Levellers – A true sentiment
“Hang the man and flog the woman
Who stole the goose from off the common
But let the greater criminal loose
who stole the common from the goose.”
Levellers
Levellers – A true sentiment
“Hang the man and flog the woman
Who stole the goose from off the common
But let the greater criminal loose
who stole the common from the goose.”
Levellers
COPWATCH
More news just in: They say – ” I’ve started working on a Copwatching web site that I hope to get up and running someday.
The site would basically be a selection of links, concerning:
(i) Surveillance of “protests” in UK
(ii) CCTV stuff
(iii) News about police brutality / scandals in justice in UK
(iv) International links to other Copwatches
(v) Links to legal advice / rights on arrest stuff
Cop Watch (UK)
Watching the Cops Watching You
With your help, web site coming soon.
Please send your Cop Watching links to:
CopWatch@hotmail.com
Here’s a few for starters:
Global Cop Watch Stories at Mediafilter –
http://mediafilter.org/Guest/cwdir
Statewatch database (monitoring the state
and civil liberties in the European Union) –
http://www.statewatch.org
Tash’s gallery of Police surveillance at
environmental protests in the UK –
http://www.gn.apc.org/tash/surv_10.htm
Watching Them, Watching Us – UK CCTV
Surveillance Regulation Campaign –
http://www.spy.org.uk
Eric Mattocks, squatters’ activist,
born may 30 1928; died January 18, 1999
By Steve Platt. Tuesday February 2, 1999. The Guardian
Eric Mattocks, who has died suddenly in his sleep aged 70, was one of the liveliest and best-loved characters in the London squatting movement. A rough, roguish, huge-hearted man, he was a stalwart of the Islington-based Advisory Service for Squatters (ASS) for almost 25 years.
There were few squatting campaigns in that period that did not bear the mark of his practical activism or echo with the sound of his unforgettable laugh.
Brought up in working-class Hackney before and during the second world war, Eric never departed from his roots in London’s East End. He had been a burglar before he was a squatter, and turned the skills he learned in that earlier profession to good use when his own experience of homelessness persuaded him that no one should remain homeless while houses stood empty.
On the few occasions that he could be persuaded to speak about his housebreaking past, he was quick to insist that it was strictly confined to ‘rich people’s houses Kent, Surrey and Blackheath’. He despised ‘nicking off the working class’ and the rise of that sort of mean crime on the estates of Hackney and elsewhere.
There was little that he would not do to help the many vulnerable people who turned to the squatting movement when all else had failed. For his 50th birthday Eric was presented by his squatter friends with the ‘Order of the Golden Crowbar’ (actually a gold spray-painted crowbar) in recognition of the number of squats he had opened up.
The squatting movement of the 1970s and 1980s was at the heart of the political and cultural turbulence that produced, among much else, punks and punk rock. Although described as a ‘proto-punk’ for his anarchic politics and spikey ways by one of his younger fellow activists at ASS, Eric was never a fan of that particular music scene.
At squatters’ benefits he was often to be found taking the money on the door, where, equipped with industrial ear protectors, he would question the eager punters’ sanity in ‘paying good money for that bleedin’ ‘orrible racket’.
He was also legendary in some music circles for once forcing Joe Strummer and his mates in the Clash, then on their way to stardom, to clean up the rubbish outside their squat. It was ‘giving squatters a bad name. I don’t care what bloody pop group they are.’
Mattocks had first become involved in the organised squatting movement around the time of the eviction of the Elgin Avenue squatters in the summer of 1975, when barely a day passed without news of one squat or another hitting the headlines. He became treasurer of the London Squatters Union and was one of the founders of ASS, which he also served as treasurer until his death.
When ASS hit one of its periodic financial crises, it was Eric who raised the money to keep it going; when the organisation was firebombed in 1981, it was Eric who got an emergency telephone line installed and had the centre back in action the next day. He did all this while working as a school gardener for the Inner London Education Authority, where he was an active trade unionist and shop steward.
Perhaps Eric’s greatest triumph was the Greater London Council’s squatters’ amnesty in 1977-78, when some 12,000 squatters in GLC properties were given authorised occupancies. Eric had found a kindred spirit at the GLC in John Snowcill, the senior official with responsibility for squatted properties. The two discovered they had attended the same primary school and formed a close friendship, which was to culminate in the plan for an amnesty. Eric played an essential role in its implementation chewed over with Snowcill at regular Friday sessions in a Waterloo pub.
Among those who turned up to a London Squatters Union meeting in the late 1970s was Catherine, with whom Eric was to form a relationship that lasted for the rest of his life. Their two young children have lost their father, who loved them as dearly as he was loved by others, far too soon.
