Went to the Artist Talk & Walkthrough. Saturday 13th June, 12pm
Juan Aguirre will speak about the ideas behind Los Viejos y Olvidados, from its roots in Mexican history to the personal experiences that shape the work. The session will be informal and open, with time for questions and discussion.
Los Viejos y Olvidados (The Old and Forgotten), an exhibition by Juan Aguirre
Surface presents Los Viejos y Olvidados (The Old and Forgotten), a solo exhibition by Juan Aguirre. ‘Each person represented in Los Viejos y Olvidados has a certain value to offer, a piece of history and a moment of the past.’ Through black and white paintings portraying ordinary people, historical figures, and cultural moments with striking contrast and sensitivity, the artist invites audiences to reflect on the stories and histories that shape cultural identity. Focusing on those remembered and forgotten, the works evoke a world that once existed.
Originally from Guadalajara and now based in Nottingham, Juan is a multidisciplinary artist working with acrylic, ink, sculpture, and mixed media. He has previously exhibited in his country of birth, Mexico, and more recently participated in a group exhibition at the Mall Galleries, London.
Los Viejos y Olvidados explores themes of memory, nostalgia, and identity, bringing attention to lives often overlooked, while offering a perspective on Mexican history that resists dominant, US-centric narratives. His work reinterprets early 20th century Mexico through a monochromatic visual language. To realise this exhibition, he undertook a process of archival research, discovering the work of artists such as Lola Álvarez Bravo and Víctor Casasola. These influences highlight the nuances of a culture striving to be reborn during the 1910 Revolution and its aftermath.
At Speakers Corner this afternoon in Nottingham, I met some Hong Kong pro-democracy protesters, keeping the issues alive.
On June 12, 2019, a major confrontation took place in Hong Kong during the early phase of the 2019-2020 pro-democracy protests. The immediate trigger was a controversial extradition bill proposed by the HK government that would have allowed suspects to be sent to mainland China for trial. Many residents feared it would undermine HK’s judicial independence and civil liberties.
That day, tens of thousands of protesters surrounded the Legislative Council Complex in the Admiralty district to stop the bill’s second reading. Demonstrators blocked roads and government buildings, leading lawmakers to postpone the debate.
The situation escalated into violent clashes between protesters and police. Riot police used tear gas, rubber bullets, bean bag rounds, pepper spray, and batons to disperse crowds. Protesters used umbrellas, barricades, and improvised defenses. Dozens of people were injured, including protesters and police officers.
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I visited Belfast about a year ago (and I am glad I did so then rather than now). Following my visits to the Shankill and Falls Roads, I compiled these photo galleries. The street art from both the Unionist and Nationalist communities demonstrates not only their immediate local concerns, but also their broader global perspectives.
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Surveillance Is Not Safety: A statement on the UK’s latest threat to privacy
June 8, 2026
Children deserve to be safe, protected, and nurtured. They do not deserve surveillance, funding cuts, and cover-ups. Children also deserve their human right to privacy, as does everyone. The UK government’s demand that all content on all devices sold or used in the UK be scanned on the presumption of nudity, using a dystopian combination of age verification and content scanning, will not safeguard children. It endangers us all, whilst strengthening Apple, Google, and Microsoft’s market dominance and their control over our most personal information.
Forcing all UK residents to prove their age and/or have all their content scanned, simply to exercise their fundamental right to communicate, is a perilous proposition. We know that mass surveillance and censorship capabilities, however sincere-sounding the promises of those who initiate them are, never remain narrowly scoped. Once created, they will be expanded, forming a dangerous tool that will be wielded both in the UK and abroad to censor and surveil whatever they might consider “threats” or “harmful content.” Promises that this system will only run on-device are cold comfort. Wherever it runs, including the “camera” itself once it is in place on UK devices – its scope will be defined by the whims and proscriptions of the government to detect nudity today and political speech tomorrow. We know from history that once in place, there will be an inevitable authoritarian expansion of the kind of content and people these technologies will be expected to surveil. We also know such tools will be leveraged to automatically report people to government authorities. We have already seen law enforcement agencies ask for similar widely-scoped powers which are ripe for exploitation in an increasingly tenuous political landscape. This proposal will not keep children safe. Child safety looks like well-funded education, robust social services, and meaningful guardrails on the very AI technologies and platforms the current government is eagerly courting. What the UK government wants instead is invisible surveillance infrastructure, switched on by default and potentially rushed into law under cynical pretexts. All of this with scant care for the actual needs of the children they claim to be protecting or the horrifying and far-ranging consequences that will ensue in practice.
