Privacy International launches new guide to resisting high tech police surveillance

It is possible in the near future that attendance at a protest, or a ‘trespass’, might constitute an offence. It thus follows that the police would look for coroberating evidence to back up such a charge … and obviously surveillance is key to that. With the progress of the bill and it likely enactment, organisations are starting to think what’s what after it comes into force.

The Network for Police Monitoring NETPOL and Privacy International have produced a helpful guide. You may thing you are doing nothing wrong in just ‘being there’ … sorry, you would be wrong!

https://netpol.org/2021/06/29/free-to-protest

Jun 29, 2021 

This is a guest post by Harmit Kambo, Campaigns Director, Privacy International

Imagine going to a peaceful protest and having to show your ID to the police before you can join it. Or having to fill out a form about why you are attending that particular protest.

Sounds absurd, right? Surely we should all be free to protest, without the police knowing who we are?

But high tech surveillance of protests is real, and it enables the police to identify, monitor and track protestors, indiscriminately and at scale.

For example, your face is increasingly becoming your ID card with the rapid development of facial recognition technology and its deployment at protests. But even if you cover your face, the way you walk can even reveal your identify through using gait recognition technology. As well as surveilling your face and body, the police can also surveil you through your phone. The police can access the data on your smartphone through mobile phone extraction and hacking, or intercept your messages by tricking it into connecting with a fake mobile phone mast. And they can even data mine social media posts about an upcoming protest to identify who will be attending. Combined with body worn video cameras, and drones fitted with cameras hovering in the sky above, the police now have access to awe-inspiring surveillance capabilities.

Perhaps the most troubling aspect of this is that you won’t know whether any, some or all of these technologies are being deployed when you attend a protest. This makes protests a modern panopticon, whereby even if you’re not actually being watched, you act as if you are being watched, and modify your behaviour accordingly. Indeed, perhaps you might think twice about even attending a protest because you don’t want to trade your right to protest with your right to privacy.

What is so concerning is that while the technology is incredibly intrusive and sophisticated, there is little if any transparency, accountability or regulation in most countries. The upshot of all of this, in simple and stark terms, is that you can’t go to a peaceful protest and be confident that you won’t end up on a watchlist (to be clear, we’re not saying you will end up on a watchlist, only that there is little if any regulation to prevent you being added to one). That’s an alarming point to have to make, but this is yet another aspect of the chilling effect on the right to protest.

The right to protest is facing threats across the world, even in democratic countries where it is supposed to be a bedrock of our essential freedoms.

And make no mistake, it’s not just about targeting people suspected of wrongdoing. In the UK, for example, people can find themselves labelled as ‘domestic extremists’ or more recently as ‘aggravated activists’ just for attending the ‘wrong’ kind of peaceful protest. The right to protest is facing threats across the world, even in democratic countries where it is supposed to be a bedrock of our essential freedoms.

Little information is currently publicly accessible about police surveillance at protests. This is why Privacy International have produced ‘Free to Protest: The Protester’s Guide to Surveillance and How To Avoid It. It’s a UK focused guide, but we are currently working with our partners to adapt and translate the guides to different national contexts.

It’s a wide ranging, but concise guide to policing surveillance capabilities that can be and are used at protests. The guide provides information about how you can try to protect your anonymity and better control access to the data stored on your phone. But it’s important to point out that because of the sophistication of the police’s surveillance capabilities, it’s extremely difficult (if not impossible) to totally evade it.

The guides are bite-sized and modular, which means that you can read them quickly, and in any order, and indeed you can just read those that you are interested in or most concerned about. Over time, we hope to add more guides to provide a more comprehensive overview of police surveillance capabilities at protests.

But Privacy International’s ‘Free to Protest’ work goes beyond providing information to protestors and protest organisers. We will shortly launch a new ‘protest surveillance tracker’, to monitor and show how police surveillance is impacting on people’s right to protest around the world.

And we will also be working with partners like Netpol around the world, to advocate for stronger regulation of police surveillance of protests, so that we can all be free to protest. Download the Guide

Find out more

https://netpol.org/2021/06/29/free-to-protest
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Freedom to Dance

#freedomtodance

https://www.youtube.com/watch?v=7xmMDhFNHZo

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Spaceballs

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Observer : Raves from the grave: lost 90s subculture is back in the spotlight

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Raves from the grave: lost 90s subculture is back in the spotlight

Driven by a ‘groundswell’ of young devotees and fortysomething nostalgia, a series of events is celebrating the youth movement

A photograph from the Full On. Non-Stop. All Over book capturing the 90s rave scene.
A photograph from the Full On. Non-Stop. All Over. book capturing the 90s rave scene. Photograph: Matthew Smith/Book: Full on. Non-Stop. All over.

James Tapper Sat 26 Jun 2021 18.00 BST

It is perhaps one of the most ignored subcultures in modern British history, but rave music and the free party movement of the early 90s is coming back into focus.

Trinder’s film will be released to coincide with the anniversary of the Castlemorton Common festival, a week-long free event that was a watershed in the battle between the government and what ministers called “new age” travellers and ravers.

“It was multiple different scenes and cultures that came together in one key moment,” said Trinder, who has interviewed dozens of people involved, including the organisers of sound systems and free parties such as Spiral Tribe, Bedlam and DiY. “That combination made it very immediate and special, and possibly scared the powers that be.”

Urban ravers had run out of places to go after the flurry of acid house parties in 1988 and 1989, which had been effectively shut down by the Pay Party Unit, a police taskforce, he said. In response, some set up illegal free parties in disused warehouses and squats that were harder to police – “empty spaces created by the post-Thatcherite death of industry”, Trinder said.

The key moment was the 1990 Glastonbury festival, when the free party sound systems encountered travellers, the inheritors of 1960s hippy culture, who would travel around the UK to free festivals. They too had seen their lifestyles criminalised. The low point for them was the notorious so-called Battle of the Beanfield in 1985 when about 1,300 police clashed violently with 600 travellers near Stonehenge.

“They all met at Glastonbury 1990 and it was a lightbulb going off,” Trinder said. “’You’ve got this amazing new music and excitement and mad new clothes and you’ve got nowhere to go. But we’ve got the tents, the countryside, and the guts to take a site in the middle of nowhere.”

A scene from the notorious week-long free festival at Castlemorton Common in Worcestershire in 1992
A scene from the notorious week-long free festival at Castlemorton Common in Worcestershire in 1992 Photograph: Alan Tash Lodge

The flurry of free parties became the topic of a tabloid storm that culminated at Castlemorton Common in May 1992. Police in Wiltshire had refused to let the Spiral Tribe convoy stop in the county, so it continued into Worcestershire to Castlemorton.

“It was the high-water mark of the movement,” Trinder said. “The amazing thing is the incredible diversity – there is every colour, creed, race, age, subculture all in one field. City people, country people, travellers, punks, ravers, posh people from the fancy school down the road. It was probably the last unifying youth movement.”

Trinder, 49, was a DJ on the fringes of the free party movement before he became a film-maker. “I always thought ‘why does no one talk about that period when this was the lead on the Nine O’Clock News’,” he said.

Others agree. Tom Latchem, a former TalkSport presenter, launched ROAR: The Rave Channel last year to interview some of the DJs and music-makers at the heart of hardcore and jungle, from Fabio and Grooverider to Jumping Jack Frost and Luna-C.

“There wasn’t anything like it,” Latchem said. “Not many people were talking about it and I’ve spoken to DJs who had never really done any kind of interview at all. It was all at risk of being lost.” Now the podcast is being archived in the British Library. Other podcasts have sprung up in the past year, including Rave to the Grave by Vivian Host.

Matthew Smith, a photographer from Bristol who documented many of the free parties, has created an archive of photographs from the period. His new book Full On. Non-Stop. All Overis published tomorrow and looks at the post-rave club culture that emerged after Spiral Tribe and others were forced out of the UK.

“At the end of the day people love to go out and celebrate and be with each other,” he said. “I just wanted to remind people what it was like before smartphones took over.”

The Museum of Youth Culture will stage an exhibition at the Herbert Art Gallery in Coventry next summer. Rave and electronic music will be a major part of it, according to Jamie Brett, the museum’s creative projects manager. “Rave culture is our most well-covered collection, from 1988 to 1994,” he said. “Lockdown has made people very nostalgic – we’ve had 4,000 people … contribute material.”

Interest is not only coming from fortysomethings who are nostalgic for their youth, according to Latchem.

“It’s surprising how much is coming from people under 30,” he said. “There’s a lot of young producers making old school hardcore and jungle now, people like DJ Semah, who’s just 14 and got into hardcore after hearing a Prodigy track on a CD he found in his parents’ garage. Now he’s releasing his own tunes.” Illegal raves are being staged for the young, he added. “There’s a real groundswell happening.”

https://www.theguardian.com/music/2021/jun/26/raves-from-the-grave-lost-90s-subculture-is-back-in-the-spotlight

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‘They thought we were terrorists’: meet Joe Rush, the master of mutoid art and king of Glastonbury

‘Maybe our leaders will catch up’ … Joe Rush with Mount Recyclemore, a sculpture made from discarded electronics installed at the G7 summit.
‘Maybe our leaders will catch up’ … Joe Rush with Mount Recyclemore, a sculpture made from discarded electronics installed at the G7 summit. Photograph: Ben Birchall/PA

The punky master of outsider art was once a pariah, thrown out of Britain for his anarchist ways. Now, he’s a national treasure. Joe Rush relives 40 years of sticking it to the ‘straight world’

“They thought we were terrorists,” says Joe Rush, remembering the day not long after the fall of the Berlin Wall when he and a fellow anarchist took over a patch of no man’s land at the heart of the German capital. They filled it with military hardware: tanks and artillery and the like – along with a MiG-21 fighter jet that they pointed directly at the nearby Reichstag.

