during a guided tour of the locations in St Ann’s and the Meadows where the shootings occurred.

At first glance the Meadows seems an unlikely guinea pig for tough policing. There are no high-rise blocks: it is a collection of one- and two-storey houses subdivided into flats, with small paths and cul-de-sacs. But for all the people-friendly intentions, the design has only encouraged criminality. Getaways are easy along the maze of narrow, dark pedestrian lanes.

He shows me the spot in Abbotsford Road where one victim was shot in January as he was cycling home after midnight. Three youths had been trailing him in a Vauxhall Cavalier. One of them shot him in the stomach with a shotgun, causing serious injuries. It was one of nine shootings in just over a fortnight.

“We’re trying to wean residents off a culture of acceptance, from just shrugging their shoulders,” Powell says. His force is developing “information-sharing protocols” – encouraging people to snitch, sometimes through a third party if they are not comfortable approaching the police.

In both districts the trouble only begins at night. At dusk the six officers assemble at the force control room. They check their weapons and ammunition as they receive their instructions. Then they make the 20-minute drive into the city. Some nights they are armed, some not. When they are, they are under orders not to hide their weaponry as they tread the narrow alleys of the Meadows, and the wider, more exposed streets of St Ann’s.

The streets are very empty. For weeks now, there has been little for them to do. The show of force seems to have persuaded the gangs that used to roam the streets to keep out of sight – at least for the time being.

Black community leader William Stewart wonders whether, long term, it will work. “It’s heavy-handed,” he says. The strategy will not tackle the real problem: “None of us, least of all the police, is getting through to the kids. The ones involved in crime are the ones who are not being reached.” We are sitting in the local pub, The Poets’ Corner. Its owners have agreed with police that it should open only in daytime. At nights the potential for violence is too great. The evening before we met, the greengrocer’s next door had been burned down.

Nottingham is not exceptional. Its gangland problems do not rival those of Manchester or other major cities. Many locals point out that Nottingham is a vibrant city, with a resurgent cultural life and new buildings going up. According to Alan Simpson, MP for Nottingham South, increasing disparity in wealth in the city is one of the main causes of the problem.

The police, he says, “have been hung out to dry. They’re trying to tackle a problem that’s as much economic as anything else. Many of the regeneration and retraining schemes for areas like St Ann’s and the Meadows are short-lived. The money moves on as quickly as it arrives.”

Several community leaders I speak to, as well as the local Baptist and Anglican priests in St Ann’s, say that while the police were assiduous in consulting about Operation Real Estate in general, they were not entirely open about the specific decision to bear firearms.

The police say that some people are being selective with their memories; that everything was done to inform them, from pieces in local papers and community newsletters to public meetings. It was only when the issue came to national prominence that “certain people in Nottingham, who had been behind it, began to criticise it for their own political agendas,” says one police official.

The problem for the police now is that they could be locked into a strategy from which there is little escape. Each Friday, Price and his team carry out a progress report, partly on the basis of intelligence gleaned from the community. For the past few weeks he has concluded that the threat of violence has receded, and ordered his men to leave their weapons in the ARVs. But this, he makes clear, can change week by week.

So far, so good. Crime rates are down, criticism is muted. The figures are impressive. Since the operation began there have been only a handful of shooting incidents. More than 150 arrests have been made; a number of trials are about to begin. About 15 guns have been recovered.

But as with any deterrent, it only works if the other side knows that you are prepared to use it. And what if the unthinkable happens – someone is shot by the police during the operation? “The first time anything goes wrong it’ll be the last time the strategy has any credibility,” says Simpson.

Dr Karim Murji, a criminologist at the Open University, believes British policing is at a crossroads. “This debate about guns is part of the mythology of British policing,” he says. “We are in fact much further down the line than most people realise. The experience of the last two decades shows that it’s impossible to roll back on arming levels once they have been established.”

The main worry seems to be that we will go the way of the US, where easy access to weapons produces a more trigger-happy police culture. But what about Europe? It is perfectly normal in, say, France or Germany, to see a couple of armed officers, pistols in holsters, walk into a cafƩ or bar. If this were to become the norm in Britain, would it really be as bad as we imagine?