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A few snaps from last night’s chat with @matthew._collin taken by one of the great social documentarians of the counterculture @tashuk . Thanks to everyone who came along and contributed ❤️
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A quiet observer of the shifting light, He walks the hills where shadows take their flight, With silver-halide patience, slow and deep, He wakes the landscapes from their ancient sleep.
No frantic shutter, no rehearsed display, But catching truths that hide in plain of day; The granite spine, the velvet of the moor, A testament to what has gone before.
The lens becomes a bridge, a steady eye, Between the earth below and weeping sky; He maps the wild, the rugged, and the vast, And binds the present to a storied past.
In every frame, a whisper of the breeze, The patient growth of weathered, stunted trees, Alan finds the soul within the stone, And brings us wonders we might not have known
>>>>> Well, all this might be true if I wasn’t still on crutches !!!!! Again, one day innit.
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Curating a retrospective exhibition is a significant project that moves beyond simply organizing photos; it is about telling a coherent story of your growth, style, and evolution as an artist. Given your technical proficiency with the Nikon Z9 and Lightroom, you are well-positioned to approach this with professional rigour.
Here is a roadmap to help you transition from managing digital collections to curating a physical or virtual retrospective:
1. Define the Narrative (The “Why”)
A retrospective is not just a collection of your “best” hits; it is a timeline of your artistic voice.
The Thread: Identify the underlying narrative. Is it chronological, thematic, or a study of your technical evolution (e.g., your early work vs. your current high-end digital workflow)?
The Editing Process: Be ruthless. Start with a large pool (e.g., 100 images) and whittle it down to a “tight” 20–30. Use your experience in Lightroom to flag these, but seek an objective eye—a friend or fellow creator—to help you identify which images truly represent your vision.
Hero Images: Select 4–5 “hero” pieces. These are your anchors; they should be the largest or most prominently displayed, carrying the weight of your exhibition’s message.
2. Design the Experience
Whether physical or online, you are guiding a viewer through a “visual journey.”
Spatial Flow: If physical, map out your wall space. Think about how the viewer moves: where do they pause? Where do they need space to breathe? Avoid overcrowding—empty space (“negative space”) is just as important as the art itself.
Contextual Layers: Use labels, but consider being creative. You can offer simple, factual details (Title, Year) or more narrative-driven captions that explain the “story behind the story.”
Immersive Elements: If digital (e.g., on a website or social media), consider how you can use sequencing to create a sense of movement, perhaps mirroring the pacing you use in your TikTok photo slideshows.
3. Logistical Foundations
Since you are familiar with managing web-based retail via WordPress and WooCommerce, you already have the tools to handle the “business” side of an exhibition:
Print Quality: Invest in professional-grade printing (e.g., Giclée prints on textured paper) to ensure your Z9’s high-resolution files are honored.
Consistency: Keep framing and mounting sizes consistent to maintain a professional, gallery-style aesthetic.
Promotional Assets: Treat your exhibition marketing like a project rollout. Create a clear “Save the Date,” a digital invite, and a post-exhibition recap to keep the momentum going on your social channels.
4. Technical Checklist
Calibration: Ensure your monitor is color-calibrated before finalizing your edits for print.
Documentation: Record the process. Photograph the setup, the final display, and the opening night. This documentation serves as a portfolio piece for your future exhibitions.
Feedback Loop: Include a simple way for viewers to leave their thoughts (a physical guestbook or a digital QR code link). Use this data to inform your next project, just as you would with a software project retrospective.
A Reflective Question
As you consider your retrospective, are you envisioning a chronological look at your photography journey over the years, or are you looking to group your work by thematic projects (like your interest in subcultures or abstract photography)?
Something had to be done! Stonehenge appeared central to the situation. Police “Operation Solstice” was initiated.
At a meeting of the Association of Chief Police Officers (ACPO), in early 1985, it was resolved to obtain a High Court Injunction preventing the annual gathering at Stonehenge. This was the device to be used to justify the attack at the “Battle of the Beanfield” on the 1st June in Hampshire. Well it wasn’t a battle really.
It was an ambush.
It was a magnificent convoy stretching and snaking its way over the Wiltshire Downs, as far as you could see in either direction. It was a warm Saturday afternoon as we drove through villages, people stood outside their garden gates, smiling and waving at us. A carnival atmosphere with little evidence of the ‘local opposition’ that we had been lead to believe was one of the reasons for obtaining the court orders. A police helicopter watched overhead but there was little other sign of trouble until……..