“The authorities were furious,” he says. And no wonder. The police feared that, just as the cold war was ending, another military face-off had begun. “They thought we were going to fire missiles into the Reichstag,” says Rush. “So we pointed the MiG into the ground to make it clear we weren’t.”

What the authorities didn’t realise is that Rush and his travelling band of outsider artists had come to Berlin not to make war but to create a peace garden. His Mutoid Waste Company (MWC) crafted a huge gateway out of Soviet assault vehicles and called it Tankhenge. This then provided the entrance to the garden, which was an outdoor exhibition of found objects, some worked up into sculptures by the team.

“We stole most of it,” says Rush, who gives the impression that there was military hardware just lying around Berlin at the time. “It was like we found the biggest salvage yard in the world.” The authorities lost interest in evicting MWC and turned instead to feuding over who was responsible for letting a bunch of British weirdos get their hands on a scarcely decommissioned cache of Soviet military might.

‘It was like the biggest salvage yard in the world’ … Rush in Berlin in 1989.
‘It was like the biggest salvage yard in the world’ … Rush in Berlin in 1989. Photograph: Courtesy of Guy Mayhew

Rush, now 60, has dedicated his life to recycling, at whatever level. I Am a Mutoid, a new film by Letmiya Sztalryd airing on BBC Four on Sunday, profiles this genial outsider artist who most recently hit the headlines with Mount Recyclemore, a sculpture depicting the G7 leaders in recycled metal and electronic components, positioned to face them as they met in Cornwall this month. That work was created by Rush and collaborator Alex Wreckage (possibly not his real surname) to indict the mountains of defunct computers and outmoded mobile phones slowly choking the planet. Does he think Johnson, Biden and the others will take heed? “Probably not,” he says, “but this is a ground-up movement. Ordinary people around the world seemed touched and inspired by it. Maybe our leaders will eventually catch up.”

Rush’s career as a salvage artist began one midsummer’s morning in the early 1980s when he was in the bath. He decided to shave off his hair. Once shorn, he went out on to Portobello Road in London, but he felt self-conscious so he came back in and glued a rabbit pelt to his bald head, then went out again. Later, he gussied the rabbit fur into a kind of Mohican and became something of a local character, looking like a figure from 2000AD, the British weekly comic he’d loved as a kid that featured a dystopian Mega-City. “You learn a lot from looking funny. Some people get scared, some angry. Sometimes you have to fight. And sometimes you find people who don’t feel threatened.”

He became obsessed with wheels, keeping motorbike spare parts and drip trays for oil in his bedroom. His hands were rarely clean. In London in 1984, he and a bunch of ex-punks formed the MWC. They put on parades down Portobello Road looking like cyberpunk comic book heroes or extras from the Mad Max franchise. They drove mutated motorbikes and flat-bed trucks from which flames rose into the sky, to soundtracks of snarling guitar and dub reggae. These events were a cross between theatre, circus, installation art and – as often as not – really bad traffic jams. “I had no desire to be taken over by society,” says Rush, “or be part of the straight world. I didn’t want to have roots. I wanted to keep on the move.”

The MWC at Glastonbury 1987.
The MWC at Glastonbury 1987. Photograph: Diane

He was inspired by his late father, the artist and single parent Peter Rush who, in the late 1960s and 70s, decided the family should hit the road. Peter bought a caravan, painted it jauntily and set off from Romney Marsh in Kent. They got as far as Salisbury, where Peter was knocked over by a car and injured so badly that life on the road came to an end. The MWC was, in part, a reprise of that alternative lifestyle: a collective of artists, musicians and disaffected Britons who creatively reinvented themselves as a tribe of human mutants living on the road, in squats, and – in Rush’s case at one point – a decommissioned Korean war helicopter sitting in a junkyard.

If you don’t mutate, you’re dead. That’s why I’m drawn to being on the road. My life has been about reclaiming the nomadic spirit

They were treated as pariahs by the early 1980s club scene in London, refused admission for looking too weird or potentially troublesome. So they created their own culture, a party scene in squats and abandoned warehouses that predated and inspired late 1980s rave culture. “The Thatcher years were really hard on us,” says Rush. “We became part of the traveller community who experienced persecution.” The culmination of that persecution, Rush tells me, was the Battle of the Beanfield in 1985. The Mutoid Waste Company joined about 140 vehicles known as the Peace Convoy, which headed to Stonehenge for a free festival. But English Heritage took out a last-minute injunction banning the festival and police arrested 537 people from the convoy after a bloody battle.

“That was it for us,” says Rush. “We were effectively driven out of the country.” He and his friends went into exile on the continent for a decade, only occasionally popping back. “In Europe, there wasn’t anything like a party scene or illegal warehouse parties. So we started putting on shows. We were mostly welcomed, unlike at home.” Why didn’t you just settle down? “That wouldn’t have been the mutoid way,” he laughs. But what is the mutoid way? “We’re mutating all the time. If you don’t mutate, you’re dead. That’s why we’re drawn to travellers and being on the road.”

Rush thinks humanity took a wrong turn when we became farmers and set aside the nomadic, hunter-gatherer existence that had characterised our species until then. “My life has been about reclaiming that nomadic spirit. All the festivals we’ve taken part in over the years are really just an echo of what happened when nomadic tribes came into the valleys in summer and partied.”

Rush in Italy, 1990
Rush in Italy in 1990. Photograph: Anne Marie Goodman

But he is not the refusenik outsider he used to be. “The key moment came when one of my sons got sick from Agent Orange or DDT or whatever it was left in Berlin’s no man’s land. He needed more serious treatment than dangleberries and herbal tea.” In 1995, after 10 years wandering Europe, he and the MWC returned to Britain, where his son got proper hospital treatment and Rush made his peace with straight society for the sake of his family.

Before Mount Recyclemore, he was probably best known for his long association with Glastonbury. In 1987, the mutoids were allocated a field at the festival site. There, the recyclers built Carhenge and surrounded it with what Rush calls “an apocalyptic Disneyland on acid”. There were sculptures, installations and dinosaurs assembled from scrap metal. Drums were omnipresent and festivalgoers at various levels of consciousness joined the mutoids in beating oil barrels, car wrecks and metal statues.

Ants made from motorbike fuel tanks are part of a Mutoid installation in south London.
Ants made from motorbike fuel tanks are part of a Mutoid installation in south London. Photograph: Dave Rushen/SOPA Images/REX/Shutterstock

In later years, Rush’s pyrotechnical spectacles, animatronic robots, sculptures, stage shows and mutant parade of strange vehicles driven by even stranger humans have become key to Glastonbury’s ethos. Rush was behind such annual spectacles as Unfairground, Trash City, Joe Strummer’s Memorial Tree (made from exhaust pipes) and a giant mechanical phoenix that hung over the Pyramid Stage as the Rolling Stones headlined in 2013. Most recently, he built Glastonbury on Sea, a replica of a seaside pier which seemed to imagine the kind of architecture Somerset will need if sea levels rise thanks to the climate crisis.

In 2012, he was invited to art direct and perform the closing ceremony of the Paralympic Games in London. The pariah had become a national treasure. “We’d been hounded out of Britain and now we were representing Britain. The whole thing blew our minds.” During the ceremony, Prince Edward arrived in a mashup of a 1930s gangster car and an Afghan armoured vehicle, and then the MWC drove into the stadium in salvaged, pimped-up rides and put on a show that was as visually compelling as Danny Boyle’s opening ceremony for the Olympics earlier that summer.

‘We pointed the MiG into the ground to make it clear we weren’t going to fire missiles into the Reichstag’ … Berlin, 1989.
‘We pointed the MiG into the ground to make it clear we weren’t going to fire missiles into the Reichstag’ … Berlin, 1989. Photograph: Courtesy of Guy Mayhew

Lockdown has given Rush the chance to concentrate on creating other things. Fossil-like works mostly, made from spanners and bike chains, as well as a sculpture consisting of all his dogs from over the years, their heads and bodies crafted from repurposed drills, carburettors and other detritus. It’s a touching memorial: pets reborn as trans-canine mutants.

Some of his work was recently on show at Fulham town hall in London, part of a show called Art in the Age of Now. Does this mean Rush is finally joining the art world, and moving from the street and field to the gallery? “I’ve never wanted to be part of the art world,” he says, “because that would involve cosying up to people I don’t really understand or like.”

While he is a contemporary of such YBAs as Damien Hirst and Tracey Emin, unlike them Rush never went to art school or had his oeuvre collected by Charles Saatchi. That said, he has worked with Banksy and Hirst. The latter gave him tips on how to make bronze versions of sculptures originally created from recycled aluminium.

When lockdown ends, he is hoping to return to his European travels – and put on exhibitions in museums. “I don’t want to be in galleries,” he says. “I want to be in museums like the V&A, Tate Modern and the Musée d’Orsay in Paris.” What’s the distinction? “Private galleries own you and your art. I don’t want that. My principle has long been that if a child thinks a work of art is bollocks, it’s probably no good. Kids can see through nonsense. And I try to remain a child in that sense. Some people think you need to grow up. You don’t. You just need to learn how to keep playing. I’m lucky enough to be still doing that.”

Stuart Jeffries. Guardian. 24 Jun 2021
https://www.theguardian.com/tv-and-radio/2021/jun/24/joe-rush-i-am-a-mutoid-mutoid-waste-company-glastonbury-g7-mount-recyclemore

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The Police Bill – new threat or just lazy racism?