Intriguingly, there are now fewer police in Britain being given firearms training than there were in the 1980s. The number of officers authorised to carry guns has declined from 13,000 in 1983 to 6,300 in 1998. However, the number of armed operations has grown steadily, mirroring the growth in the criminal use of guns. Forces are specialising, providing more intensive training for what is, in effect, a new elite type of officer.

Two centuries of tradition have left Britain almost unique in the way it polices its communities. Police organisations, from the Association of Chief Police Officers to the Police Federation, are officially sceptical about a move towards the regular use of weapons. The last survey conducted by the federation showed a wide of range of views among officers about who should be trained to use arms and who, if anyone, should carry them. The majority remained doubtful about the effectiveness of regular armed policing, and wary of its social consequences.

But this latest incremental step is one of the most significant yet. “Whether they admit it or not, they are making a statement here in St Ann’s,” says Brown. “We are being used as a laboratory for a bigger experiment.”

It is easy to see what would constitute failure here: a breakdown in community relations, perhaps following a fatal shooting by police. But what if the Nottingham experiment is deemed a success? What if crime rates stay low and most members of the community say that – for all their initial fears – they now feel safer with armed police and want them to stay?

Then, for all the attempts by Nottinghamshire police to play down what they have done, they will have set an example that other forces will inevitably follow.

* * * * * *

Police take guns on routine street patrol Nottingham:

In a break with the famed British tradition that police are unarmed, officers carrying handguns in clearly visible holsters have been used on foot patrols in parts of a city. The operation marks a significant extension of the arming of British officers.

The armed patrols have been introduced in Nottingham to tackle a feared escalation of gun crime, much of it thought to be drugs related.

None of the officers involved has fired a shot during the six months of the operation. Nottinghamshire Police said the principal aim is to reassure people worried about criminals using guns on their estates.

The chief police officers’ association said it did not mean that Britain was moving towards arming officers. But the leader of rank-and-file officers suggested it was another step on the road to an armed force.

Guns have often been issued to officers at courts, sieges and armed robberies, and a number of city forces have made increasing use of armed response vehicles carrying trained firearms officers.

However, the Nottingham operation appears to be the first time outside Northern Ireland that armed officers have been used in routine patrolling on British streets.

The armed officers in Nottinghamshire Police’s D Division – covering the St Ann’s and Meadows areas – have been used as part of Operation Real Estate, launched in the spring when a spate of shootings, in which no one died, threatened to escalate gun crime in Nottingham.

Around 20 extra officers were drafted into the division, most of whom are qualified to carry firearms.

Nottinghamshire Police stressed that it was not a case of “bobbies on the beat” being given guns, but the use of specialist officers as one part of an operation to crack down on those carrying weapons. Unarmed community officers are still patrolling in the area and senior officers are assessing the operation week by week.

A force spokesman said: “It is about reassuring law-abiding citizens. Officers have firearms which are highly visible. This was a specific operation to target violence which was escalating and to prevent that escalation.”

She said that, so far, 150 arrests had been made and at least 15 firearms recovered.

A spokesman for the Association of Chief Police Officers said: “I can’t say categorically this is a first, because forces makes their own decisions. “But I’d be hard pushed to think of an exact parallel to the Nottingham case, where officers have been deployed on foot patrol in this way.”

Fred Broughton, chairman of the Police Federation of England and Wales, said: “None of us wants to go to an armed service, but we all see we are moving gradually towards it. But it has to be based on the risk, rather than a general decision to arm.”

The city has seen 14 shootings this year, including a 23-year-old shot at point-blank range at his front door by masked gunmen. In another incident, shots were fired into a house where an 8-year-old girl and her family were sleeping.

Many residents welcome the presence of armed police on the streets, but others were wary.

“It didn’t help in America, and there has got to be a better solution,” said Marian Webster, 43. “It is true that more and more youths are going to get arms, but I don’t think it is going to be the answer.”

Nick Marshall, 26, said he thought the police had no option. “The criminals are carrying guns,” he said. “I think police should be able to defend themselves.”

Des Wilson, the Nottingham City councillor for St Ann’s, said most people in his ward shared this opinion. “It’s a pity the police can’t extend it to other parts of the city,” he said.

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‘Location Data’ information held about my mobile phone:

article in the ONline section of the Guardian next thurday 6th February 2003

With the technology writer S A Mathieson of Guardian ONline section, I charged off trying to get the ‘location data’ held by the Cellnet / O2 company on the use of my own mobile phone.