Eric Mattocks, squatters’ activist,
born may 30 1928; died January 18, 1999
By Steve Platt. Tuesday February 2, 1999. The Guardian
Eric Mattocks, who has died suddenly in his sleep aged 70, was one of the liveliest and best-loved characters in the London squatting movement. A rough, roguish, huge-hearted man, he was a stalwart of the Islington-based Advisory Service for Squatters (ASS) for almost 25 years.
There were few squatting campaigns in that period that did not bear the mark of his practical activism or echo with the sound of his unforgettable laugh.
Brought up in working-class Hackney before and during the second world war, Eric never departed from his roots in London’s East End. He had been a burglar before he was a squatter, and turned the skills he learned in that earlier profession to good use when his own experience of homelessness persuaded him that no one should remain homeless while houses stood empty.
On the few occasions that he could be persuaded to speak about his housebreaking past, he was quick to insist that it was strictly confined to ‘rich people’s houses Kent, Surrey and Blackheath’. He despised ‘nicking off the working class’ and the rise of that sort of mean crime on the estates of Hackney and elsewhere.
There was little that he would not do to help the many vulnerable people who turned to the squatting movement when all else had failed. For his 50th birthday Eric was presented by his squatter friends with the ‘Order of the Golden Crowbar’ (actually a gold spray-painted crowbar) in recognition of the number of squats he had opened up.
The squatting movement of the 1970s and 1980s was at the heart of the political and cultural turbulence that produced, among much else, punks and punk rock. Although described as a ‘proto-punk’ for his anarchic politics and spikey ways by one of his younger fellow activists at ASS, Eric was never a fan of that particular music scene.
At squatters’ benefits he was often to be found taking the money on the door, where, equipped with industrial ear protectors, he would question the eager punters’ sanity in ‘paying good money for that bleedin’ ‘orrible racket’.
He was also legendary in some music circles for once forcing Joe Strummer and his mates in the Clash, then on their way to stardom, to clean up the rubbish outside their squat. It was ‘giving squatters a bad name. I don’t care what bloody pop group they are.’
Mattocks had first become involved in the organised squatting movement around the time of the eviction of the Elgin Avenue squatters in the summer of 1975, when barely a day passed without news of one squat or another hitting the headlines. He became treasurer of the London Squatters Union and was one of the founders of ASS, which he also served as treasurer until his death.
When ASS hit one of its periodic financial crises, it was Eric who raised the money to keep it going; when the organisation was firebombed in 1981, it was Eric who got an emergency telephone line installed and had the centre back in action the next day. He did all this while working as a school gardener for the Inner London Education Authority, where he was an active trade unionist and shop steward.
Perhaps Eric’s greatest triumph was the Greater London Council’s squatters’ amnesty in 1977-78, when some 12,000 squatters in GLC properties were given authorised occupancies. Eric had found a kindred spirit at the GLC in John Snowcill, the senior official with responsibility for squatted properties. The two discovered they had attended the same primary school and formed a close friendship, which was to culminate in the plan for an amnesty. Eric played an essential role in its implementation chewed over with Snowcill at regular Friday sessions in a Waterloo pub.
Among those who turned up to a London Squatters Union meeting in the late 1970s was Catherine, with whom Eric was to form a relationship that lasted for the rest of his life. Their two young children have lost their father, who loved them as dearly as he was loved by others, far too soon.
‘A Drugs Quote’ – dealing with dance drugs
“What do you mean by ‘drugged up club casualties’ ? I had a brilliant time on Saturday. For much of it I was barely able to talk.
Am I a club casualty too ? ”
* Was that big guy on the dancefloor staring at you?
* Was that girl taking the piss out of your dancing?
* Was it nice just relaxing in the corner awhile?…
* Until there was a torch in your eyes, someone asking you if you were ok, telling you to sit up, and you couldn’t remember where you were or what was going on.
* Were you dancing, smiling, loving it “in the place where you belong”?
Robin Tew UK-Dance listing 1995
tewr@lonnds.ml.com
Silent Protest against the new proposed Licensing Laws
Date: Wed, 15 Jan 2003 11:01:13 -0000
Subject: Public Entertainment Licence Debate
SILENT PROTEST
An event has been organised to protest against the anti-music aspects of the new proposed Licensing Laws. At 1pm on Monday 27th January 2003 (Mozart’s birthday) people are assembling at Parliament Square, London.
“To illustrate the apalling impact that the Government’s Licensing Bill will have on live and community music-making. Bring your instrument (AND A GAG – medical-type mouth-coverings work well), but don’t play it.” says organiser Caroline Kraabel of the London’s Music Collective.
Contact: Caroline Kraabel and more details. Info… http://www.hobgoblin.com
From: “David Currer” dcurrer@talk21.com
More on the “new licensing laws to ban live music”
From: Nev [mailto:nev@primex.co.uk]
Sent: 14 January 2003 09:37
To: Undisclosed-Recipient:;
Subject: [anserine] new licensing laws to ban live music
We’d be grateful if you could please copy this to anyone you know who cares and ask ’em to fill in the online petition – it only takes a moment.