Johnny Eastleigh looks at 500 years of attempts by parliament to create outlaws of the Gypsy, Roma and Traveller population
People from northern India began to arrive in England during the 15th century but were presumed to have come from Egypt – and were therefore described as ‘Egyptian’, which became corrupted to ‘Gypsy’. As this Act demonstrates, they were viewed with suspicion and hostility. Source: http://www.nationalarchives.gov.uk/pathways/citizenship/citizen_subject/docs/egyptians.htm

It’s no news to any of us anymore that Romany people were targets of the Egyptians Act 1530. The Act went through a couple of changes over the centuries, but the core threat stayed the same – anyone in England found to be Romany was punished with death by execution. It sounds extreme, but it’s a matter of history – you can find a copy of the Act and records of some of its victims with a quick Google search. What’s a little harder to find is the advice of the Privy Council in 1559, which ordered that lawmen specifically ‘target their heads of family and their chiefs’. This plan was cooked up to better terrorise grieving wives and children into obedience. The idea that was by losing their husbands or heads of family, those remaining would be forced to live ‘normally’. Since we’re all still around today, we can assume those wives and children were made of much stronger stuff than the Privy Council gave them credit for.

By 1743, the government had finally realised we weren’t so easily controlled. They upped their game. They introduced the Justices Commitment Act which, like the Egyptians Act, punished people for the sole act of being Romany. By this time they had likely included Irish Travellers, who had by then begun migrating to England. Unlike the Egyptians Act, this time it was enough to just look, act or seem like a Romany or Traveller to be prosecuted. So keen were they to control these ethnic groups that even being mistaken for one was grounds for prosecution – can you imagine being so afraid of such a small group of people?

It wasn’t successful. The Turnpike Road Act had to be introduced in 1822 (if you’ve ever wondered where the old slur comes from, ‘turnpiker’ is one of the leading theories). This Act forbade Romany and Traveller people from stopping on the turnpikes – it seems like they had at least learned by now that execution wasn’t effective, because the punishment in this Act was instead a very dear fine. The Egyptians Act was finally repealed in 1856, after more than 325 years of defiance, failure and frustration for those who thought it was the solution to their ‘Gypsy problem’.

The following 1900s were one long steady stream of Acts that specifically tried to control or knuckle under Romany and Traveller people, and scrape back some pride after 400 years’ of failed attempts. The forest compounds of Hampshire in the 1920s, their deconstruction in the ‘40s and ‘50s, the Caravan Sites and Control of Development Act 1960 and the Caravan Sites Act 1968, which forbade the building of private sites, and the 1994 Criminal Justice and Public Order Act which removed the responsibility of local authorities to provide sites themselves. By removing private site provision and absolving themselves of responsibility to build any new ones, they seemed to think they could finally pull a fast one. ’94 was nearly thirty years ago now – yet we’re here stronger, more mobilised and more united than ever.

It seems like our entire history in this country has been one long list of legislation. Since we’ve been here, not a century has passed since at least one piece of legislation was passed that we might consider nowadays as a human rights violation. Eventually, you have to wonder if the Police, Crime, Sentencing and Courts Bill 2021 is all that new or inventive – or if it’s just the latest link in an old stumpchain that could never hold any horses in the first place.

That question remains open. Where the Police Powers Bill will end, if we don’t stand up to it, is an open question too – this time the tactic is to make our traditional ways of life outright illegal. It’s the most blatant attack on Romany and Traveller communities since they were hanging men on sight. If history has taught us anything, though, it’s that they’ve tried their damnedest and their hardest – and they haven’t managed to beat us yet.

The first demo of our ‘summer of discontent’ will be held in 

Parliament Square, July 7th, 1 PM.

http://drive2survive.org.uk/2021/06/22/the-police-bill-new-threat-or-just-lazy-racism

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Sound System ‘Hall of Fame’

I get a mention, under ‘AUXILIARY FREE PARTY SERVICES’
Cheers chaps xx
Alan Lodge (Tash) -Free festival Photographer, free festivals these days are host to freeparty rigs https://alanlodge.co.uk