They were generally obstructive and after complaint to the Data Commisioner, eventually came up with hundreds of sheet of information that was completely useless. The information was supplied in a ‘coded form’. They refused to give the additional information, that would make any sence of what they had eventually supplied.

The article on all this, will be in the ONline section of the Guardian next thurday 6th February 2003. So, do take a peek.

Location data, is the information that the phone companies keep, on the whereabouts of mobile phone users. I’ve gone off about the difficulties that I’ve had, in trying to get such information under the Data Protection Act.

To explain my interest a little further .. .. .. ..

I have been at demonstrations, when I’ve seen people, I know to be involved in the organisation of the event, use their mobile phone. Shortly after, I’ve seen a police ‘snatch squad’ charge in and arrest the person concerned. Having been nearby, I’ve not seen these people throw rocks or abuse that otherwise might well have caused them to be targeted. I could, of course, nave no idea if other ‘intelligence’ was being used..

Previous blog entry on the story so far …. at:

‘Location Data’ on the use of a mobile phone

http://tash_lodge.blogspot.com/2002_07_14_tash_lodge_archive.html#79031925

SA Mathieson`s webpage: http://www.samathieson.com

His Article Portfolio: http://www.samathieson.fsnet.co.uk/SAMathieson/portfolio.htm

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Gunshot surveillance and detection systems.

You will know from other areas of the website, that I have an interest in surveillance. Normally, this implies camera / optical surveillance. Now, this is being extended to ‘audio detection’ of gunshot.

Having described the community reaction and continued public disquiet on the streets of Nottingham. With the increase of gun crime and now several murders. Systems are being developed, to assist the police in the detection of gunshots in urban areas.

The Army has had these systems ‘cooking’ for a little while now

Shotguard: Gunshot Detection and Localisation – Army Technology

http://www.army-technology.com/contractors/surveillance/metravib

Police and local authority systems are now being developed for static and continuous monitoring in areas where gun use and crime in general is regarded as high. Obviously, with the sort of story I’ve just described, [in the previous blog entry] these systems will be increasing deployed alongside the existing CCTV networks.

Shot Spotter: World’s first proven gunshot location system.

http://www.shotspotter.com/g-pr-spie.html

Here you can see some ‘screengrabs’ of the software It gives you some idea of the capabilities.

http://www.shotspotter.com/g-shotmaps.html

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Mothers Against Guns

http://www.mothersagainstguns.net

The mother of murdered Nottingham teenager Brendon Lawrence will lead a march through Nottingham on Saturday, 1 February in the latest stage of a national community-led fight to end the devastation that gun crime causes to families.

Janice Collins, whose 16-year-old son was killed in St Ann’s last February, will be joined by other bereaved mothers of shooting victims and people from across the communities of Nottingham and elsewhere affected and concerned by guns. It follows a similar march in London in November.

The march will proceed from the Forest Recreation Ground to the city’s Royal Concert Hall where a meeting will be held to discuss action to tackle gun-related crime. Speakers will include mothers of victims of gun crime, Home Office Minister Lord Falconer, Nottingham South MP Alan Simpson, Lee Jasper of the London Mayor’s Office, St Ann’s Councillor Jon Collins and other community representatives. Locally based Chariots of Joy Gospel Singers, from the Pilgrim Church The Meadows, will close the meeting.

The march is scheduled to set off from the Forest Recreation Ground at 11.30am, with the meeting at the Royal Concert Hall in Nottingham, due to start at 12.30pm.

Route map can bee seen at:

http://www.mothersagainstguns.pwp.blueyonder.co.uk/FebMarch.htm

* * * * * *

Lee Jasper, adviser to London Mayor Ken Livingstone, and adviser to the Metropolitan Police has launched a powerful new advertising campaign designed to secure community support in order to reduce the number of shootings in London’s Black communities.

http://www.met.police.uk/trident/campaign.htm

Home Office Minister Lord Falconer and some of the ‘Mums Against Guns’

Tony – Nottinghamshire Black Police Association

National Black Police Association .. http://www.bpa.cc & http://www.nationalbpa.com

* * * * * *

Brendon Lawrence was just 16 years of age, twin brother to Calvin. Brendon was a kind, caring young boy who was very close to his twin. Brendon spent most of his time in his room listening to music and was not part of a street gang.

