Little Sis Nora – MDMA [Official Music Video]

Some shameless promotion of drugs …. 🙂

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Why photographing the police is an essential right

Why photographing the police is an essential right
A new law in France could restrict sharing images of police. Here, photographer Alan Lodge reflects on the importance of documenting law enforcement.

Last Saturday, Parisians rallied together at the Place de la RĂ©publique to protest against police violence and legislation currently being passed that would restrict the sharing of images of law enforcement officers. Given the key role that photographs and filmed footage of officers have played in bringing about justice for victims of police brutality, the legislation, proposed in the guise of an act to protect police officers, amounts to a severe curtailment of basic citizens’ rights. Against this backdrop, i-D met with Alan Lodge, one of the first and most legendary photographers to have documented police brutality. He discusses how he first began turning his lens on rogue police officers, and what truly lies at stake if the law is passed as planned.

How did you first start taking photos?
When I was 20 — which was quite a while ago, as I’m now in my late sixties. I took pictures of the free parties that were taking place across the whole of England, which the Conservative government was trying to dismantle. Law enforcement agencies began to monitor these events, taking photos of people together, some of whom were taking drugs, to accumulate incriminating evidence.

What made you want to start taking photos of the police?
I noticed that the police broke a lot of rules, searching people by forcing them to undress, sometimes completely, and not following gendered search protocols. This disregard for the law by law enforcement officers was very difficult to prove, and it suddenly dawned on me that my photos could play an essential role in courts. Photography wasn’t as widespread back then, and the word of the police always seemed to be worth more than that of an anonymous civilian. My photos have therefore been used in numerous hearings, trials and a large number of civil actions in court. They’ve helped several people to build cases, accumulate evidence and be released.

How were your photos received at the time?
I once confronted the head of a police station and told him about a blunder one of his officers had made, which he outright denied. So I went to the photo studio, developed the shots and saw the look of shock on his face; he had never been faced with such undeniable evidence. Suddenly, the police realized that they too could be seen. Everyone knew it, but no one could prove that law enforcement offers were acting like criminals, assaulting, beating up and shooting strangers, and never being punished.

What do you think of the new law currently being passed in France?
The police are in the service of the state and it should be possible to monitor their comings and goings. If this law passes in France, it risks encouraging England to undertake such changes: the country has always tried to censor the free expressions of its people. The party-goers, the travellers, the ravers, the demonstrators who made the streets their field of expression have always been targets of the police. It is an unbelievable hypocrisy: when people complained about CCTV surveillance in the streets, they were told that if they had nothing to hide, then they would have nothing to fear. Why shouldn’t this rule apply to the police when it’s the other way around if they too have nothing to hide?

What are you working on today?
I re-enrolled on a master’s at the University of Nottingham to study technological and cultural advances in photography, in particular the field of documentary photography. I am also part of the national union of journalists, and I want to transmit my knowledge to the young generation. They know their rights well but they must learn to interact with police in a smart and strategic way in front of the police rather than directly clash with them

What message do you want to pass on to the young generation?
That these protests are symbolically powerful and vital to the people, who are meeting and forming around shared values; that police violence is a sign of abuse, an act of control exerted over the body. Why don’t they tackle real crimes — murders, rapes and urgent cases — rather than freedom of expression and belief, our most basic rights?

i-D Mag

https://i-d.vice.com/en_uk/article/y3gw7k/alan-lodge-police-photography-france-interview

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Painting On Mushrooms

We took a bunch of mushrooms and painted a canvas on the roof. We time lapsed our rambles.

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Banksy Artwork in Nottingham. October 2020

Banksy Artwork in Nottingham. October 2020
Banksy Artwork on a wall in Rothesay Avenue, Nottingham
Later cut out and is now being put on display for the first time since it was removed from the side of a building. The hula-hooping girl mural appeared on a wall in Nottingham in October and was later claimed by the artist.

It was bought by gallery owner John Brandler and cut from the wall for “safekeeping”, disappointing residents. Money Money etc 
..

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Hopi Indian prophecies

When the Earth has been ravaged and the animals are dying, a tribe of people from all races, creeds and colours, shall put their faith in deeds, not words, and make the land green again.  They shall be known as Warriors of the Rainbow, protectors of the environment.

Hopi Indian prophecies

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There is a need to dance

There is a need to dance

There is a need to travel

There is a need to squat

There is a need for protest

There is a need for open spaces

There is a need to celebrate

There is a need for community

There is a need to communicate

There is a need for tolerance

There is a need to be heard

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A little ditty

A little ditty

In the winter, Wrap up warm.

Raise your hands and dance till dawn.

Up amongst the woods and heather,

Party people dance… Together                                         

Lex,  Leicester

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Drum & Bass On The Bike 3 – Bristol

Joined in …. my grandson, Leon 🙂

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Hail Caesar! Rabbi and Priests

Meeting between Eddie Mannix and the religious leaders discussing their depiction of Christ

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Zine : Drawing on Festivals, Travellers and tings

A5 40 pages

https://alanlodge.co.uk/index.php/product/drawing-on-festivals-travellers-and-tings
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Zine : Drawing on Free Parties and tings

A5 40 Pages

https://alanlodge.co.uk/index.php/product/drawing-on-free-parties-and-tings/
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Photo of FWS Charlie search on police website

Found this picture of FWS Charlie search on the Dyfed Powys police website ….. as you ca see, credited to PC 323 Simon Williams….. BASTARDS theft!! I had issued a ‘takedown notice’

http://dyfed-powys.narpo1.metacraft.org/index.php/photo-album

It was in fact taken at the mushroom festival at Pont-Rhyd-Y-Groes in Dyfed 1980. He and I had gone out to get searched because of so many getting stopped on the way to the festival, I thought it worth recording and photographing to show what’s what ……

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A Free Palestine Protestor, Nottingham

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Tash [yet another speech] KillTheBill, Nottingham

Police, Crime, Sentencing and Courts Bill. My speech at a Kill the Bill protest, Market Square, Nottingham.

