Film activists better : Media advice for activists

A guide to filming protests on your smartphone – for maximum impact – by one of the most experienced activist filmmakers around.

https://peacenews.info/node/10880/film-activists-better

01 Apr 2024 Feature by Zoe Broughton

If you film your campaign group in action, the footage can be used on social media or even broadcast news to get the message out to a wider audience.

By filming it yourself, you are being part of DIY (Do It Yourself) culture and not relying on the mainstream media to turn up.

Here are a few hints to get you going, using a smartphone.

A mobile phone in a holder, plugged into an external battery.

Before you go out
Try and make sure your phone is fully charged.

Pack your charged battery pack and charging cable if you have one.

Make sure you have space on your phone to record onto.

Make sure you have data available on your phone plan, if you are going to upload your films while you are out.

Take a lens cloth – you’ll probably have one if you have glasses, or you can get one from an optician’s or maybe a chemist’s.

Keeping the lens clean while you’re out will improve the quality of your image and help the auto focus to work.

Take basic wired headphones (see below). If they didn’t come with your phone, they might cost £20.

These are helpful for improving the quality of the audio on your interviews (as explained below) and can also be used for the editing after.

The image is a still from a video interview by Zoe of activist Sam Lee at the Just Stop Oil blockade of Westminster Bridge, 1 October 2022. The photo has numbers on it identifying different aspects of the video.

When you’re out there
1) Film in landscape (wide screen, with your phone on its side) not in portrait (how you normally hold a phone, upright). Landscape is the shape of computer screens and television. Shooting in landscape makes the footage useful for future documentaries and the news. (If you want portrait footage for social media, like TikTok, just film a slightly wider image in landscape; it’s usually possible during editing to crop the landscape into portrait.)

2) When you’re interviewing someone, ask them to look directly into the camera lens, especially if it’s for social media. On the other hand, you may want them to look at you instead. (If you don’t tell them where to focus their eyes, they could look all over the place during the interview, and this will look strange later, on film!) Do also think about light levels (though the latest phone cameras tend to get this right automatically). You want the face of the person you are interviewing to be well lit – it doesn’t matter if the background is too bright or too dark. You can usually adjust the light by tapping on the screen where their face is and sliding the sun icon to the right up and down.

3) Film short interviews. Let people know how long you want their answer to be. For example, if it’s for social media, the answer should be under a minute! Ask open questions, not questions they can answer with a yes or no: ‘Can you tell me where you are and describe what is going on today? What you hope to achieve? Please could you answer in full sentences because my questions will be edited out of the film. So you could start your answer: “I’m here today because.…”’

4) Think about the background of the speaker. It’s best if the background is relevant and shows where they are and the action.

5) To get good audio when you are filming an interview at an event, think about how noisy it is. Can you ask the person to move away from the noisy people nearby, or away from the traffic or the samba band? Film a short clip of them saying their name and then stop and listen back to this. Can you hear them over the background noise? Also, now, when you edit the film, you can find their name if you need to credit them!

Image

Two photos side by side. One shows Zoe holding a smartphone in front of her to film an interview, while holding a microphone out in front of her. The other photo shows how she grips the cables next to the mic.

You, the camera person
1) Hold the phone steady while you’re filming. Film each shot for at least seven seconds. Think of it like taking a long photo. Don’t keep moving the camera around. You can just hold your phone in your hand, or you can buy a phone holder or even a gimbal. A gimbal is a device that holds your phone and keeps the image steady even if you are walking around – see the picture below for an example. [‘Gimbal’ sounds like ‘thimble’, except it starts with the ‘g’ from ‘give’ – ed]

2) To improve the audio when doing interviews, plug the headphones into the phone and…

3) Hold the microphone bit out towards the person you’re interviewing.

4) You don’t hold the actual mic, you hold the wire on either side of it. Hold the mic just out of the frame, so it can’t be seen by the phone camera! (If you want to invest in kit, Rode wired mics for smartphones or Rode or DJI radio mics are excellent.)

5) If it is windy, hold your lens cleaning cloth loosely over the mic. This will block out some of the wind buffeting and improve your audio.

Image

Wrapping a lens cloth around the microphone

Film these types of shots

A) Interviews – film someone explaining the where, why and what is going on. (See the first picture above for an example of an interview.)

B) Action – have your phone out and be ready to film when the event starts.

C) Cutaways – interesting shots like banners, wide shots to show the size of the action and where you are – and also the audience looking on. Cutaways help keep the audience’s attention.

Five activists dressed in white have 'oil' poured on them by someone representing 'Shell'.
In a crowd of protesters, a demonstrator holds up a placard showing Greta Thunberg pointing her finger at 'You'.

How to share your photos and videos
One way of sharing your videos and photos with the media is through a ‘For Press’ Google Drive folder which you create before the demo/action/event. You can then put the link for this media folder into the press release for your event.

How do you get images/footage from the event into that folder?

Many groups now share their content using the free app Telegram (which can be used on your phone or on your computer). Telegram is like WhatsApp but it doesn’t compress imagery (it can take files of up to 2GB), so you can use it to share good quality photos and videos with high resolution.

Create a Telegram ‘group’ for your group, and ‘pin’ it when you are on an action, so it is easy to find.

When you have something to share, open Telegram. Click the paperclip icon and then choose your video to share. At the bottom, you can then choose the highest option to share it in. You can also choose ‘file’ for the highest quality option.

When you post content, add a brief description of the action and where the picture or video was taken – and who should be credited for the image.

Also clarify to all in the chat that if images are posted in this Telegram group then the owner is agreeing for them to be used by the media.

If you have someone managing press for the action, they can watch the footage coming in on the Telegram chat, choose the best photos and videos and download them and upload them to the ‘For Press’ folder. This folder can be updated as new images and edits are made through the day.