On the night of Tuesday 19 February 2002 Brendon was shot dead a few hundred yards from home, which he had just left to visit his dad. Brendon died almost instantly so I never saw my son alive again. When Brendon died a part of Calvin died also. Our lives have been in turmoil since Brendon was shot and killed and will never be the same again. The local community were deeply shocked and outraged immediately after this senseless murder. Flowers and tributes were immediately placed at the scene and have been replaced every week by those who he has left behind, particularly by myself and his twin brother Calvin.

At Brendon’s funeral, over 500 people took part in the funeral cortege to the service where over 1,200 heard local vicar, Richard Clark plead in his sermon “I know someone in this church knows who shot Brendon – speak out!” On 17 December, a candlelit vigil took place where over 200 people braved freezing temperatures to stand in solidarity with me in testament to a life cut short.

Brendon’s killers have never been caught and his murder is still under investigation.

Brendon is still very much missed, loved and remembered every day.

.. .. .. .. I wish them well.

* * * * * *

Mothers march for dead sons – BBC News

Mothers of shooting victims have marched through Nottingham to call for an end to gun crime.

The march was led by Janice Collins, the mother of teenager Brendon Lawrence who was shot dead in the street last year. She said: “My lad, 16 years of age and shot dead. It has got to stop.”

Hundreds of families and friends of shooting victims from around the country joined the march, organised by Mothers Against Gun Crime. “The government has got to listen to the parents of children who have been shot down by guns. “They have got to hear what the mother’s are saying. We have lost our children – the politicians haven’t lost theirs,” said Mrs Collins. Brendon was on his way to visit his father when he was shot dead in St Ann’s. His killers are still at large.

Mother’s Against Gun Crime wants a ban on all imitation handguns, tougher sentences for carrying guns and for using guns.

Lucy Cope, whose son Damian was shot in London last July, helped set up the march and a similar march in south London in November last year. “We want to show the government that we aren’t going to go away. “We are going to be the voice of the people and we won’t stop until we are heard.” Bereaved families from cities such as Birmingham and Manchester joined in the chants of “stop the killing” as they walked through the centre of Nottingham.

Patsy McKie, whose son Dorrie was killed in August, 1999, in Manchester, said: “We are standing together. “Although we are from different places and different ethnic backgrounds we all want change in our communities.”

The Home Secretary, David Blunkett, has called gun crime a blight on society which the government is determined to tackle head on. But recent proposals for minimum sentences for offenders were criticised after it emerged that five-year minimum sentences would not be imposed in all cases. Gleen Reid, who son Corey was shot dead in Birmingham two years ago, said: “We have got to do something about it or it is going to keep escalating like it is at the moment.”

Brendon Lawrence was gunned down in a Nottingham street: Nottingham Evening Post

The bullet which killed Damian Cope also broke his mother’s heart: Nottingham Evening Post

US-style gun law comes to Britain: The Guardian

Nottingham police on armed foot patrol after rise in shootings

Teenager’s murder remains unsolved: BBC News

Armed patrols after shootings: BBC News

Guardian Special Report: Gun violence in Britain

http://www.guardian.co.uk/gun/0,2759,178412,00.html

So much about war and terror of late, but still so little [by comparison] about war on OUR streets, right here, right now …

* * * * * *

So much for reassurance. Nottinghamshire Police announced later in the day, that an officer from the ‘Armed Responce Unit’ has just ‘lost’ a clip of 15 rounds, while out on operations on saturday night.

Bloody Heck!! Scary, or what.

Apparently, it fell off the officers belt at some stage. Needless to say, they’ve been having a look. The clip is described as colour black and about 6″ long. If found, tell a policeman.

* * * * * *

My spies in Bristol have told me that they have been having some similar adventures, down there in the West Country, similar to Nottingham. Debate and description on the IndymediaBristol site at:

Guns in Bristol: http://www.bristol.indymedia.org/front.php3?article_id=2995&group=webcast

Thanks Ian for this. Cheers …..

* * * * * *

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Photographers Information Lists: ProDIG.org and EPUK – Editorial Photographers UK

I have just joined this group on digital photography: and it seem like I might learn a load.