Seven miles from Stonehenge (the exclusion order was for four and a half miles), just short of the A303 and the Hampshire / Wiltshire border, two lorry loads of gravel where tipped across the road. Up to this point, no laws had been broken. I got out of my truck to take photographs when I first saw some twenty policemen running down the convoy ahead of me smashing windscreens without warning and ‘arresting’ / assaulting the occupants, dragging them out through the windscreens broken glass.
I and others who saw this were fearful of the level of violence used by the police in making arrests. Clearly we were in for a beating, again! Running back to our vehicles, we drove through a hedge in to the adjacent field.
The scale of the police operation was becoming obvious. The same level of violence had been applied to the rear of the convoy. Large numbers of police in many lines deep could be seen on the road forming up.
From then on, the situation grew more tense. More police reinforcements were brought up wearing one-piece blue overalls – without numbers!, ‘Nato-style’ helmets with visors and both full length perspex shields and circular black plastic shields. A ‘stand-off’ situation developed with sporadic outbreaks of violence.
Working with the festival welfare agencies, I was directed to a number of head injuries that has resulted from the initial conflict on the road. All of these injuries were truncheon wounds to the back of the head and some people were quite distressed. I was shown one man, about 20 years old who was semi-conscious with yet another head wound. I was fearful of him dying. An ambulance was called and I assisted the attendant and helped convey the casualty through police lines. The ambulance crew were initially apprehensive about their safety but assurances were given.
In between the taking of photographs, the copious first aid and concerns for my family and friends, I attempted to start negotiations and set up lines of communications with the middle-ranking ‘line’ officers. There was no ‘middle ground’ to be found, so, with others I organised a meeting with Assistant Chief Constable Lional Grundy. He was in charge of the overall operation. It was early evening before we were able to meet him. The tone of the meeting was ‘do what your told or else!’ He reiterated that people should be leave their vehicle and be arrested.
Because of the fear of what that might intail (after viewing the violence earlier in the day), those I met with were reticent about this. I met Grundy again a little later and attempted to reason further with him, but the ACC then threatened to arrest me for obstruction if I persisted.
Police in full kit were now massed in large numbers and obviously getting ready to charge. It turns out that police had been arresting a lot of people around Stonehenge earlier in the afternoon. At 7.00pm, Grundy had sixteen hundred policemen from six counties, Ministry of Defence police and some believe, army officers in police uniforms!!!
They had been briefed that we were all violent anarchists (see newspaper headlines earlier), rather than a bunch of young people and families with children.
They charged.
The scenes that followed were recorded by media that had evaded the police blockade. The story was international news. ‘Dixon of Dock Green’ type policing was dead. That which Britain was noted for had now changed to para-military operations against minority groups.
Kim Sabido of ITN, a reporter used to visiting the worlds ‘hot spots’ did an emotional piece-to-camera as he described the worst police violence that he had ever seen.
“What we – the ITN camera crew and myself as a reporter – have seen in the last 30 minutes here in this field has been some of the most brutal police treatment of people that I’ve witnessed in my entire career as a journalist. The number of people who have been hit by policemen, who have been clubbed whilst holding babies in their arms in coaches around this field, is yet to be counted…There must surely be an enquiry after what has happened today”.
There wasn’t.
When the item was nationally broadcast on ITN news later that day, Sabido’s voice-over had been removed and replaced with a dispassionate narrator. The worst film footage was also edited out. When approached for the footage not shown on the news, ITN claimed it was missing. Sabido said.
“When I got back to ITN during the following week and I went to the library to look at all the rushes, most of what Id thought wed shot was no longer there,” recalls Sabido. “From what I’ve seen of what ITN has provided since, it just disappeared, particularly some of the nastier shots.”
Some but not all of the missing footage has since surfaced on bootleg tapes and was incorporated into the Operation Solstice documentary shown on Channel Four in 1991.
Public knowledge of the events of that day are still limited by the fact that only a small number of journalists were present in the Beanfield at the time. Most, including the BBC television crew, had obeyed the police directive to stay behind police lines at the bottom of the hill “for their own safety”.