https://www.facebook.com/photo?fbid=10157865597136716

ENTER The HALL of FAME…………….
OVER 30years of FREEPARTY RIGS
The list is no doubt longer, more to come, I collected some at end and beginning of the century for the now archived nightstorm website
The list has grown, I am still adding
The list is no doubt longer, more to come, I collected some at end and beginning of the century for the now archived nightstorm website
It Truly is a HALL of FAME, its no mean feat to put on a FREEPARTY.
All these Rigs need a shout and lets not let them be forgotten.
SOUND SYSTEM HALL OF FAME, Please help adding to it…..
Aardvark ————————————————————-
Abacus —————————————————————
Active Party Unite————————————-Surrey/Hamp
Acme sounds ——————————————————–
Acid Monkey ————————————London 2008 09?
Adrenaline———————————Greater London 1992-94
Adrenalin—- OXFORDSHIRE start: JUNE99 Techno, D&B
Advance Party————————————————London
All Substance No Style – Nottingham, London, Hastings – 2000s
An Be Proud Of Ur Rig ——————————————
Annoy sound system———————————SW 93 to 2003
An Watt —————————————–were about in 2011
Aphrodisiac —— -Kent 90 -96? they had an off shoot, Aubergine
Agro———————————————————-Reading
Ardkore Soundsystem ——————————— Derbyshire
Armada —————————————– kent then Bristol
Armadillo ———————————————————–
Armageddon ————————————————Reading
Azma Sounds ——————————————————–
Az1 ——————————————————————-
Aggrav8—————————————————————
Aura——————————————————————-
Aura Orange———————————————Birmingham
Audiophile —————————————- London early 00’s
Acidic ———————————————————-Bristol
Al B’hed ————————————————————-
Alien Society Sounds ————————Norfolk 2002-2008ish
Asbo —————————————————————–
Assassins Sound System ———————————–suffolk
ASYLUM ———————————————– Watford area
Ascenzion ————————————————————
Aztek —Hampshire/Oxfordshire/Berks/Wilts/Bedfordshire ——————2004 and still going ————————
Babble Collective SoundSystem ——Leicester 1993 on going
Barn —————————————————————–
Backlash soundsystem ———————————————
back to basics ——————————————————-
Bedlam—————–London1992 now Oz Music:Techno, Ragga
Bedroom ————————————–Northwich, Cheshire
Berserkers—————- were London based but very Glaswegia
Belligerent ———————————————————–
BDI——————————————South Oxfordshire 1994
B4 Polococta, —————————— London 2002 till present
Blacksheep—————————————————London
Black Moon———————————————–Derbyshire
Blackkat sound———————————————NYC– ’96
Bpm ————————————————– Bournemouth
Blue Room————————————————–Brighton
Boing——————————————————————
Born from pulse sound system ————————————–
Brainskan —————————————————–Norfolk
Brainstorm turned into universe———————-Bath 1991 – 93
Brave Nu Cru ———————————————– Swindon
Bridgwater Reggae Sound System ———————————
Brixton Hunt sabs and Travellers. —————————-Brixton
Bust the Box———————————————————-
Buckwild —————————————————— Norfolk
Bitfo ———————————were about in the early 2000’s
Bio hazard ————————————— devon. 2000-2005
Bioshock ————————————————————-
Bio-Tech ———————————-East Anglia 2000-2004
Breaks from the norm. —————————————–BFTN
BWPT———————————————————Leicester
B12 ———————————————————- Norfolk
Cafe del Squat————————————————London
Camouflaged Disco —————————————- Sheffield.
Chemically Driven ————————————————
Chem D (Chemical Disturbance) ———————————
Circus Warp———————————Bristol/Bath 1991 —-93
Circus Normal—————————————Bristol 1991 – 93
Circus Chaos———————————————————-
Circus Irritant ———————Avon/Somerset early to mid 90s.
Circus Lunatek. ————————–South London / site 91-’93
around 60 or 70 raves and festivals mostly London and Kent.
Circle A Sounds —————————————————–
Circosis -London & Europe. 91 onwards. House & Techno. DJ’s Marc & Ben Circosis. Joined forces with Turbo Unit midish 90’s
Citricity—————————————————Birmingham
Chemical warfare ————————————————-
Chiba City—————————————————–London
Children of Kaos ————————————Plymouth based.
Chimaera———————————————-London Chaos
Chillum Tribe —————————————————-Kent
Clueless ————————————————- Cambridge
Confusion, —————————-high Wycombe 2003 to 2005
Confiscated ———————————————————
Cosmic Carrot—————————————————Kent
Culture Vibes club ————————South West in the 2000s
Coming soon ———————————————— Norfolk
Curfew —————————————————– Sheffield.
Chronic sounds —————————————————-
Class A —————————————————————
Crossbones—————————————————London
Crowzone ————————————————————
Cybersounds—————————————- Leamington Spa
Dagobah system ———————————————–Notts
Darkstar Collective—————————————–Wiltshire
Daylite Robbery (Manchester/toured) 2001still going but dormant.
Defcom 1 ————————————————————
Dance conspiracy/eternity ——————————1990/1992
Desert Storm——————Nottingham, Glasgow, Manchester
Destination——————————-Central Oxfordshire 1997
Deeper Understanding ———————————— London
DEDsound. ———————————Berks/Ox/Bucks. 98-99
Dead dog disco —————————————————-
Dekked ————————————————————–
Deep Peace ——————————– Stroud area (early 90s)
Deviant ——————-Newbury/Hungerford were about 2003
Deep Cartel—————————————————Devon
Deeper Understanding ——————————————–
DMT ——————————————————Bristol
D.N.A. Destroy Negative Attitude ———————–North?
Dole House Crew —————South London, 1989-about 1992
—— hired or other rigs used our venues..
Dossee Possee, ————————————- North Wales
D.Storm —————————————began 91 in glasgow
Digga Sounds ————————————- Exeter, Devon ?
Definitive sounds ———————————-Bedfordshire
Delirium ———————————————————
Diatribe SoundSystem —————————————-
Ditch Licker ———————————————–Suffolk
DirtCrunch/Fraktal —————————–Brighton 2010ish
Digital Pollution ———————————— Portsmouth
Digitaal Waste ————————————————-
Disjunkt ——————————————— London 00s
Dissident —————————————————Bristol ?
Disciplines of Rhythm (D.O.R. Sound system)————20/5/93
Discobobulated —————————————————-
Dimension ———————————————————
Dirty Squatters —————————————————-
Disobey ————————————————– Norfolk
Disorder, —————————————-East Anglia based
Disturbance —————————————————–
Distortex———————————————————–
Disruption, ————————————–East Anglia based.
Disruptive Audio ———————————– London 2000,s
Dionisus—————————————-Bedfordshire Diversion —————————————————-
Diverted, ———————————————————–
D.I.Y.—————-1989 onwards Deep house —Nottingham,
Dubious ——————————————— South London
E-Coli —————————————————————
EckoTek ————————————————-Bedfordshire
Elektrik Orgasm ————————————- Bristol 93 to 96
Entrobang ———————————————————-
Energise————————————————————–
Enfused Sounds ——————————————————
Enlightenment————————————————-Brighton
Enginearin —————————————————–Reading
Elemental —————————————————-Leicester
Elevate ————————————Leamington Spa mid 90s
Equality Cohesion —————————————————-
Esicume Noise——————————————————-
Eternal Cru, ——————————————–Wales 1990’s
Everyone Sound ——————————————————
Evverescence ——————————————————
Evolution ————————————————————-
Excalibur————-(primarily reggae/dub but did nuff raves too).
Exodus—————– Luton 1993 Jungle, D&B, techno, reggie
Existential ———————————————————–
E1S ——————————————————————-
EZE love sound system ——————————-the south west
Factual sounds ——————————————Bedfordshire
FAF (Fluffy as Fuck)—————————————-Brighton
Family Groove —————————————————–
Faze One ———————————————————-
Fear Teachers—————————————- oxfordshire
F.O.C —————————————- Surrey 2000-2005
Fierce Sounds —————————————–
Flatline Sound System ———— Wells Somerset 2009 ongoing
Flux Capacitor Soundsystem ————————————-
Fundamental——————————————-London 1991
Fuctnose ———————West Sussex/ London 2002 – 2011
FUBAR Fucked Up Beyond All Recognition.- London, Hackey Wick
——-Josh Fubar’s — 2001 to 2008 ———–
Fuk Around Sounds ———————————————–
Fushion ————————————————————
Fraktal ————————————————————-
FRS Free Range Sound.—————– London n beyond. 90s…
Freakency———————————————————–
Frequency Oblivion ——————–South West
FREEBASS ———— Cardiff/South Wales early 90’s still going
Free Dimension—————————————-Suffolk
F.R.U. (Fucked Right Up) —————– Swansea, South Wales.
GabbaWocky ——————————————– London ?
Gateway Sound- ——————————–san francisco 94
Gangster Dolphin——————————————Bedford
Gash collective ————————————— Manchester
Genesis vibration ————————————-Bedfordshire
G Force —————————————————————Glitter rig ———————————————————-
Guillotine ———————————————————-
Goodfellas ———————————————————
Good old boys —————————————————–
Ground Zero–FaceBook —Free Party Sound Systems & Minters Who Love Them. still on the Road, ——Based in France ATM
Grooveyard———————————————Peterbrough
Groovatarium————————————- Lincoln
H Zone——————————————————————
Hamster patrol ———————————————-Oxford
Hanky Panky——————————————–Peterbough
harmonise, ———————————————————–
Hackney House Authority ————————- London 91 -94.
Hardcore Conspiracy SS ——————————————-
Hardcore Konsperancy ——————————–Multi Rigger
Havok —————————————————————–
HC7 or “HARDCORE 7”—end of 1991 to the summer of 1993—
——-we held free parties in & around Bedfordshire. ———-
Hackney sounds —————————————————-
hedonastick ———————————————————
Headfuk——————————————————-London
Hectik ————————————————London 2000,s
Hekate———————————————————London
Hectate ————————————————————–
Homegrown ———————————————————-
Highly Addictive ———————————-Brighton 2010ish
Hypnotwist ——————- Bristol hardcore/speedcore system
Hybrid Tek ——————————————- Hertfordshire
HP21 —————————————-Oxfordshire, 2000ish
IFFY sounds ——–Reading 1994 moved to london: D&B, Jungle
Infused sounds —————————————Bedfordshire
iNfLuEnCe ———Oxford / Ridgeway Hard trance/acid tekno
Intruder —————————————————– Norfolk
Illicit Sounds ——————————————————–
Ill Eagle / Ill Industries ———————–London mid-late 00’s
Inkription ———————————————————-
Innerfield—————————————————-Brighton
Insanity——————————————————-London
Inspyre ——————————————————suffolk
ITS ————————————————Brighton 2010ish
Inspiration. ———————————————————-
Immersion ——————————Lawrie Immersion, London
IRD Rig ———————————-West Sussex/London 2005 –
Irritant Sounds—————-SW crew from later 90s/early 00s
Itsy Bitsy ———————————————chill out cafe
Itchy Fingers ————————————-Norfolk
In House IRS —————————————— Circa 2000
Jah Tapey, ———————————————–Wiltshire
J10 or Junk Chun 10 ————————————Reading
J14 Junktion 14 ——————————–Buckinghamshire
Jellyheads —————————————————–
Jigsore —————————————– Somerset/Devon ?
JFDI soundsystem ——————————————wales
Jiba ———————————————London-based 90’s
Kacchina —————————————————- Luton
KAK —————————————————— London
K D U. Kore Dispersal Unit —————————————-
Ketwork 32. Reading and Europe. 98? Onwards. Reading 96ish.
Kernal Panik ——————————————————
Kevlar ————————————————————–
KAMIKAZE 42! ——————————————————
konglomera sound system.——————————————
Kollusus ————————————————————–
koalition————————————————————–
K-os sounds —————————-Norfolk/lincs 2002/2014
K-Otik, ———————————————–Manchester)
Kinky movement Notts Kite High” —–Vic….Cambridge area
Kinetik,———————————————————–
King beat ————————reggae rig? late 90s early 00s
K9KIMIV ——————————————-West Country
Krysis. ————————————————–July 2012
Krunch…. ——————————Northants… 90s, early 00s
Kreos/Revelation –Buckinghamshire (97-99ish) great Missenden
K.U.N.T——–sound system UK Bristol, Wales and main land Europe under that name from 1998-2015—————
KSS —————————————–Reading and London
Lazy house ———————————Devon, Exmouth
Large Salad Disco —————————————————
Legal Intentions ——————————————————
Life4Land ————————————————————
Live wire —————————-Essex area1998 to 2007 ish
Loony Choons ————————Devon and Cornwall 1992
Lorax ———————————————-Manchester)
Lost ‘n’ sound——————————————- Sussex
LoveLight .———-Bedfordshire Pose (from Dunstable)2000DS
LOVEGUN ——– ‘summit mountaineering club, Snowdon
Lowkey ——————————————–Hampshire/Surrey
Lunar Collective. ——————————– East Anglia based.
LSDiesel ———————————————–south london
LWT Soundsystem (London Weekend Transmission)——London
Mad Hatter Sounds originally tribe of gnome 97- 05ish Preston
Mad big ups ———————————————————
Mainline —————————————————————
Masika —————————————– were about in 2003
Massai Warrior Sound System ————————————-
MAYHEM ——————————————————Devon
Mayhem—- London based hard acid rig till the early to mid2000’s
Manik ————-Little Lee, Kris Fareye, Jamie, and Vince, London
Malon Sounds ——————————————————
Malfauteirs ———————————————-Samira Faraj