ProDIG the forum for professional digital image makers

http://www.prodig.org

An email forum for professional image makers: to discuss digital imaging issues affecting their work and the industry. The Prodig List is open to all artists, designers, photographers, printmakers, system operators etc involved in professional digital imaging.

* * * * * *

EPUK – Editorial Photographers UK

Have been on this list, almost since it’s beginning, three years ago.

A private mailing list and public resource for editorial photographers. The business of editorial photography, copyright, fees, terms & conditions, contracts.

http://www.epuk.org

* * * * * *

EPUK was inspired by the original Editorial Photographers email discussion list and set up to address business issues as they affect photographers working in the UK and Irish markets.

The bulk of EPUK takes place in a private discussion. All photographers working for the UK or Irish editorial markets are welcome to apply for membership.

EPUK was set up and is run entirely by photographers.

They have links with other organisations representing photographers such as the

Association of Photographers (AoP) http://www.aophoto.co.uk

and the

National Union of Journalists (NUJ) http://www.nuj.org.uk

EPUK intends to be the number one way of finding out about the business of editorial photography.

EPUK is the number one forum for the business of editorial photography

EPUK is a support and information exchange

EPUK is the fastest growing resource for photographers working in the editorial market in the British isles

EPUK promotes photographers’ interests and professional business practices

To join: http://www.epuk.org/join/index.html

* * * * * *

Thought I might mention here, I keep a frameset of links, to all the groups I’m to do with.

http://homepage.ntlworld.com/tash.lodge/Messages/index.htm

I’ve made it for my convenience, in keeping up with the latest from all of them. Some you need to subscribe to, to view the messages.

But I include the link here, in case It’s of some wider use ……. >

* * * * * *

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Self Portrait: Fill-in Flash and long exposure

Technical notes:

Trying to learn a little more, on ‘fill-in flash’ and movement.

In this instant, the ambient light was bright / hazy. Because I was using HP5 @ 400asa, [ie quite fast for the circumstances, I put a polarizer filter over the lens, to ‘loose’ about 2 stops. So, with lens set at f22, I produced a ‘balanced’ exposure by measuring the daylight then reducing it by 1 stop. Likewise, flash was set at f16, thus reducing its light by 1 stop. Added together, exposure should be about correct. Flash freezes me, producing a sharp image. The background, out of range of the flash, is blured, because the shutter speed was 1/4 sec.


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Hippyland! – for all things hippy, apparently ……..

http://www.hippy.com

They say

“The site is dedicated to the hippie in all of us. Hippies young and old will find a very active community here.”

‘Tis all a bit american-centric for my tastes, and they seem to have quite a lot of ‘hippy accessories’ for sale!! but,

here it is anyway.


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ā€˜What Past? Whose Past – Who Owns Stonehenge?

University of Reading: School of Continuing Education: Town Hall Lectures 2003:

This is one of the many lectures, organised by the University of Reading: School of Continuing Education, spring Season

Have contributed the use of a photograph of ‘stonehenge and barbed wire’ for use in the publisitity for this event. Flyers posters etc.

I am so glad that there continues to be such debate about these subjects. Our heritage is under continued threat, from those authorities that feel we have few rights over antiquaties and ‘ OUR ‘ history.

http://www.extra.rdg.ac.uk/events/displays/publectur.asp

Title: The Town Hall Lectures 2003: ā€˜What Past? Whose Past’

Description: Professor Barbara Bender of University College London and author of ā€˜Stonehenge: Making Space’ and ā€˜Landscape: Politics and Perspectives’ will discuss how the study of key sites, including Stonehenge, can lead to conflict or, sometimes, reconciliation in ā€˜What Past? Whose Past?’

Location: The Town Hall, Reading Start time: 7.30pm

Date: 17:3:2003

Ticket Price: Ticket Price Concession: –

Contact: Hexagon Box Office Phone: 0118 960 6060

Intended audience: This event is open to members of the public

http://www.reading.ac.uk

Stonehenge Yahoo Groups, about all this …….

http://groups.yahoo.com/group/stonehengeentertainmentsdiscussion

http://groups.yahoo.com/group/Stonehenge2003Celebration

http://groups.yahoo.com/group/stonehengepeace


Subscribe to stonehengeentertainmentsdiscussion

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Pub music scene ‘under threat’

http://news.bbc.co.uk/1/hi/entertainment/music/2452103.stm

The live music circuit across England and Wales could suffer under government plans to change licensing laws, the Musicians’ Union has warned.