Unbelievably, the Government has just confirmed that the maximum penalty of a £20,000 fine and six months in prison for an unlicensed performance of live music would continue to apply to carol singers:
You can sign an E-petition here
http://www.petitiononline.com/2inabar/petition.html
Sign the Licensing of Live Music in England and Wales Petition “People singing carols in a supermarket or a railway station and so on would need to be covered by a premises licence or a temporary event notice.” [Lord McIntosh, government whip, 1st Committee stage debate of the Licensing Bill, House of Lords, was on 12 December 2002]
PLEASE SIGN THIS PETITION AGAINST THESE REFORMS!
The UK government do recognise E Petitions.
Read their policy. It explains why you need to enter a valid postal address. This petition will be submitted to 10 Downing Street on 15th March 2003 Perhaps those concerned but not eligible to sign this petition would like to express their views to Dr Kim Howells who is the Minister at the Dept of Culture Media and Sport, who is responsible for this Bill. She is also the Minister responsible for encouraging overseas tourists to visit England and Wales. kim.howells@culture.gsi.gov.uk
Make your voice heard whilst you still can – legally!!!
eFestivals Forum
Mainly ‘commercial’ events: Festivals news, info, reviews and photos
and they have a message board that seems quite well used.
http://www.efestivals.co.uk/forums
have just subscribed. Username: ‘ tash ‘ [of course].
oh, and yet another chat room: http://www.efestivals.co.uk/chat
and, here the contacts for another alternative outfit:
Urban75
Urban75 http://www.urban75.com
Forums http://www.urban75.net/vbulletin
Chat http://www.urban75.com/chat.html
My index of ‘Collected’ Boards [all getting complicated, so have made this ‘umbrella’ page]
Newsgroups
Hello.
I am seeking advice from any passers-by !!
I am not very experienced with newsgroups. I am familiar with some, but not many that are of interest to my subjects.
I am already subscribed to:
alt.activism
alt.free.party-lines
alt.gathering.rainbow
alt.music.festivals
alt.music.house
alt.music.techno
alt.music.trance
alt.photography
alt.rave
alt.society.anarchy
alt.uk.music.rave
misc.activism.progressive
rec.drugs.cannabis
rec.drugs.misc
rec.drugs.psychedelic
rec.nude
soc.culture.british
uk.environment
uk.gay-lesbian-bi
uk.music.rave
uk.politics.Environment
and, as it turns out, they are of different use and depth. Perhaps you could point me to more fertile pastures? There has to be more out there. Please drop us an email, if you can help with more suggestions. Thanks. Tash
Email: tash@gn.apc.org
Just entered in guestbook, nice
Comment by Phil Peak ,
Posted on 12/Jan/2003
Hello Tash
I have just found your site after years of searching for info on travellers.
I spent 10 years or so living on the road and eventually went to Portugal in 1993 with my family, my soul mate Sara and our children we had a hard time but enjoyable,due to many things mainly the ex-pats in the area it was made very hard to live there so we shut up shop and came back to UK Sara is now a English teacher and I am studying to be an It lecturer for the TGWU, your site has opened up many old memories for me and I would like to thank you for that.
You have captured a very special time for the people of this country and not many of them will ever realise that it took place and is still taking place. I have many photographs from this time in my life from Castle Rigg to Cornwall many sites we lived on throughout the country and in Portugal if the would be of any use to you just drop me a line anyway and is it still possible to get a copy of Medievil briggands as my copy is a bit motheaten and wooly around the edges, cover gone need isdn number.
Thanks again for reanimating those wonderful years.
Peace too you and all of a like mind and heart.
Email: phil_peak@hotmail.com
Mail from Goa
News just in ……. This man has just emailed me from Goa, India. Have just written back saying i’d love to go, but no one pays me enough for foriegn travel, for my work. So there it is! Mind you, cold outside and moment, and find thoughts keep wandering to somewhere hot ……….
wilson varghese
willinus@yahoo.com
Goa, India
Om Namah Shivaya…hi Tash !
hi Tash…..i have gone through ur site….and found the collections wounderful………an old antique collection of the party culture !…..memories to remember !
Gr8 work ! I hope u continue the same for the upcoming parties …but since u r a photographer…what is see is that u don’t go outside UK to get ur worth stuffs !…..U should probably visit India..thats my country….Goa and check out the scenes happening down there………..its really hot………u see hundreds of different culture people pouring down to keep the party alive……..
take care..
be in touch…….probably being in touch i might know more parties happening in and around.!
A conversation in my chat room !!