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Bedlam and Spiral Tribe in Rhayader, Black Mountains

16th May 1992: A party report

It was a beautiful location, but there was 12 hours of driving and loads of calls to the hotline before we even had proper directions, let alone arrived! We were listening to Levitation, The Cardiacs and Butthole Surfers to keep us awake. Out of the darkness on a Welsh mountain road in the arse end of the arse end of nowhere a shape loomed towards us, and the driver braked sharply. It was just a paralytic local on his way back from a pub spilling off his antiquated bicycle and headfirst onto the tarmac. We were worried, and asked if he was OK. He clambered back on, grunted, and cycled off into the gloom.

Eventually we had to give up, and had a couple of hours of very uncomfortable sleep in a layby in the car (3 of us in a mini metro, a gearstick poking me in the ribs).

In the morning we were aching, but the weather was beautiful and we’d already decided that if we couldn’t find the party we’d take our pills and go for a walk. We finally got proper directions at 7 am or thereabouts. After driving through some deep valleys carpeted with thick forests, we stopped the car for my friend to get out for a pee. Two minutes later she came rushing back -‘I can hear it! I can hear it!’, after hours of uncertainty and confusion we arrived at the party at 8 or 9 am. A seemingly purpose-built dancefloor (actually a ruined building- part of a disused leadmine) on the side of a slate mountain with a waterfall over to the right. There was a river running past, parallel to the road that ran through the valley.

When we arrived we realised we needed something for ‘breakfast’. We started with Love Hearts and followed these up with some Special K.

Tired after the journey we spent a stupid amount of time in the car. This often happened back then, you’d travelled MILES with your friends to be in this special place and then, fuck it, let’s just stay in our mobile chill out room.

We were listening to Special K (an old house tape) in the car, and I remember attracting one or two curious stares because of this. Even then, things were quite polarised- you liked house OR techno. We liked both, which confused people.

A pair of girls knocked on the car window. They were tripping enormously and pointing to a piece of sheet music and gibbering at us through the window.

Sometimes, in certain states of mind, time seems to fuck up and start looping. At one stage there were about 5 of us sat in this tiny mini metro, so fucked that all we could do was sigh. This was all that could be heard for a while: ‘Ffffffffffff. Pshhhhhhhh. Phoooooooo! Ffffffffffff. Pshhhhhhhh. Phoooooooo!’
This was what passed for conversation in the old days. Then there was a new sound ‘Ffffffffffff. Pshhhhhhhh. Phoooooooo! Fwap. OW! Ffffffffffff. Pshhhhhhhh. Phoooooooo! Fwap. OW!’ The girl sat in the middle of the back seat was brushing her hair. Every time she brushed it, the brush twatted her neighbour in the head. It was a while before she realised and stopped.

We spent some time chilling out in/by the river.While we were sitting relaxing by the river, my mate, our driver for the weekend, heard the start of Aphex Twin’s ‘Didgeridoo’ and, without warning, sprinted back to the sound system.

Then, and this was something to do with the K, I had a very strong urge to climb the mountain (or at least get to the waterfall). I could feel, and this sounds weird, I’m sure, an invisible thread pulling me upwards. The mountainside was covered in loose slate and so it would have been a bit hairy even if you were straight. God knows how I managed it, but I reached the height of the waterfall. However, I’d gone slightly off course and the waterfall was now too far away for me to reach. I looked down. Mistake. I realised that if I wanted to get through this in one piece I would have to continue going upwards. I reached the top and noticed a gentler slope to take me back to where the party was. On my way down I walked into a field full of sheep. I could see a farmer in a Range Rover in a field below me, and I didn’t want him to see me so I sat on the ground and kept still for a couple of minutes. That was when I realised that the field I was sitting on was covered in clover and there seemed to be millions of bees everywhere. I carried on staying very still for quite some time. The farmer had left and the bees weren’t attacking me so I carried on down the slope. I reached the main road and had to walk a little way back to the party. I passed a lone Welsh country copper and gave him a cheery ‘hello’. Arriving back at the party I saw my friends, who had last seen me disappear up a mountain a couple of hours previously. They’d been worried, and I was oblivious to this.

On the way home one of the fluffed up casualties co-piloting the car insisted the vehicle be stopped and they be let out immediately so they could leap into a field and hug a lamb. I think the lamb ran away.

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UK Free Parties and Free Festivals 198?-1994

https://freepartypeople.wordpress.com

Finally, someone is making a documentary about the UK free party scene! I can vouch for the creator as being someone who was there at the time and cares in a big way about helping the people who were there tell the real story of what happened in those amazing and intense years at the start of the nineties. Click on the links below to support the film and follow it’s progress. I can’t wait to see this 

They wanted the freedom to party, the state saw them as the enemy within.

A Folk History of the Free Party movement.

Free Party is a documentary film charting the free party movement’s birth, its rapid rise and how the state tried to crush it, from the people who lived it and the global legacy it leaves in the present day.

Here is the Facebook page so you can follow the film’s progress.

And here is the Kickstarter so that you can be a part of it.

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Free Palestine Demo, Nottingham. May 2021

Free Palestine Demo, Nottingham. May 2021 Contact Sheets

https://www.facebook.com/tashuk/posts/10158506038021799

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‘Free Palestine’ protest at Marks & Spencers store in Nottingham

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‘Free Palestine’ protest, thousands gather in Nottingham

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Portrait of a guitarist

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