Pubs and bars without an entertainment licence will no longer be able to host gigs by solo performers and duets, as they can now.

Many venues may be forced to abandon live music to avoid the trouble and expense of getting a licence, the Musicians’ Union said.

The government denies it will be harder to stage gigs, saying the fee to get an entertainment licence – which can be up to Ā£20,000 – will be scrapped to provide an incentive to pubs.

But critics say that expense could be replaced by costly licence conditions imposed by local authorities.

The music industry relies on “small, local, informal music-making”, according to Hamish Birchall, advisor to the Musicians’ Union.

“There are very few pubs and bars hosting live bands and we think it should be normal to enjoy live music in local venues as part of everyday life,” he said.

“I don’t think this will make it any better, I think it could make it worse.”

Musicians could lose work if there are fewer pubs willing to book them, he added.

Many performers and landlords have been pushing for a change to the current rule – known as “two in a bar” – which says pubs without a licence can play host to a maximum of two musicians.

The cause was highlighted in July when Billy Bragg and David Heath MP sang at a Westminster pub surrounded by MPs with their mouths taped shut.

But the proposed law looks set to be even more unpopular, with Mr Birchall pointing out that small-scale venues in Scotland, most of Europe and New York City do not need licences for incidental live music.

A spokesman for the Department for Culture, Media and Sport said the plans would “streamline” the application process.

The current rules were introduced in 1961 when two performers in a bar “could make less noise and nuisance” than is possible with today’s technology, the spokesman said.

“The proposals mean there will be no extra cost incurred by applying for an entertainment licence, therefore it will act as an incentive.”

But consultations with fire services, police, local authorities and residents could result in extra conditions, said Mr Birchall, who is also a jazz drummer.

Many councils insist that pubs and bars with entertainment licences employ bouncers and install closed circuit televsision, he said.

The Musicians’ Union did not oppose the need for large, dedicated gig venues to have entertainment licences, he said.

He added that further proposals could force hotels and venues for wedding receptions and corporate functions to get licences if they wanted to continue having live music.

Musicians Union http://www.musiciansunion.org.uk

More on the “new licensing laws to ban live music”

http://tash_lodge.blogspot.com/2003_01_12_tash_lodge_archive.html#87443263

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ā€˜What Past? Whose Past – Who Owns Stonehenge?

University of Reading: School of Continuing Education: Town Hall Lectures 2003:

This is one of the many lectures, organised by the University of Reading: School of Continuing Education, spring Season

Have contributed the use of a photograph of ‘stonehenge and barbed wire’ for use in the publisitity for this event. Flyers posters etc.

I am so glad that there continues to be such debate about these subjects. Our heritage is under continued threat, from those authorities that feel we have few rights over antiquaties and ‘ OUR ‘ history.

http://www.extra.rdg.ac.uk/events/displays/publectur.asp

Title: The Town Hall Lectures 2003: ā€˜What Past? Whose Past’

Description: Professor Barbara Bender of University College London and author of ā€˜Stonehenge: Making Space’ and ā€˜Landscape: Politics and Perspectives’ will discuss how the study of key sites, including Stonehenge, can lead to conflict or, sometimes, reconciliation in ā€˜What Past? Whose Past?’

Location: The Town Hall, Reading Start time: 7.30pm

Date: 17:3:2003

Ticket Price: Ticket Price Concession: –

Contact: Hexagon Box Office Phone: 0118 960 6060

Intended audience: This event is open to members of the public

http://www.reading.ac.uk

Stonehenge Yahoo Groups, about all this …….

http://groups.yahoo.com/group/stonehengeentertainmentsdiscussion

http://groups.yahoo.com/group/Stonehenge2003Celebration

http://groups.yahoo.com/group/stonehengepeace


Subscribe to stonehengeentertainmentsdiscussion

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Statewatch press release, 29 January 2003

UK: Surveillance of communications doubles under Labour

A special analysis on the surveillance of telecommunications by Statewatch shows that the authorised surveillance in England, Wales and Scotland has more than doubled since the Labour government came to power in 1997.