One of the few journalists to ignore police advice and attend the scene was Nick Davies, Home Affairs correspondent for The Observer. He wrote:
“There was glass breaking, people screaming, black smoke towering out of burning caravans and everywhere there seemed to be people being bashed and flattened and pulled by the hair….men, women and children were led away, shivering, swearing, crying, bleeding, leaving their homes in pieces…..Over the years I had seen all kinds of horrible and frightening things and always managed to grin and write it. But as I left the Beanfield, for the first time, I felt sick enough to cry.”
During the charge, I took photographs, but I put my camera away. My (ex) -wife and I comforting and cuddles with each other for fear, before we were attacked..
530 were arrested that day ( both at the Beanfield and at Stonehenge), the most in any operation since the Second World War.
Photographic evidence is scant because of the nature of the action. Ben Gibson, a freelance photographer working for The Observer that day, was arrested in the Beanfield after photographing riot police smashing their way into a Traveller’s coach. He was later acquitted of charges of obstruction although the intention behind his arrest had been served by removing him from the scene. Most of the negatives from the film he managed to shoot disappeared from The Observers archives during an office move.
A friend and fellow photographer Tim Malyon narrowly avoided the same fate:
“Whilst attempting to take pictures of one group of officers beating people with their truncheons, a policeman shouted out to get him and I was chased. I ran and was not arrested.”
Tim Malyon’s negatives have also been lost with only a few prints surviving.
One unusual eye-witness to the Beanfield nightmare was the Earl of Cardigan, secretary of the Marlborough Conservative Association and manager of Savernake Forest (on behalf of his father the Marquis of Ailesbury). He had travelled along with the convoy on his motorbike accompanied by fellow Conservative Association member John Moore. As the Travellers had left from land managed by Cardigan, the pair thought “it would be interesting to follow the events personally”. Wearing crash helmets to disguise their identity, they witnessed what Cardigan described to Squall as `unspeakable’ police violence.
Cardigan subsequently provided eye-witness testimonies of police behaviour during prosecutions brought against Wiltshire Police.
These included descriptions of a heavily pregnant woman “with a silhouette like a zeppelin” being “clubbed with a truncheon” and riot police showering a woman and child with glass. “I had just recently had a baby daughter myself so when I saw babies showered with glass by riot police smashing windows, I thought of my own baby lying in her cradle 25 miles away in Marlborough,” recalls Cardigan.
After the Beanfield, Wiltshire Police approached Lord Cardigan to gain his consent for an immediate eviction of the Travellers remaining on his Savernake Forest site.
“They said they wanted to go into the campsite `suitably equipped’ and `finish unfinished business’. Make of that phrase what you will, says Cardigan. “I said to them that if it was my permission they were after, they did not have it. I did not want a repeat of the grotesque events that I’d seen the day before.”
Instead, the site was evicted using court possession proceedings, allowing the Travellers a few days recuperative grace.
As a prominent local aristocrat and Tory, Cardigans testimony held unusual sway, presenting unforeseen difficulties for those seeking to cover up and re-interpret the events at the Beanfield.
In an effort to counter the impact of his testimony, several national newspapers began painting him as a `loony lord’, questioning his suitability as an eye-witness and drawing farcical conclusions from the fact that his great-great grandfather had led the charge of the light brigade. The Times editorial on June 3rd claimed that being “barking mad was probably hereditary.”
As a consequence, Lord Cardigan successfully sued The Times, The Telegraph, the Daily Mail, the Daily Express and the Daily Mirror for claiming that his allegations against the police were false and for suggesting that he was making a home for hippies. He received what he describes as “a pleasing cheque and a written apology” from all of them. His treatment by the press was ample indication of the united front held between the prevailing political intention and media backup, with Lord Cardigans eye-witness account as a serious spanner in the plotted works:
“On the face of it they had the ultimate establishment creature – land-owning, peer of the realm, card-carrying member of the Conservative Party – slagging off police and therefore by implication befriending those who they call the powers of darkness,”
says Cardigan.
“I hadn’t realised that anybody that appeared to be supporting elements that stood against the establishment would be savaged by establishment newspapers. Now one thinks about it, nothing could be more natural. I hadn’t realised that I would be considered a class traitor; if I see a policeman truncheoning a woman I feel I’m entitled to say that it is not a good thing you should be doing. I went along, saw an episode in British history and reported what I saw.”
For three days (and nights), without adequate food, sleep and many to a cell, we filled police stations across the south of England. From Bristol, where I was taken, to Southampton and London. We were then charged with the serious offence of ‘Unlawful Assembly’. Most charges were eventually dropped after all of this.