Malfunktion ———————————————————-
Maui waui ————————————————— Norfolk
MDMF —————————————————————-
MEOW Sound System, —Deep house,Techno Midlands 2000
Megabitch———————————————————–
Merlins Gate ——————————————————–
Messy sounds ————–Devon / London dnb rig early 2000’s
Minimal effort sound system (mess)——————————-
Mohican Trib—- 1993 Techno, Hardcore, Drum and Bass, Jungle
Monolith ————————————————————-
Monkeypuzzle.———————-Manchester 1997 – Still going
Molotov ———————————–East Anglia 2000-2004
Mushroom————————————————–Hampshire
Mutant Pollutant————————————–Oxfordshire 98
Mutant Dance——————————————–Bristol 1991
Mutoid Waste ——————————————————-
Mission —————————————-high Wycombe way
Mid life Krisis. ——————————————————–
Militia, ———————————- South coast and beyond.
MWD40 Sound System — Leicester 2000 to 2009’Deep House Funk Grooves — only small gigs now and again———————-
Napalm – –Oxfordshire now Oxfordshire/Bristol – 2005 to present – ————-dnb, old skool, techno, hardcore——–
Native Beats ———– Surrey circa 2000s -2003 dnb & jungle
Negusa Negast,- Bishen (Bashment Bish) sound system – London
– 1992 – : Bashment/Reggae/Roots/Hip-Hop/D&B/Jungle
New era ———————————————————-
Northern techno alliance—————————– multirigger?
No nonsense ——————————————Bedfordshire
No Fixed Abode ————————————————–
Noise pollution, —————————-Bath/Bristol based
Nut Nut Crew ———————————- Essex 2009-2014
Nusense, —————————————-Dorset 2000
NTA ——- Northern Techno Alliance (Sheffield and theNorth)
Nine Bar ————————————————Guildford
Network 23———————————————————–
Oblivion ————————————————————
OBCT —————————————————————
OCB One cell brain —————————————————
OCM – Original Cuntry Munters ———————————–
OCD ——————————————————————
OCM —————————————————————-
Oddessey– S.Oxfordshire Techno, hardcore, old skool- 1994 – 98
Odyssey sound system,, ————Suffolk 2008 to present
Offshore State Circus Rig’ –S London. Jungle, extreme wierdness.
Off yer face————————————————Norwich
Ooops!——— Based Reading 1993 – Dan Treble O-ps Mayer: –
D&B, jungle, Techno,we will travel anywhere for a party
One Love ——————————————–Luton
One Unity ———————————————-Bedfordshire
Ontick. ————————–Owned by many London lostboys
Original dirtysouth collective ————————————
Optimist Creed———————————————————
Oscillate———————————————–Birmingham
Oxford Party Crew– 1991 – 93 Music: Hardcore, Techno–Oxford
Off yer Trolley–“Party Animals”..————–…..cambridge area
PANIK SOUND SYSTEM 1998 London and surrounding countyside. –Run by a collective with and open deck policy
Panorama Elite ——————-Nottingham. Active in the 90s
Paradox, Bournemouth and Dorset, Hampshire, Wiltshire 89-92
Party Possible ——————————————- Brighton
Paranoia ———————————————————-
Peaceful Promotions ———————————Wimbledon
Pendulum———————————————————
Phantom Sounds ————— Oxfordshire/Bucks 2001-2004
Pitchless ————- London 00s played mostly noise and core
Plan-B, ————————————— London and Prague
Pineapple Tribe—————————————-Surrey 1995
Planet Grunt (Grunt)—————————— west Sussex 92
PRANK, (PIGS RIGSAND NAUGHTY KIDS) ———–Bristol
Prove It———————————————————–
Project Mayhem —————————————–Oxfordshire
Proper Stuff” —————– run by two brothers, Cambridge area
Primitive ————————————————————-
Pod————Power of Dance ———–party all over —–1994
Positive Sounds——————————————————–
Pokora Sound System —————————-London 2006
Public Nuisance ————————————————-Bristol
Prime ——————————————-SOMERSET 91-94/5
Primal sounds —————————————————–
Psychosis—————————————————- Surrey
Pendragon—————————————— North Wales?
PMT —————————————————————-
Pulse—————————————————Nottingham
Pulse8 ——————————————–Ipswich/Suffolk ?
Pure FX, —————————————–Bracknell. 2010s
PV Twist,—North Devon,North West Cornwall, 2006-2010. —–Buckinghamshire 2011-present for special occasions these days
Quadrant———————————————-Nottingham
UFO ————————————-Kent mid 90’s still going
Underkonstruction ————————- London since 2006
Underground Sounds—— ——london Darren ( sick note)
Underdog ——————————————————-
Unknown ———————Wales/Bristol. Early 00’s onwards
Unknown Project ——————————Bristol 2010ish
United Sounds —————————————————
Unit-E —————————————————-Norfolk
United Systems——————————————London
Unhinged ————————————————-Wallingford
Unstable Sounds —————————————-Basingstoke
Unsound-Kings Cross ’88 –active and various beaches in between
Uslot —————————————————————-
Urban Warfare ——————————————————
Urge ————————————————————- 89
Random Sounds ——————————————-London
Ransack. ————————————London.. Gav Ransack
Realeyes ————————————————-Suffolk
Red eye ————————————————————
Resistrance—- ran for approx 10 years from 92 – 02-Bristol
RJSS.————————– Ron Jon Surf Shack/sound system
Reality Dub and Fairshare Unity-(big up Julian)at it since the 80’s
Requiem ———–Basingstoke / Bristol, 2011 – Present Day
Rere Kum Kum—————————————————–
Respect all crew —————————————————
Reprobate —————————South West 2014 still going
Ravenous ———————————————-Petersfield
Revalation —————————————–luton 2000,s
Remo ———————————————– Folkstone, Kent
Reclaim the beach—————————– London 2001-2018
Reknaw.————————————————-London Punk
Rebel Culture ———————————————–
Rebel Lion ——————————————Norfolk
Retox soundsystem.——————Devon 2003ish to nr present
Re²³volution Sounds ——————————–Mason Garner…
Restless Natives ———-Zebedee and Lawrence North London
Rinky Dink—-The almighty bicycle powered sound system -Stroud
Rig with no name —————————————————–
Rotten Noise ———————————————————-
RSNK red Shoes No Knickers ———————————–
Ruckus. ———————————-London. 97 onwards. Jungle
RUFF KREW ———————————————————-
sativa syndicate —————————————————-
Sabbatical———————————————-Guildford 1995
Samovar Soundsystem—————————– Nottingham
Safe and Sound ————————————————-
Scum like Us —————————————————-
Scallywags———————————————-London
Sensitive Sound————————————————London
Semtex, ————-West Sussex/ London/ Spain 2005 -2010ish
Sentient sounds ————————————————
Section 47————————————————–London
Section 63———————————–Hampshire 2002-2010
Shell Shocked ————————–South coast and beyond.
shindig ——————————————————– Essex
Shit disco ———————————————————–
Shit rig in the corner ———————————————–Shockwave ———————————————————
Sketch ——————————————-Burnham Somerset
Skirmish ————————————————–Chertsey
Sound Conspiracy————————————————-
SoulDrop —————–Bedfordshire now Kent. 2010 ongoing
soul 2 soul —————————————————–.
SoundLab ———————————————————-
SoundCrumpet —————————————————-
Sound Clinique, ————————————————–
Sokaid ——————————————about early 2000’s
Sommatek ————————————–about early 2000’s
Sonic ———————— Steve and Mikey Soviet —— Dorset
Sorted Sounds ——————————–Notts 2002-2011ish
Shuddervision——————————————————
SO SQUALID CREW —————————————Brighton
Shrewd ————————————- Peterborough, Lincs ?
Shtonka—————————————————-London
Stonka—————–London mid-late 00s-French tekno guys
SHAZAM! ——————————————————–
Shhhh ————————————————————
Surge ————————————————-Oxfordshire
Subtech ———————————————————
Subculture ———————————————Oxford
Suspect Sound. —————————————–Surrey
Silverscreen————————————————Reading
Siren Sound System –S London, J. Siren-D,Siren 97-present day
Silver Haze (became Subfactory) ——–Reading. Jungle. 94-96
Slack——————————————- Brighton, early 90s
Slack Banter ——————————————————-
Smokescreen————————————————-Sheffield
SNAFU sound system —————————–by Dave the Rave
Stinky Pink ——————————————————–
STS ——————————————————-Herts
Stumblefunk ——————–Manchester 2000 – Still going
Spawnee Posse—————————————-Manchester
Speakeasy ————————————————- Rachel
Spiral Tribe——————————–London, USA, Europe.1991
Spoof Soundsystem—————————————Sheffield
Specialneedsdisco, SPND CREW————————— London
SS trout—————————————————-Brighton
Spliff Riff — 1992 93Reggie, techno—Surrey/hampshire border
Stable Sounds, ————————————————–
S.T.S S.T.S (SQUATTERS ) ————————Bedfordshire
STORM ———–: OXFORDSHIRE, all over 1998 STILL GOING–
—-Music Techno, Trance, Hardcore, Drum and Bass, Jungle —
Street Level——————————North Oxfordshire 1992
Stinky Pink——————————————————–
Timbuktu ———————————————- Norfolk
Subassault soundsystem:——– Yorkshire Techno: june 1999
Sugar Lump———————————————– London
Survival–Oxfordshire all over 1996 Techno, Hardcore, ——
———————old Skool Sunshine Ravers—————-
Sunnyside ———————————————————-
S. W. A. T. Soundsystem ——————–Bath/Bristol based
Sweat————————Farnham/surrey 1991- 93,Hardcore
Swp ————————————————– Radstock
System ATiT——————————————– Brighton*
System Co-existence——————————–Surrey/Hamps
System outlaw—————————————————-
Tekno Travellers———————— Surrey 1991 – 93 Techno
Technical ————————————————— Herts
Teethout Productions —————————- Essex
Teknikal disturbance ———————— Baldock area, 2000
Techtonic————————————————-London
Tecnofobia ——————————————————
Tek-d ———————————————————-
Tekonta Sekta. ————————————–Midlands
Teknonotice ————————————–Bournemouth
Tek-Nologi, —–Portsmouth area based out of Sterns 89-93ish.
Tek.No.Shit Sound System. ————————–West Sussex
Tekno Kombat —————————————————–
Tearout —————————————-Brighton 2010ish
Thunder fox tribe ————————————————
TPK——————————————————–Reading.
The Camouflaged Disco Sound System————–Sheffield
The Countryside Alliance ————— ———-MultiRigger
The Druids of Kaos,-all over from 2000 Moots of Kaos MultiRigger
The Green monster Rig Brainfuel Crew ————out of Devizes
The Matrix Project ——- Jan 2000 NRG Acid techno/trance
www.thematrixproject.co.ukarea: Wolverhampton/Midlands
Torment ———————————————————–
TOSSERS. —————————————-Bristol later 90s
Tomahawk ———————————————————–
Totem Soundsystem —————————————-South
Total Disturbance ————————————————–
Total resistance.————————————–Mostly Europe..
Toytown ————————————————————-
Toxic —————————————————————-
TNT —————————— London Toby n Tim’s rig. -90s.
Turbo Unit ————UK. Europe, parties, festivals, midish 90’s
Tuk Sound System ———————————————-
Tufty’s LSD rig. —————————————— London
Tunnel Crew ————————————-High Wycombe
Toothdust ——————————————– South Wales.
Tibrium————————————————————–
Timelock——————————————Manchester/Wales
Tinker bell ——————————————-london 2000,s
Tonka———————————————————–London
Transmission————————————————-Leciester
Tramps with amps —————————————————
Trailer trash ———————————————————-
Tribal Energy ———————————————————Treehouse, ——————————Gwent valleys, South Wales
Tribe of Frog ———————————————————–
Tribe of Munt———————————————————–
Tribe of Isis——————————-South Oxfordshire 1998
Tribe of Twats—————————————————-1993
Tribe of Locust ———Dorset 98 -2005 but do the odd reunion
Trauma ———————————————————–
Turbo twats ————————————————–
Twisted sound system ————————– Surrey, Lee Ripley
TVC ————————————————–Kent
Valhalla 1999 Hard House, Deep house, Trance, Acid Tekno
operate open deck policy as is reasonable.
VEGA Sound System —————————————- Suffolk
Vortex Sounds —————————————————
Void ————————————————————–
Vox Populai ————————————-Big Alex rig London
Vibe Tribe——————————————-Leicester early 90s
Virus ——–from Cheltenham, London, early 90’s >> 2000’s—-
———–FB page,Virus sound system uk. —————-
Viking Crew——————————————————
Verbal ————————————————- Leicester 96 ish
Virus—————————————————–Jenny London
Vision —————————————————————–
WAC aka Wide Awake Club. Former Mr Noisy.
Wastegash Soundsystem —————————————–
Wattamess sounds. ——————————-Dorking 2010
Weekend Warriors —————————–Brighton 2010ish
We Love Bass ——————————————-Suffolk
WDA – Wessex dance association, ——Bournemouth 1990—
WMD ——————————————West Country 1993
worth noting rig at torpedo town 91 with Spiral and sweat.
Woodland pose——————— Cranleigh Surrey 1990 – 1992
Wellsbourn Travs——————————————-Wellsbourn
Wrek Tek —————————————————Norfolk
Wieselburger Soundz————————————————–
Wireless Sound System————-midlands Derby crew. Ongoing
Wibble ————————————————– Nottingham
Wonky Sounds ——————————————— Radstock
Wobbleberry———————————————-Hampshire
Zero Gravity ———-London early 90s running legendry parties
–for a year or so in the squatted Clock Shop in Farringdon! —–
Zero Tolerance——– Brighton and surrounding area! August 99
Zulu ——————————————–Brighton 2010ish
2B3 ————————————————————–
2FaceBass ——————————————–Guildford
2000 DS ————————————————————
23 For Life ———————————————————
4BIDDEN SOUND SYSTEM — BRISTOL SOUTHWEST 2007-2017