Included, just for the giggle:
Tash: what do you do?
fruitbat1: military
Tash: you soldier?
fruitbat1: sailor
Tash: portsmouth perhaps, nottingham here
Tash: same name as that ship that didnt see australia coming!
fruitbat1: yep thats the one – I’m from leicester though
fruitbat1: yeah i know i know
Tash: dont they look out the front, over the sharp end?
fruitbat1: it’s funny you should mention that!!
Tash: you werent on it?
fruitbat1: yes, but not driving!!
Then he signs off ………
Debunker of global warming found guilty of scientific dishonesty
Paul Brown – Environment correspondent – The Guardian
Thursday January 9, 2003
Bjorn Lomborg – the director of Denmark’s Environmental Assessment Institute and a leading would-be debunker of mainstream scientific opinion on issues like global warming and overuse of natural resources – has been found guilty by a Danish government committee of “scientific dishonesty”.
Professor Lomborg, whose work has been championed in the international press, was subject to a year-long investigation by the Danish committee on scientific dishonesty.
The committee, made up of eminent scientists, concluded: “Based on customary scientific standards and in light of his systematic one-sidedness in the choice of data and line of argument, [he] has clearly acted at variance with good scientific practice.”
On his book, The Skeptical Environmentalist, published in 2001, it said: “Subject to the proviso that the book is to be evaluated as science, there has been such perversion of the scientific message in the form of systematically biased representation that the objective criteria for upholding scientific dishonesty have been met.”
Prof Lomborg’s contrarian views made him a favourite of the rightwing establishment after the book’s publication.
On its election in March last year, Denmark’s rightwing government made him the director of its Environmental Assessment Institute.
The committee was appointed to look at four complaints against
http://www.guardian.co.uk/uk_news/story/0,3604,871320,00.html
Licensing Bill 2003
You’ll all know of the changes in law, that have generally fucked up, our gatherings outside, Public order act CJA etc …….
Then there was the club licensing rules …… drugs etc and the ‘Barry Legg’ Act ………
And now, here comes the next one: The Licensing Bill 2003
This is a great overview
http://www.musiclovers.ukart.com/pels.htm
Local Government Association Info
http://www.lga.gov.uk/Briefing.asp?lsection=0&id=SXEF99-A7813934
http://www.lga.gov.uk/Briefing.asp?lsection=0&id=SXEF99-A7814395
Licensing Bill: Summary of key points
http://www.info4local.gov.uk/searchreport.asp?id=13063&frompage=subjects&subject=5
Licensing Bill: Ten archaic laws that will be repealed
http://www.info4local.gov.uk/searchreport.asp?id=13064&frompage=subjects&subject=5
Licensing Bill: Comparison – Existing and new
http://www.info4local.gov.uk/searchreport.asp?id=13065&frompage=subjects&subject=5
Licensing of Live Music in England and Wales
Carol singers will be criminals – without a licence – sign the petition!
http://www.wgma.org.uk/licensing.html
The “Blair Bans Morris” poster page
http://www.beerfordbury.com/BBTWTA/Banmorris.htm
THREAT TO LIVE MUSIC
The Government includes the Licensing Bill in its programme of legislation for the coming session and part of this bill relates to the issue of Public Entertainment Licences. Despite 233 MPs having signed David Heath’s Early Day Motion calling for the protection of live music, the proposed measures are draconian to say the least. Hamish Birchall is the advisor to the Musicians Union on public entertainment licensing reform. This is his analysis of the proposed legislation.
Licensing reform and live music
The broad aims of the Licensing Bill are to be welcomed, of course. Deregulation of opening times is likely to reduce binge-drinking, and alcohol-related crime and disorder. However, if all the provisions of this otherwise liberalising Bill were enacted, this would represent the biggest increase in licensing control of live music for over 100 years:
* 110,000 on-licensed premises in England and Wales would lose their automatic right to allow one or two musicians to work. A form of this limited exemption from licensing control dates back to at least 1899.
* Churches outside London would lose their licensing exemption for public concerts.
* Thousands of private events, hitherto exempt, become licensable if ‘for consideration and with a view to profit’.
* The same applies to any private performance raising money for charity.
* A new licensing criterion is introduced: the provision of ‘entertainment facilities’. This could mean professional rehearsal studios, broadcasting studios etc will be illegal unless first licensed.
* Musicians could be guilty of a criminal offence if they don’t check first that premises hold the appropriate authorisation for their performance.
* Likewise someone organising a karaoke night in a pub.
* Buskers similarly potential criminals – unless they perform under a licensing authorisation.
* Church bell ringing could be licensable.
* But… broadcast entertainment on satellite or terrestrial TV, or radio, is to be exempt from licensing under this Bill.
The licensing rationale, where live music is concerned, is essentially to prevent overcrowding and noise nuisance. The government claims their reforms will usher in a licensing regime fit for the 21st century. But surely 21st century planning, safety, noise and crime and disorder legislation can deal effectively with most of the problems associated with live music? Not according to Culture Minister Kim Howells. He says the swingeing increase in regulation is necessary because ‘one musician with modern amplification can make more noise than three without’.