Some had lost everything they had. Parents where frantic in locating their children, that had been taken into care. Vehicles had been taken to a ‘pound’ some 25 miles away and people had to go through further humiliation in reclaiming what was left of their homes.
Twenty-four of us took out a civil action against the Chief Constable of Wiltshire for the wrongs that were done to us that day. Nearly six years later at the High Court in Winchester, we won most of our case and were each awarded damages against the police. The Guardian said “Need to preserve pubic order does not permit the police to ride roughshod over the rights of ordinary people”. After a four month hearing, (during which we were made to feel like we were on trial), on the last day, the Judge made an order on court costs that, as we were getting legal aid, meant we got nothing.
What’s new!
As Lord Gifford QC, our legal representative, put it:
“It left a very sour taste in the mouth.”
To some of those at the brunt end of the truncheon charge it left a devastating legacy.
Things have never been the same again since the Beanfield. Throughout the rest of the year, whether in small groups or at events, travellers were continually harassed.
It had defiantly changed us in many different ways. There was one guy who I trusted my children with in the early 80s – he was a potter, amongst other things. A nicer chap you couldn’t wish to meet. After the Beanfield I wouldn’t let him anywhere near them. I saw him, a man of substance, at the end of all that nonsense wobbled to the point of illness and evil. It turned all of us and I’m sure that applies to the whole travelling community. There were plenty of people who had got something very positive together who came out of the Beanfield with a world view of `fuck everyone’.
The berserk nature of the police violence drew obvious comparisons with the coercive police tactics employed on the miners strike the year before. Many observers claimed the two events provided strong evidence that government directives were para-militarising police responses to crowd control. Indeed, the confidential Wiltshire Police Operation Solstice Report released to plaintiffs during the resulting Crown Court case, states: “Counsels opinion regarding the police tactics used in the miners strike to prevent a breach of the peace was considered relevant.”
The news section of Police Review, published seven days after the Beanfield, stated:
“The Police operation had been planned for several months and lessons in rapid deployment learned from the miners strike were implemented.”
The manufactured reasoning behind such heavy-handed tactics was best summed up in a laughable passage from the confidential police report on the Beanfield:
“There is known to be a hierarchy within the convoy; a small nucleus of leaders making the final decisions on all matters of importance relating to the convoys activities. A second group who are known as the lieutenants or warriors carry out the wishes of the convoy leader, intimidating other groups on site.”
If the coercive policing used during the miners strike was a violent introduction to Thatcher’s mal-intention towards union activity, the Battle of the Beanfield was a similarly severe introduction to a new era of intolerance of Travellers.
An ongoing diary of stuff, allsorts, and things wot happen ……
I am a photographer with a special interest to document the lives of travelling people and those attending Festivals, Stonehenge etc, what the press often describe as ‘New Age Travellers’ and many social concerns.
With my photography, I have tried to say something of the wide variety of people engaged in ‘Alternatives’, and youths’ many sub-cultures and to present a more positive view.
I have photographed many free and commercial events and have, in recent years, extended my work to include dance parties (’rave culture’), gay-rights events, environmental direct actions, and protest against the Criminal Justice Act and more recently, issues surrounding the Global Capitalism.
Further, police surveillance has recently become a very important subject for me!
In recognition of this work, received a ‘Winston’ from Privacy International, at the 1998 ‘Big Brother’ Awards. The citation reads: “Alan Lodge is a photographer who has spent more than a decade raising awareness of front-line police surveillance activities, particularly the endemic practice of photographing demonstrators and activists”.
I am based in Nottingham, UK.
Quotes & Thoughts
“Cowardice asks the question, ‘Is it safe?’ Expediency asks the question, ‘Is it politic?’ Vanity asks the question, ‘Is it popular?’ But, conscience asks the question, ‘Is it right?’
And there comes a time when one must take a position that is neither safe, nor politic, nor popular, but one must take it because one’s conscience tells one that it is right.”
Martin Luther King Jr.
“In Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance.
In Switzerland they had brotherly love – they had 500 years of democracy and peace, and what did that produce? The cuckoo clock!!”
Harry Lime [Orsen Wells] The Third Man 1949
“Civilization will not attain to its perfection, until the last stone from the last church, falls on the last priest.”
Emile Zola
“….I have an important message to deliver to all the cute people all over the world.
If you’re out there and you’re not cute, maybe you’re beautiful, I just want to tell you somethin’- there’s more of us ugly mother-fuckers than you are, hey-y, so watch out now…”
Frank Zappa