6tems Anon. ———————————————- Scotland

AUXILIARY FREE PARTY SERVICES
Jelly Tree Visuals ———————————– Guildford Surrey
Alan Lodge(Tash) -Freefestival Photographer, freefestivals these days are host to freeparty rigs https://alanlodge.co.uk
Free Party Radio ——————————————Oxfordshire.
Ascot Free party radio ———————————————-
united systems ———————————Freeparty phone line

Free Party Line ——-run by Debs and Ian back in the early 90s

SOUND SYSTEMS from other Countries
Adrian’s Wall —————————————-Melbourne
Acolytes — France, were always legends with KSS at Frenchtek
Aestesis ———— france start: 1995 video body: – lots affilied
with technokrat, infrabass in paris or britany www.aestesis.org
AKA Sound System —— Melbourne circadian 2001-2004..
APA {Alien Pulse Agency},—————————— NL
Dingoland —————————————————FR
Drop In Caravan ——————————————–(FR)
Epsylonn Otoktone —————————————–(FR)
Insoumis ——————————————————FR
Heretik ————————————————-France
Kierweit —————————————————-NL
Kraken —————————————————–(FR)
K9KIMIV —————————————————– USA
Les Nomads ———————————————– France
Nonem ———————————————————FR
Nawak ——————————————————–FR
Plasmodio, ————————————————Rome.
Furious, .————————————————-Paris
Metek, ————————————————–France.
APA (Alien pulse Agency), ——————————Berlin.
Mononom, ————————————————NL.
OQP, ————————————————Marseille.
Teknocrats, .————————————————-Paris.
Outlaw, .————————————————-Italy.
K9, Den .————————————————- Haag.
Subsound, .————————————————-Vienna.
NTK————————————————Italy 🇮🇹 Sardinia
Devasta noise ————————————-Italy 🇮🇹 Sardinia
Bouch’Couzou, ——————————————– France
RMS, —————————————————— France
Messbass ———————————————- France
Metro Sound Systems————————————-Czech
Puzzle Soundsystem ———————————–(FR)
Cirkus Alien, ————————————————–(CZ)
Swamp, ——————————————————(CZ)
FDM Freax —————————————————(CZ)
Lego Soundsystem —————————————–(AU)
Mononom/Gigabrol —————————————–NL
Ocupa ————————————————— France
SDC ( Sunday Dub Club) ————-Sydney. Dub Ska Reggae
Sleepnot Soundsystem —————————–Romania
Scooby Doo Crew———————————–Houston,texas
S.P.A.Z. ———————————————San Francisco
Virus —————————– Melbourne 1998 – still going
Wicked ————-San Francisco, a splinter group from Tonka

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“We Are People Too”: A blog by Chris McDonagh on growing up as an Irish Traveller

Chris McDonagh is a Campaigns Officer at Friends, Families and Travellers. Chris is an Irish Traveller and grew up travelling around the United Kingdom. Here he writes on his personal experiences of growing up within the Travelling community, both good and bad. 

Growing up as an Irish Traveller in England was difficult. From a young child I remember the hate and prejudice that was aimed at my family, just for being what others saw as “different”.

Some of my earliest memories are of being spat at or having our trailer attacked by people who had nothing better to do, while the men were away from the camp working, and I remember the fear and disgust I felt. I didn’t have a clue what we had done wrong. An innocent child should not have to feel like that. This was the early 90s.

I was around five years of age, when I wandered away from the camp. I remember I wanted to spend my pocket money (50p!) on some chewing gum which had the rub on tattoos inside the packet. I was walking for what must have been around 20 minutes before I realised, I was lost. I started to panic and I didn’t know where I was, or the way back to the camp, so I sat down on the kerbside and broke down in tears. I must have been crying for 10 minutes and worrying what I was going to do when some people approached me. It was a couple of boys from the local settled community and they all surrounded me. I was afraid as they were all older than me and I felt intimidated. They asked me my name and when I told them, one (with red hair) pushed me onto the ground whilst racially abusing me. Thankfully, someone passing in a car stopped and told them to leave me alone and took me back to the camp, but unfortunately I don’t remember her name. But I will always remember her face. She was a guardian angel sent to help me that day and I wish I could thank her now. She helped a lost child get back home.

Moving from camp to camp was a life I grew up in and it was a life I enjoyed. I enjoyed seeing new places and exploring new things with my brothers and cousins and we would make dens in the woods and forests, and pretend we were ‘cowboys and Indians’, eating berries and making bows using birch branches and a string. Life was simple but it was good.

We moved to a new camp in Manchester and the local children decided to come over and see what was going on. They were stood on the outskirts of the camp when myself and a few cousins walked over to greet them. After saying hello, they then asked were we ‘G*ppos’? Can you imagine walking up to somebody you’ve never met and them using insulting words to describe you, or your children? This behaviour is a learned trait and this word was obviously used to describe Travellers and Gypsies by somebody close to them.  We had to grow a thick skin and learn to get on with things from a very young age, and I don’t think it is right for a child to have to do that. A child should be playing with their friends and learning about the world, but we were being taught how to handle racism and how we should expect this abuse from members of a ‘civilised’ society. We had to toughen up and grow up much quicker than members of the settled community. Not by choice, but by necessity.

In the mid-90s, we moved into a brick and mortar house due to a family member’s ill health, and the constant harassment by the police, local authorities and random members of society. By then, myself and my brothers started at a new school.

On my first day I remember walking into the classroom and introducing myself and immediately the inevitable whispers and looks started. I was seated at my own table and given a book to draw in. The rest of the class were taught whilst I was left to my own devices. Soon break time came, and we all went out into the school yard. Everyone went their own way, until I was left alone in the middle of the playground. My brothers were in a different part of the school as they were older. I looked around at everyone with friends and felt alone. A boy approached me who was in my class and introduced himself to me. We immediately became friends and he was the first person my age who helped me understand that not everyone was the same. He showed compassion and the hand of friendship at a time I felt alone and outcast. I realised that not everyone was the same, though I still had to put up with racism and abuse from students and teachers alike. We are still friends to this day.

Another day we were learning about our times tables, and the teacher told me to stand up and recite my 3 times table. When I did, he made me stand at the front of the classroom and told me I was speaking wrong, because I said ‘three’ different to him. I am an Irish Traveller and speak with an Irish accent, so of course I am going to sound different to an educated man from the settled community. He told me to repeat after him and speak the same way he did, and I remember looking at the floor and my face burning with shame whilst doing what he said. He didn’t attempt to stifle the laughter from the other children. I can still feel that shame today if I think about it.

The reason I have shared these few examples from my childhood is because despite the change in times and what is now deemed acceptable or appropriate, this type of behaviour is still happening. Children, who are so pure that they don’t have the sense to understand, and also adults from minority ethnic communities, are still experiencing this abuse and hate on a daily basis. The times have changed, and what was once deemed acceptable is now being challenged, but the hate that Traveller and Gypsy people receive is not. The media print stories that spread stereotypes, programme makers are making programmes that not only show us in a bad light, they spread blatantly untrue ‘facts’. The authorities that are supposed to protect us as members of society close down sites and reject our planning permissions when all we want is somewhere to live. We are under attack from all sides and it has always been this way. This is the way I have grown up. Outcasted and neglected, accused and denied basic human rights. The world has moved on and given people equal opportunities, but we are still left behind. We are still abused across the board. We have had over 500 years of prejudice and hardship, how much more must we endure? When will we finally be recognised for who we are? We are human beings too and we deserve equality. Our children deserve a chance to live without fear of being abused, and the opportunity to be whatever they want to be without stereotypes and hate following them. I fear I won’t be here when that day comes, and I have come to accept that. But for the sake of my children, I hope our time for acceptance comes soon.