Of course, it is true that amplification can make one musician louder than another playing without amplification. But that was true when the two performer exemption was introduced in 1961 and had been true for many years before that. The important question is: does live music present a serious problem for local authorities? Does it justify such an increase in control? The answer is no. The Noise Abatement Society has confirmed that over 80% of noise complaints about pubs are caused by noisy people outside the premises. The remaining percentage is mostly down to noisy recorded music or noisy machinery. In fact, while noisy bands can be a problem, complaints about live music are relatively rare.
In any case, local authorities have powerful legislation to tackle noise breakout from premises. All local authorities can seize noisy equipment, and they can serve anticipatory noise abatement notices. Camden used a noise abatement notice to close the West End musical Umoja earlier this year. One resident’s complaints were enough. And the police can close noisy pubs immediately for up to 24 hours. The trouble is, many complainants perceive the legislation as inadequate because their local authority doesn’t enforce it effectively.
It looks as if musicians are being made the scapegoat for a problem that is nothing to do with live music. Certainly abolition of the two-performer licensing exemption will do nothing to reduce noise from people outside premises. Rather late in the day, the Department for the Environment, Food and Rural Affairs (DEFRA) has just commissioned a study into the noise nuisance potential of the licensing reforms – but the study won’t be completed until the Spring of 2003 at the earliest. A classic case of shutting the stable door…
The government says that standardising licensing fees, with no premium for entertainment, removes the disincentive to provide live music. This change is welcome. However, fees are only half the problem. The other half is the potential for unnecessary local authority licence conditions. Earlier this year, Kim Howells warned the Musicians’ Union that if it were to lobby for satellite TV to become a licensable entertainment, this would be ‘resisted robustly’ by the leisure industry. He did not say why, but the reasons are clear.
The industry does not believe government assurances that local authorities will adhere to published guidance over future licence conditions. They fear the cost implications of conditions such as monitored safe capacities, and CCTV. (Two years ago the Home Office warned all local authorities not to impose disproportionate conditions. Few, if any, took notice). Genuine 21st century reform for live music, particularly small-scale performance in pubs and bars, would see England and Wales brought into line with Scotland and Ireland, continental Europe.
Scotland is a good example because public safety and noise is regulated by UK-wide legislation. In that country a typical bar or pub can host live music automatically during permitted hours, provided the music is ancillary to the main business. In New York City, premises of capacity 200 or less are likewise free of a requirement to seek prior authorisation for live music. Noise breakout is strictly monitored by street patrols. In Germany, Finland and Denmark the provision of some live music is assumed when the equivalent of an on-licence is granted. In rural Ireland no permission is need for live music in a pub, and customers would think it very odd to suggest that it be a criminal offence unless first licensed.
The Musicians’ Union has argued for reform along Scottish lines for some time. But the government has rejected this option. Our campaign for more live music, particularly in small venues, is supported by the Arts Council, the Church of England, Equity, the English Folk Dance and Song Society and many others. The Union recognises that premises specialising in music, or music and dance (like nightclubs) need the additional controls that licensing provide. But if live music of all kinds is to thrive in small community venues like pubs, an automatic permission, within certain parameters, is essential. We should not treat all musicians as potential criminals. That doesn’t sit well with the participation and access agenda of the DCMS.
What you can do
You can write to your MP expressing your concerns at the following address:
House of Commons,
London SW1A 0AA
Sign the petition against the proposed legislation. You can either do so online at http://www.musiclovers.ukart.com or look out for a paper version of the same petition at your local club or session.
and
Some of us in England and Wales who hold the making of music important, rather badly need the active support of all those that care for music. Our Government has not listened to us, they may very well listen to the views of potential overseas tourists. Especially as the Bill in question is quite bizarrely coming from the Department of CULTURE, media and sport, which is the same department that deals with promoting TOURISM. It would be a great help if you could inform your media, of this discrimination of all (but only) LIVE music, taking place, not by the Taliban but in the ‘mother of all Parliaments’, it could prove most helpful and be much appreciated.
The Licensing Reform Bill can be found on the UK Parliamentary site. http://www.parliament.the-stationery-office.co.uk/pa/pabills.htm
Government Minister Tessa Jowell, in the press release and at the launch of the Bill. “In short this is a Bill for the public, a Bill for industry and a Bill for commonsense.”
Can the introduction of measures in a Bill, that ‘can be argued’, such as the Schedule 1 definitions of what is ‘entertainment’- in a Bill we were all looking to finally settle such long-running arguments – really be described by the Minister in charge as “commonsense”? Schedule 1. Definitions of what is licensable – i.e. ‘entertainment’ that will be not be ‘permitted’ without the exact nature of the ‘entertainment’ specified in advance and official local authority permission being obtained. I’m sure that if you have looked at this it will all be perfectly clear now? SIGH..