Figures published by the Interception of Communications Commissioner for England, Wales and Scotland (no figures have ever been made available on Northern Ireland) for 2001 appear to show that the number of interception warrants issued dropped from 1,900 in 2000 to 1,445 in 2001. But the true picture is quite the reverse. Changes to warrants, “modifications”, which previously required a new warrant have been excluded from the figures – when these are added it shows that the total number of warrants issued in 1996 (the last full year of the Conservative government) was 1,370 and for 2001 the total was 3,427. Moreover, even these figures are a major under-estimate due to changes introduced under the Regulation of Investigatory Powers Act 2000 (RIPA).

Tony Bunyan, Statewatch editor, comments:

“The official figures are a travesty. Figures are provided which show that surveillance warrants have doubled since Labour came to power in 1997 – they are now more than double the figures in the Second World War. But no figures are given on other major changes brought in under RIPA 2000 that would show the real extent of interception.

The new method of issuing warrants and changes to them is said to make life easier for officials but at the same time it hides from public view the true extent of surveillance.”

For the full analysis and figures see:

http://www.statewatch.org/news/2003/jan/11ukteltap.htm

For further information please ring:

0208 802 1882 (UK)

00 44 208 802 1882 (International)

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Photography and Blogs

There are some with an interest in photography, that use blogs. Here a selection that I watch with interest:

Photography/Programming/Photojournalism/Tech News

http://www.jimfri.com/blog

photojunkie

http://www.photojunkie.org

StillPixels

http://www.stillpixels.org

Picture Yourself

http://pictureyourself.org

photography the [lomo] blog archives

http://lomoblog.com/2.0

Jeff Shafer’s Photography Weblog

http://radio.weblogs.com/0118038/categories/photography

Gizmodo : The Gadgets Weblog

http://www.gizmodo.com

curiousLee – design of information, web and technology

http://www.visuallee.com/weblog

DV Video for Teachers

http://dvforteachers.manilasites.com

oh, and me!!

ONE EYE ON THE ROAD,

http://tash_lodge.blogspot.com

[but you know that, ‘cos you’re reading me]

I keep myself, updated on these, and others, using Blogarithm.com

http://www.blogarithm.com

Blog updated service: Blogarithm.com [covered, earlier in my blog at]:

http://tash_lodge.blogspot.com/2002_10_13_tash_lodge_archive.html#82980294

There is also , rss feeds, Feedreader etc . but they don’t work with the Blog-Spot the ‘free’ service.

So i have to update manually using the Weblogs.com

http://newhome.weblogs.com/pingSiteForm

Being notified of Blog changes: Weblogs.com http://tash_lodge.blogspot.com/2002_11_10_tash_lodge_archive.html#84580674

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Self-Portraits: Reflections in a CD

Shot these of my reflection in a CD, using a flashgun exposed by TTL. Trying to come across all digital!!

..


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Exodus : Raves / Party in America

Hello all: in the interests of international relations, I’m putting up this mail, just received from the States, about the commonality of our problems with the authorities, both side of the atlantic. Just trying to gather, and dance…..

Drop him a mail at : paulfox@gayraver.org if you want to get involved.

“Your site came up when I was looking for Exodus. I¹ve spent the better part of my day trying to find more information about the Exodus project. Do you know if they have an ³official² web site? I¹m stuck over here in america so it¹s kind of difficult to do any research over there. Your help is sincerely appreciated.

The reason I¹m interested in reaching them is that we have similar issues going on over here with our parties and freedoms. I¹m seeking advice, information, and a possible move to start an international coalition. If one has already been put together I want to participate.

Lates,”

http://www.gayraver.org

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Info from eFestivals re: glastonbury 2003 licence hearing

After initial refusal, there’s another licence hearing with the local authorities on 17th February,

http://www.festivals.co.uk/festivals/glastonbury

the progress of all this, will of course, have influences on what happens in and around Stonehenge. Whatever happens, the conditions under which the licence will be granted will be pretty onerous. Not something I particularly wish to be associated with. Have been told before, that my sort is not welcome there. Feelings mutual! It is not the festival it was, mealy an ‘outside concert’ [however big!] run by Mean Fiddler, for profit and their shareholders, and held under oppressive surveillance.

Previously : “Glastonbury refused licence – Michael Eavis to appeal”

http://tash_lodge.blogspot.com/2002_12_08_tash_lodge_archive.html#85990029

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