I would like to make a personal request. As somebody who hopefully now has a better idea of the kind of suffering Travelling people endure, I hope you want to help us make a change. And you CAN help us. You can help us by spreading awareness of the easily remedied issues we face (there are many), you can challenge the anti-Traveller/Gypsy hate and rhetoric when you see it, whether it is online, on media sites, on your local MP’s manifesto. Help us campaign to get sites for us to live on. Help your children understand that we are people who have been trod on by society for over 500 years, and that treating us different because we are seen as ‘different’ is wrong. Because we are not different. We are people too. We have needs and aspirations. Feelings and fears. We are all people in this world and we should celebrate each other’s cultures. We should be celebrating each other as friends.

https://www.gypsy-traveller.org/blog/we-are-people-too-a-blog-by-chris-mcdonagh-on-growing-up-as-an-irish-traveller/

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Red Nails

https://www.instagram.com/nhs.blood.drive/

Nails painted RED today. In support of NHS and blood charities.

#TalkingRed

Guide To Getting Involved / Activities
Hold a red themed event – cocktails or mocktails/cupcakes or traybakes!
Paint it RED – your nails not the town! Why not use your special Talking Red nail polish and go red for the week with friends?
Bake it RED – cakes with red icing, strawberry sundaes or a completely red dinner party – get creative with red foods and enjoy with friends and family!
Big Red Quiz – download the full quiz to do for fun with friends

https://haemophilia.org.uk/support/talking-red/getting-involved

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50 Years of the Misuse of Drugs Act

https://transformdrugs.org/timeline

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The acid house


A look at Britain as a producer of illegal
drugs, Peter Simonson revisits the 1970s, when a remote Welsh
mansion was home to the world’s biggest LSD factory.


If you were to ask the man on the proverbial Clapham omnibus
where the majority of the world’s illegal drugs were supplied
from, he’d probably mention the coca covered mountains of
Colombia or the opium poppy fields of Afghanistan. If he were
a little more knowledgeable, he might mention the fact the
majority of herbal cannabis smoked in Britain is grown within
its borders in suburban houses, warehouses and industrial
estates – nearly 7,000 of which were closed last year. But our
role as a mass producer of illegal drugs is not just a recent
trend. During the late Seventies, Britain was the world’s largest
producer of LSD.
Before LSD was made illegal in 1966, the nascent devotees of
its psychedelic properties obtained their supply legally through
its originator, Sandoz Chemical in Switzerland. Post-ban, LSD
was obtained from illegal labs outside Britain, most famously
from clandestine chemist Oswald Augustus Owsley III in
California.
However, there were some small LSD labs operating within
UK borders. In 1968 an Islington pharmacist, Victor Kapur, was
jailed for nine years after producing 19 grams of LSD (enough
for 95,000 doses) in two labs. One lab was in his garage and
another in the back room of his chemist shop on the New
North Road. A year later Peter Simmons and Quentin Theobald
were jailed for five and seven years respectively after police
busted two clandestine labs, one on a caravan site in the East
End and another at Theobald’s home in Hythe, Kent. But the
urban LSD labs soon disappeared, partly because the LSD scene
itself – which centred around squatted hippy communes in
the London districts of Notting Hill and Camden – was being
constantly targeted by police.
From the late Sixties groups of hippies in Britain and
America started setting up alternative communities away from
the big cities, in rural idylls, where they could live without
being routinely harassed by the ‘The Man’. In the US, this
counter-culture exodus away from urban centres led to an
exodus to far flung states such as New Mexico, were they were
relatively free to live alternative lifestyles and consume and
produce drugs – as the police force was scattered over
an immense area. In the UK, they left the squatted
communes of London for the verdant fields of Wales.
Like their New Mexican brethren, hippies and counter
cultural types could set up their utopian communities
of free love, self sufficiency and, of course, the
consumption of psychoactive drugs, without too much
fear of being troubled by the local constabulary.


THEY PURCHASED A CRUMBLING
MANSION IN THE CAMBRIAN
MOUNTAINS NEAR CARNO,
CALLED PLAS LLYSN, WITH THE
AIM OF MAKING LSD THERE


This was augmented by the burgeoning appeal of the free
music festival scene in Wales, including the Elan Valley Free
festival in Rhyader, the mushroom festival at Pontrhydygroes
and the legendary Meigan Fayres in the Preselli mountains.
The remoteness of parts of the Welsh countryside suited these
festivals, while the locals were accommodating and happy
to rent out their fields to the nomadic hippies. Local Welsh
markets, stores and pubs mostly welcomed the increased trade.
Of course the main drugs consumed at such festivals were
cannabis, magic mushrooms and LSD. In the late Sixties the
area was visited by luminaries who felt a certain anonymity
there, such as Eric Clapton, Jimi Hendrix and Keith Richards.
According to Lyn Ebenezer, a local reporter at the time, Bob
Dylan also visited under the assumed name, Jerry. A farm
worker in the area later saw the cover of Nashville Skyline and
stated: “Damn, I didn’t know Jerry had made a record.” This
fertile and somewhat remote environment was the ideal place
to set up a clandestine lab. Enter chemist Richard Kemp.
JANUARY/FEBRUARY 2011 DRUGLINK | 21
In the late Sixties Kemp had been working with David
Solomon in Cambridge in an attempt to produce synthetic
THC, the active ingredient in cannabis. Solomon had edited a
book in 1964, LSD: The Consciousness Expanding Drug and had
been a regular at Millbrook, where Timothy Leary conducted
group therapy with LSD. Kemp travelled initially to France
with Solomon with the intention of producing THC, but soon
tried his hand producing LSD. With the financial help of an
American friend of Solomon’s, Paul Arnabaldi, they purchased
a crumbling mansion in the Cambrian Mountains near Carno,
called Plas Llysn, with the aim of making LSD there.
Although LSD was illegal, the possession of its precursor
chemicals, such as ergotoxine tartrate, was not against the law.
This helped Kemp and his friend, Andy Munro, another chemist
with an interest in making LSD. They were able too buy most
of the precursor chemicals, through front companies, from
Czechoslovakia. Then the production line began to roll.
Prior to Kemp and Munro’s LSD factory, illicit acid had been
mainly available in liquid form dropped onto sugar cubes,
on blotting paper and as capsules. Kemp’s premier skills as a
chemist came to the fore in perfecting a smaller, more easily
transportable form of LSD, which was to become known as the
microdot. Their invention, which became a form of ‘brand’,
would prove a global hit, with the lab producing hundreds of
thousands of LSD microdots a year ending up as far afield as
Canada and Australia.
LSD had become a drug not just associated with hippies. As
Andy Roberts notes in Albion Dreaming, in the Sixties certain
drugs were associated with certain discrete subcultures. But
from the early Seventies onwards, this delineation breaks

But what of illicit production of drugs in the UK post
Operation Julie? While Julie was a landmark case
due to its international scale and its links with the
counter culture of the day, the arrests clearly did not
stop budding chemists from attempting to produce
illicit substances
The rise of Acid House and outdoor raves from 1987,
which in many ways mirrored the free festivals
of the 70’s and probably exceeded them in terms
of numbers attending the events, provided the
opportunity for budding chemists with a taste for
psychoactive substances and an un-taxable income.
In the US, two books by Dr Alexander Shulgin and
Ann Shulgin, “PiHKAL: A Chemical Love Story” (1991)
and TiHKAL: The Continuation” (1997), provided
the chemical formulas for a range of psychedelics,
empathogens, amphetamines, and tryptamines.
1993
Paul Halfpenny, a research chemist with Parke Davis, the
pharmaceutical arm of multinational Warner Lambert,
was arrested with 2kg of amphetamine sulphate near
Huntingdon, Cambridgeshire. Halfpenny, along with fellow
Parke Davis chemist, Dr Reginald Richardson, appeared
to have been producing amphetamine and attempting
to produce MDMA at Parke Davis’ Addenbrooke labs. Dr
Richardson was eventually cleared of all charges, while
Halfpenny was found guilty of possession, production of
controlled drugs and conspiracy to produce MDMA.
1998
Operation Pirate, one of the largest police operations against
UK clandestine chemists, saw amphetamine sulphate
labs being dismantled in Merseyside, Cheshire, Cumbria
and Greater Manchester. An 18-man organisation led by
Frederick Cook were arrested and charged. Police discovered
a clandestine lab in a remote cottage in Cumbria with
enough precursor chemicals to enable the gang to produce
£18 million worth of speed at street value. A further raid
at a furniture warehouse in Widnes, appropriately named
‘Aladdin’s Cave’, netted a further batch of chemicals which
could have produced £4 million worth of amphetamine. Along
with the other raids the total value of drugs was estimated by
the police to be worth in the region of £36 million.
2004
The first detected case of LSD production post Operation
Julie was discovered in a house in Ovingdean, near Brighton.
Casey Hardison, an expat American and self-styled medical
anthropologist was raided after a tip-off from US Customs,
who had seized a package containing £4K worth of MDMA
that Hardison had posted to America. During the raid,
police in chemical protection gear dismantled the lab and
discovered 145,000 blotter tabs of LSD, quantities of the
psychedelic disassociatives DMT and 2CB and evidence that
Hardison had bought £38K worth of precursor chemicals
used to produce psychedelics. He was charged with
producing LSD, DMT and 2CB, intent to supply LSD and
trafficking. At his trial in 2005, Hardison, much like Kemp
back in ’78, pleaded that he was motivated not by profit,
but by the spiritual “journey” to produce LSD. Prosecutors
argued that he had moved to the UK to produce LSD to
avoid heat from US police. Hardison was found guilty and
sentenced to 20 years and is currently campaigning against
the sentence through the Drug Equality Alliance.
2005
Peter Sanders had turned his legitimate chemical company,
Sanchem, into an after hours amphetamine lab with the
help of his top chemist Ian Kilner. Through Sanchem they
were able to procure the chemicals to produce Benzyl Methyl
Ketone (BMK) a precursor in the production of amphetamine
sulphate. They produced the BMK at a remote farmhouse
near Southport and transported it back to a portakabin on
the Sanchem site to convert into amphetamine. When the
police raided Sanchem they found enough precursors to
produce £4.2 million worth of amphetamine paste. Arrested
alongside Sanders and Kilner were Steve Dalton (found with
£1.5 million of amphetamine paste in his wardrobe), Anthony
Bodell, and the alleged ringleader, Leonard Briscoe Stubbs.
Bodell and Stubbs were jailed for five and a half years each,
Dalton for four years and Kilner and Sanders got three years
each. Interestingly, Stubbs had previously received two years
after being arrested during Operation Pirate (see 1998).
2006
The first case against UK manufacturers of
methamphetamine appeared before the courts. Timothy
Morgan, David Walker and Stefan Thomas had attempted
to set up a bogus chemical supply company in order to buy
ephedrine, used in the production of methamphetamine.
When this failed they resorted to the US method of buying
up cough medicines from which they extracted the drug. The
police investigation estimated that the gang had the potential
to produce £1.5 million of methamphetamine per year.
AFTER JULIE: UK synthetic drug factories since Kemp and Munro’s lab
JANUARY/FEBRUARY 2011 DRUGLINK | 23
down. Even punks who positioned themselves as opposed to
everything hippies stood for, took LSD.
The growth of LSD use inevitably came to the attention of
British police, who had worked out that an LSD factory was
based in the UK. While Kemp and Munro’s lab was in full
production mode, under the watchful eye of Detective Inspector
Dick Lee, a police task force began to gather intelligence
at commercial concerts and free festivals, using a team of
undercover officers with outgrown hair and hippy clothing.
The evidence coming back to DI Lee was irrefutable: LSD was
everywhere. And all roads seemed to lead to a ‘Richard Kemp’
in Wales.