I would also draw your attention to clause 134 (1)(a) of the main Bill, which will make criminal any musician who performs anywhere without first checking that the place is licensed/authorised for the performance. Clause 137 allows a defence of ‘due diligence’, but basically it means that if the musician doesn’t check first he/she could face heavy fines and a jail sentence.
The following from Hamish Birchall Musicians’ Union adviser – public entertainment licensing reform 020 7267 7700, 07973 519245
Yesterday the government published the Licensing Bill which, if enacted, would make criminal the provision of most live music in England and Wales, unless first licensed. As predicted, broadcast entertainment on satellite or terrestrial TV is exempt i.e. MTV. The proposals represent the most significant increase in live music licensing for over 100 years.
According to Culture Minister Kim Howells, this is necessary because ‘one musician with modern amplification can make more noise than three without’. But since most noise complaints are nothing to do with music (acoustic or amplified), and even one unamplified performer would become illegal unless licensed, this rationale doesn’t quite hang together.
Schedule 1, ‘Provision of Regulated Entertainment’, lists and defines what constitutes licensable live music and much more besides.
Temporary permissions are covered in Part 5.
Premises licences, which include the option for licensable entertainments, are dealt with in Part 3.
No fees have been published yet, but guidance notes available on the DCMS website repeat the estimates contained in the licensing White Paper of April 2000.
Neither the extensive media coverage or Parliamentary support for reform has influenced the small clique of senior civil servants and Ministers responsible for this legislation. Both the Musicians’ Union and the Arts Council argued forcibly against the huge increase in licensing control, and jointly submitted amendments to the Department for Culture, Media and Sport (DCMS) in the recent consultation on the draft legislation. But the DCMS rejected them. In that respect lobbying has failed. It may yet succeed, however, if sympathetic Lords support these amendments (the Bill is going first to the House of Lords).
All my efforts, those of the Arts Council working party, and those of supporting organisations, will now be focussed on this. In practical terms, this is what the Licensing Bill proposes for live music:
Pubs, bars, restaurants etc 110,000 licensed premises lose their automatic right to host one or two live musicians. A form of this licensing exemption can be traced back to 1899. Regular performance by even one musician, professional or amateur, amplified or unamplified, to be illegal without licensing permission.
Permission requires approval by police, fire service, environmental health dept, and local residents.
Local authority grants authorisation as part of ‘premises licence’ and may impose ‘necessary’ conditions (for public safety, crime and disorder, prevention of nuisance, and protection of children from harm).
If granted, the permission lasts for lifetime of business but may be revoked if noise/crime and disorder problems.
Licence fees to be standardised (at lower levels than now) and set centrally by Secretary of State. Fee to be no different if licensable entertainment provided.
If live music not authorised, live music to be illegal (save spontaneous renditions of Happy Birthday etc) – but see above -ed
Licence terms may be varied later if live music not chosen at outset. Variation process essentially the same as initial application (see above). A fee will be chargeable. Where live music not allowed under terms of premises licence, there is an option for up to 5 temporary permissions in a year, granted by a simple notification process (for a fee) provided under 500 people attend.
Private functions The distinction between public and private events is blurred. Until now most private gigs have been exempt from public entertainment licensing. Most gigs on public land have been exempt. This would no longer be the case. Many, if not most, performances in this context would become illegal unless licensed, either via the premises licence, a club premises certificate, or a temporary event notice. The wording of the Bill suggests that if a musician is hired to perform at a private event, this alone is sufficient to trigger the licensing requirement (this was hinted at in letters from Howells to MPs: ‘it is clear that if a performer is paid, then the performance is public’.)
Any hitherto private performance ‘with a view to raising money for charity’ to become illegal unless licensed.
Live music in private clubs no longer exempt.
Churches All public concerts in churches to become illegal unless licensed. This provision extends legislation that currently applies only in London to the rest of England and Wales. This is very strange, because the London legislation dates from 1963, while the outside London legislation dates from 1982. Music ‘for the purposes of, or for purposes incidental to a religious meeting or service’ is exempt.
New concept of ‘entertainment facilities’ as licensing criterion. This is another strange provision. It seems that providing ‘facilities for enabling persons to take part in entertainment’, such as making music and/or dancing, is now to be illegal unless licensed. It is a confusing part of the Bill, but my reading of this is that recording studios, rehearsal studios, or practice rooms may be caught. It might also include musical instruments, record decks, microphones, amplifiers, PAs etc etc. I am seeking clarification from licensing lawyers on this one.
Bandwagons exempt! Curiouser and curiouser: live music performed in, or presumably on, moving vehicles is exempt! Recorded music – limited exemption Recorded music is legal without being licensed ‘to the extent that it is incidental to some other activity which is not itself – (a) a description of entertainment falling within paragraph 2, or (b) the provision of entertainment facilities’. In other words, I think pub jukeboxes would be exempt, provided they weren’t next to a dance floor (but how do you define a dance floor???)
If you can find time to read the legislation, particularly Schedule 1, I would be very grateful for your comments.
Any musician lawyers out there: your input could be particularly valuable.
Roger Gall
Sign a petition at: http://www.musiclovers.ukart.com
A Musician’s Reaction
This Bill affects every performer, organiser, folk-dancer, singer & musician in the UK. You may think this bloke Roger (below) is being a bit extreme – in any case unlicenced jams & sing-arounds are illegal in many areas of England already. What upsets me a bit is that the strings are now being pulled very tight.
This new legislation will NOT STOP squat raves (recently in the news in the south-east)- those are illegal now, frequently involve a lot of property damage and are excellent places to buy skunk & E’s (it is alleged …). They take place unmolested because they are too big for police to break up.
What this law WILL do is to allow local councils to persecute folk clubs and stamp out jams & sing-arounds, free weekends and anything else that you have not given two weeks notice of and paid the right fee with the correct form in respect of.
The definition of entertainment you have to get permision for is now very wide – “… to any extent for members of the public ..” and there is a widely-drafted list of definitions in Schedule 1 paragraph 2. One ray of hope is that Lord’s Amendments tabled 2nd December seek remove religious and educational institutions from the overall definition, and plays, indoor sporting events and live music from the list – so someone’s taking this seriously.
I have been pulled up on my assertion that even children’s entertainers at a birthday party will need a licence. True, you couldn’t call this a “Play” any more that you would call a stand-up comic or after dinner speaker a “Play” – BUT performers frequently use and make music & dance – getting the kids to sing & dance is all part of the fun. There is a “entertainment of a similar nature” provision just in case there’s any doubt. Entertainers also play a “role” although I doubt if you could call what they do a Dramatic Piece, but on balance I stand by my opinion.
As to speakers and comics, I will accept that I’ve gone a bit over the top. It would take an effort of imagination to expand the definitions to fit them (but you never know) …..
If you feel strongly about this, please do write / mail to your MP NOW – also any of their Lordships that may appear relevant to you.
The draft Bill (PDF format) can be found at: http://www.parliament.the-stationery-office.co.uk/pa/ld200203/ldbills/001/2003001.htm
Barclays Bank ‘advice’ re: Photographers
Barclays include the following statement on their finance and business website, re: Commissioning Photography!
“Professional photographers are expensive so consider using a good amateur. There is often little difference in the quality of the final product.”
BLOODY HELL!! the impertinance.
The National Union of Journalists, Freelance Organiser has written to the Barlcyays Chairman.
Sir Peter Middleton, GCB
Chairman
Barclays Bank plc
54 Lombard Street
London EC3
2.01.03
Dear Sir Peter,
My attention has been drawn to a website,www.clearlybusiness.com, supported by Barclays Bank in conjunction with Freeserve.
This site purports to offer sound advice on finance and business.
Among the advice currently on offer is the gem:
“Professional photographers are expensive so consider using a good amateur.There is often little difference in the quality of the final product.”
The National Union of Journalists has 35,000 members, many of whom are photographers. It is tempting to advise our members to dispense with the services of a bank altogether and simply stick their hard-earned cash in an old sock and tuck it under the mattress.
But that would be absurd – wouldn’t it?
Perhaps, though, your advice could be applied to other trades and professions. Why pay an electrician or a gas fitter when you could get some college student who will do the work for expenses only?
Then no one earns a living, no one spends money, bank deposits evaporate and the economy grinds to a halt. What sound advice!
I intend to direct my members to the advice on your website and allow them to decide if they wish to transfer their accounts to an outfit with a more professional attitude.
Yours sincerely,
John Toner
Freelance Organiser NUJ
Channel Five children’s documentary series about young Gypsy/Travellers
I have just been looking at your website and I was wondering if you would be able to help with a search that I am doing for a television series.
I am in the process of searching for young people to feature in a new Channel Five children’s documentary series about young Gypsy/Travellers. The series will form part of Channel Five’s Saturday morning children’s schedule this summer.
This will be a 6 part ‘fly on the wall’ series aimed squarely at the under 16s. Our aim is to highlight a much-misunderstood way of life to an age group who are often very ignorant of the traveller lifestyle, with an emphasis on the fun and light-hearted side of life on the road.
I understand that many travellers may be suspicious of the motives of a television company wishing to film their kids through a summer, so I would really like to meet with any contacts that you may have in mind in order to answer any questions that they may have.
What we are looking for is a group of travelling kids aged between 10 and 18, who would like to be featured in the series, to be filmed intermittently over the course of the spring/summer of this year. They need to be sparky and fairly confident, with strong opinions about life on the road. I will be able to go and see anyone that you may feel would like to participate.