TO THIS DAY, THERE ARE STILL
RECURRING, HOLY GRAIL-LIKE
TALES OF ‘JULIE’ MICRODOTS BEING
UNCOVERED, SUCH WAS THE QUALITY
OF KEMP’S CHEMISTRY

The international dimension to the case only dawned on DI Lee
when he visited the Home Office laboratories in Aldermaston
during the early Seventies. He was told that 95 per cent of the
LSD being seized in the UK and 50 per cent worldwide was in
microdot form – the mark of Kemp and Munro’s production
line. Lee had further intelligence that the wholesale price
of LSD was substantially cheaper within the Welsh borders
than elsewhere in the UK. By 1976 Lee had joined up the
links between Wales and the global supply of LSD and the
organisation encompassing Richard Kemp, Andy Munro,
Christine Bott (Kemp’s partner), Henry Todd, David Solomon
and a cast of others.
On a very small budget, DI Lee set up a surveillance team
to gather evidence on the goings on at Plas Llysn. Officers
disguised as coal mining surveyors and itinerant fishermen
were, within the confines of the Welsh countryside, trying
to bring down a worldwide drug production ring which was
using pubs in rural Welsh towns and villages such as Tregaron,
Cwmann and Ffarmers to exchange massive supplies of LSD.
On March 26 1977, ‘Operation Julie’, named after a female
officer who had been working on the case, sprung into action.
Over 800 officers raided 83 locations across England and Wales.
Police discovered 600,000 microdots buried in a field near
Reading and 120 grams of LSD crystals – enough to produce 1.2
million microdots – beneath a compost heap near Christine
Botts’ potato patch. A further 50,000 microdots were found
under a stone in a field near Plas Llysyn and 100,000 microdots
in a Winalot dog biscuit box buried in another local field.
A raid on the organisation’s London HQ netted enough LSD
crystal to make a further 2.5 million microdots. In a safety
deposit box in Christine Bott’s name in Zurich police discovered
cash, a gold bar and 2kg of ergotamine tartrate. Later, after
a police tip-off in October, a further 1.3kg of LSD crystal was
discovered, buried beneath Kemp and Botts kitchen.
At the trial in 1978, Mr Justice Parks sentenced 17 defendants
to a total of 124 years. Kemp got 13, Todd, 13, Solomon, 11,
Munro, 10 and harshest of all, Christine Bott received nine
years.
Bott had not been
actively involved in the production
or distribution of the LSD and as the secondary
chemist, Andy Munro said: “Bott got nine years for making
sandwiches. I got 10 for making acid.”
Kemp had originally written an 8,000 word defence
statement, but was advised by his lawyers against using it. It
was released at the time to a journalist at the Cambrian News
who précised it under the headline ‘Microdoctrine – the tenets
behind Kemp’s LSD’. The gist of Kemp’s defence was that LSD
was a catalyst for social change, the motive was the ideal not
the money.
Even after the court case, the gang’s hoard of LSD was being
unearthed. A cache of one million microdots was discovered
buried in a wood in Bedfordshire in September 1979. It took the
total value of the six million LSD tabs seized during Operation
Julie to £100 million. To this day, there are still recurring, Holy
Grail-like tales of ‘Julie’ microdots being uncovered, such was
the quality of Kemp’s chemistry.
The use of LSD has, since the Seventies, rapidly declined.
Its use had a strong following within the anarcho-punk scene
and the travelling hippy communities. The mixing of these two
scenes saw the emergence of the ‘new age traveller’ movement,
which coincided with the rise of the rave scene.
The last British Crime Survey puts last year LSD use
amongst 16-59 year olds at 0.2 per cent of the population.
Those seeking spiritual enlightenment or psychedelic pranks
still have other avenues to choose. As Mark E Smith of The Fall
sang in 1979 a year after the Operation Julie, “I don’t need the
acid factories, I’ve got mushrooms in the field,” while others
buy substances such as San Pedro cactus and Salvia Divinorum,
plus an array of ‘research chemicals’ available online and
produced in the Far East.
Many of the outlaw British chemists of the 21st Century
seem more motivated by the quest for financial rather than
spiritual gain. But although illegal use of LSD is ever declining,
after some 50 years in the cupboard, it’s now enjoying a
psychotherapeutical renaissance. The Multidisciplinary
Association for Psychedelic Studies (MAPS) highlights research
in Switzerland which uses LSD to reduce anxiety for people
with terminal illnesses, while the Beckley Foundation is looking
at the use of LSD in brain imaging research. Albert Hoffman’s
‘problem child’ appears to be having a rebirth.

Peter Simonson is a research intern at the
UK Drug Policy Commission

http://www.drugwise.org.uk/wp-content/uploads/Acid-house.pdf


Operation Julie: The World’s Greatest LSD Bust,
by Lyn Ebenezer, is published by Y Lolfa (2010)

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Resisting Anti-Trespass

An exploration by two Brighton artists on the potential effects of criminalising trespass in the UK.
3rd year student project. University of Brighton

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Hot sunny Saturday afternoon in Nottingham

Hot sunny Saturday afternoon in Nottingham
My Samsung S10 recently updated to allow wide-angle shooting in still and video. This is a another messing about to check on width and exposure adjustment from bright to shadows ……

4K Video 3840 x2160

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Newspaper – news cuttings artworks

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Nottingham in Wide-Angle, hot sunny day

Nottingham in Wide-Angle, hot sunny day
My Samsung S10 recently updated to allow wide-angle shooting in still and video. This is a first messing about to check on width and exposure adjustment from bright to shadows ……

4K Video 3840 x2160

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Zine 39 Stoney Cross, June 1986

https://alanlodge.co.uk/index.php/product/stoney-cross
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Stoney Cross

5th JUNE 1986 Stoney Cross, Hampshire. Operation Daybreak eviction from site and ‘The Walk’. A year after the Beanfield…. and still they haven’t finished yet [KillTheBill]. Upwards xx
https://www.facebook.com/tashuk/posts/10158552103536799

Beanfield set from earlier https://www.facebook.com/tashuk/posts/10158544497391799

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10 Facts Every Street Photographer MUST KNOW

If you take photographs or film in public, you need to be aware of these essential facts.

There is no general law that prohibits #photography/videography in public, but there are some essential caveats to be aware of. From photography in shopping centres, to parks, filming police stations and other important buildings, to GDPR concerns, harassment, and other factors, this video is for you.

For more discussion on some of these, check out my previous video:

Some references:
https://www.met.police.uk/advice/advice-and-information/ph/photography-advice/
https://www.london.gov.uk/sites/default/files/trafalgar_square_byelaws.pdf
https://www.legislation.gov.uk/ukpga/1997/40/section/1
https://www.guybutlerphotography.com/photographers-rights-law-uk/
https://ipo.blog.gov.uk/2019/06/11/copyright-and-gdpr-for-photographers/

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Can You Take Photographs In Public? Can You Film In Public? & s43 Terrorism Act 2000 Searches

In this video, I discuss whether you can take photographs or film in public. This is a brief explainer video of your rights when taking photographs or filming something (or someone) in public. There is no specific law that prevents you from taking photographs or filming a video in public but there are certain things that you might wish to consider before while doing so.

There are various laws that may cause difficulties depending on the situation but you have the right to keep any photographs and video you take or film in public and you are the copyright owner of all such material. No one has the right to force you to delete photographs or videos that you have taken in public but in certain situations, the police may be able to search, view, or even seize photographs or videos that you have taken in public.

Also consider the Police powers to search under s43 Terrorism Act 2002.

As always, this video is NOT formal legal advice – you must always seek full advice and do not rely on this video or any other video or anything else you read online.

💌 Join this channel to get access to perks: https://www.youtube.com/channel/UCrmx…

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