We would of course seek permission from the parents or guardians of anyone under 18 and would consult with them whenever filming was to take place. There would be no turning up unannounced and we would be sensitive to any issues that may concern them.
It would be great if you could provide me with a few contacts or if you prefer, I can go through you.
My details are:
Rupert Dobson
Two Four Productions Ltd
Quay West Studios
Old Newnham
Plymouth
PL7 5BH
Tel: 01752 333900
Fax: 01752 344224
E: rupertdobson@twofour.com
I look forward to hearing from you with any contacts/advice that you may have.
Kind Regards
Rupert Dobson
Video Activism
by GIBBY ZOBEL, Big Issue news@bigissue.com
They came, they filmed, they got arrested. but did the video activists change the way news is reported?
The eviction of anti-road protesters from Claremont Road in East London took four days, cost £2 million and involved 700 police, 200 bailiffs and 400 security guards. In those pre-Swampy days of 1994, when road protesters were but a twinkle in a Coronation Street script writer’s eye, this epic battle received precisely 0.5 seconds of coverage on the national TV news. Paul O’Connor was there – as he had been throughout the urban siege to stop the M11 link road being built – and he was armed. “I got the camcorder at first because people were getting beaten up all the time,” he says. The camcorders multiplied, the footage built up, the activists organised and the pioneering film You’ve Gotta Be Chokin’ became the first in the can for Undercurrents, the alternative video news service.This month, five award-winning, ground-breaking, crowd-pulling years later, marks the end. Undercurrents – the video magazine – is no more. Gasps sound across the fields of genetically-modified crops, digging stops down the tunnels of the latest road protest and in the headquarters of the Forward Intelligence Team, police blink in disbelief.
For at any protest anywhere in the past few years you could practically guarantee at least one of ‘camcordistas’ would be in the thick of the action. To direct action activists, it’s the equivalent of the closure of the BBC World Service to ex-pats, if you’ll excuse the mixed-media metaphor.
Paul has been an ever-present lynchpin throughout the production of the series. “I’m like one of those bind weeds that you can never get rid of,” he says. But now, he’s reached burn-out: “There are too few people doing too much trying to survive on too little.” Undercurrents sprang out of the chasm created by the mainstream media’s failure to cover grass roots opposition to the Criminal Justice Act 1994.
When a march of 100,000 protesters ended in a riot in Hyde Park, the mainstream media finally took notice. “We tried national news but they were not interested in the issues,” says Paul. “They were interested in two seconds of people falling or something being smashedŠ But this wobbly, crap footage was powerful and amazing. It was like nothing else people had seen before.” A review of Undercurrents 1 on ITV’s Little Picture Show pointed the way. “It was on late at night and suddenly all six phones of our lit up for two hours, non-stop,” says Paul. There was always a DIY feel to the whole thing. Every penny went into buying an editing suite after the first video was knocked out in co-founder Jamie Hartzell’s bedroom. Their ‘blank’ tapes were blagged from skips thrown out by ad firms in Soho. Despite being sold in the so-called ‘aromatherapy ghetto’ – the shelves of green, hippy, peace shops and via mail order – an estimated 200,000 people have seen the videos – and that’s globally: Undercurrents 9 has just been screened in Ethiopia and Albania.
“I grew up in County Dublin amid fields and farms,” says Paul. “When I was 12, it became part of the city of Dublin. Everything was paved over. We used to smash things up to stop them building the houses. That all came back to me in the M11 protest really. It made sense that this whole thing was like a cycle. It re-confirmed activism for me.”
Undercurrents quickly expanded its scope from the initial road-building debate, encouraging links across the spectrum of protest to eventually cover issues like the deaths of black people in custody. No Justice, No Peace, covered the death of Brian Douglas. “I saw the news report of the same protest, and it was so bland – straightjacket TV. That’s when we realised how TV is made. Our video was powerful – pure anger,” says Paul.
Helen Iles is a media teacher at Carmarthen College in south-west Wales.”Undercurrents is absolutely vital,” she says. “It widened horizons, and didn’t pretend to be unbiased, whereas most news is presented as objective or natural.” Although the closing credits have rolled for the last time,Undercurrents will become an educational resource. The Undercurrents archive, run by Roddy Mansfield, will continue to exist. “It will be a crucial training and empowerment resource for many years to come,” he says.
And for Paul? “This is only the end of the beginning. Undercurrents has probably run its course in terms of radical environmental direct action. I think social issues is where it needs to go. How many times do you hear the voices of the Chinese community, for example? We set out to challenge TV and TV news reporting and we have done that. Second, was to create video activists and I think we’ve succeeded on that. We’ve seen real people inspired. We wanted to connect single issues. I think it’s amazing what we have achieved.”