Alternatively, people filming on the ground could upload their footage and photos to a non-press ‘group’ Google Drive folder set up for the event. (You need to create that folder, and share the link for it with the people who will be filming and photographing, before the action takes place.)

Someone managing this group folder on their computer would then choose the highlights, or edit the film, and choose what should go in the separate ‘For Press’ Google Drive folder for sharing with the media. This folder can be updated as new images and edits are made through the day.

Also, don’t forget to post your footage to the best-known social media platforms!

Edit in your phone

I use the free app CAPCUT to edit footage on my smartphone but there are lots of apps you could choose from.

Download the app and then start by opening a new project.

Choose the interview as your first clip. Trim the length of this.

To make the film more interesting, you can add a few clips as cutaways, called ‘overlay’ in CAPCUT.

Choose an interesting clip that is relevant to what the person is saying.

Use your fingers to stretch the clip so that it fills the screen. This will then be seen but you’ll still hear the interview.

Remove or reduce the audio from overlay clips.

Add text if it’s needed. This could include the name of the speaker and ‘Filmed by [your name]’. You could also include your group’s website or a campaign message.

When you’ve finished the edit, you can click ‘add auto captions’. Check these through for typos to correct. 

If you want to make a portrait video (maybe for TikTok), start by recording a short portrait video of anything right now.

In CAPCUT, start a new project.

Add this portrait video first.

This makes the settings for this project ‘portrait’.

Then add your interview. You can resize it by stretching it out with your fingers on the screen until it fills the shape.

Then delete your first random portrait clip by tapping on it and hitting the ‘delete’ option.

Then carry on your edit as above, adding cutaways/overlays and resizing them, and adding text.

All options, such as ‘cut’, ‘adjust audio levels’ and ‘add overlay’ are picture icons at the bottom of the screen.

Once you have finished editing, export the film.

It will then appear in your photos on your phone and can then be shared.

Congratulations on becoming a filmmaker!

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College of Policing Guidance on Media Relations

 Engagement and communication

Media relations

3.10  Media briefings

Reporting from a scene

Reporting or filming from the scene of an incident is part of the media’s role and they should not be prevented from doing so from a public place. Police have no power or moral responsibility to stop the filming or photographing of incidents or police personnel. It is for the media to determine what is published or broadcast, not the police. Once an image has been recorded, the police have no power to seize equipment, or delete or confiscate images or footage without a court order.

Where police have designated a cordoned area, the media must respect it in the same way as the public, unless a media facility within a cordoned area has been authorised by police. The best possible vantage point for media should be considered, providing it does not compromise operational needs.

https://www.app.college.police.uk/app-content/engagement-and-communication/media-relations/#reporting-from-a-scene

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NUJ alarmed at increase in incidents with the police and photographers

The union has commented after charges were dropped against a photographer arrested by South Wales Police one day before the trial was due to begin.

Natasha Hirst, NUJ president, said:

“There has been an alarming number of incidents of police overstepping their powers with photographers and reporters over the last couple of years, creating an increasingly hostile environment for journalists who are simply trying to do their job.

“Photographers carry out a vital role in independently documenting events that are in the public interest. Yet their safety is often put at risk by members of the public and unfortunately, as in this case, by police officers. It’s important to see this case was dropped, but I hope that swift action is taken to return all equipment to the photographer, along with an apology and compensation for the appalling treatment he experienced at the hands of the South Wales Police. We will raise this case in our discussions with the police and continue to urge them to work with the NUJ to educate their officers on the role and remit of journalists and ensure that incidents like this do not happen again.”

Pamela Morton, NUJ Wales organiser, said:

“It is extremely concerning to read the details of this case, especially the judge calling the case “disturbing” and raises serious questions.  Over the past 20 years, the union has worked with the police and NPCC, so that officers are clear that members of the media have a duty to report many of the incidents that the police deal with and the police should actively help journalists carry out their responsibilities.  The union’s Welsh Executive Council calls on the police forces in Wales including South Wales Police to work with the union to ensure that relations of trust and openness between the police and journalists are improved and that officers are fully aware of their responsibilities.”

https://www.nuj.org.uk/resource/nuj-alarmed-at-increase-in-incidents-with-the-police-and-photographers.html

Case dropped against press photographer after altercation with police officer at scene of fatal car fire

>>>>

This being the current College of Policing guidance, with is widely ignored!

Engagement and communication

Media relations

3.10  Media briefings

Reporting from a scene

Reporting or filming from the scene of an incident is part of the media’s role and they should not be prevented from doing so from a public place. Police have no power or moral responsibility to stop the filming or photographing of incidents or police personnel. It is for the media to determine what is published or broadcast, not the police. Once an image has been recorded, the police have no power to seize equipment, or delete or confiscate images or footage without a court order.

Where police have designated a cordoned area, the media must respect it in the same way as the public, unless a media facility within a cordoned area has been authorised by police. The best possible vantage point for media should be considered, providing it does not compromise operational needs.

https://www.app.college.police.uk/app-content/engagement-and-communication/media-relations/#reporting-from-a-scene

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BlackBeltBarrister – on @DJAUDITS

This is an excellent example of “citizen journalism” and why it matters. Some people love it, some hate it (and probably still watch). This was a new take on why it helps, with an overview of the law involved.

About djaudits

We find interesting places and try to find out more about them. Links to all my gear and much more here – https://linktr.ee/djaudits Email – djaudits@gmail.com

https://www.youtube.com/@DJAUDITS

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Facebook Pix : Stoney Cross, Hampshire. June 1986

https://tinyurl.com/22z92syc

Further trouble and the Public Order Act 1986

Things have never been the same again since the Beanfield. Throughout the rest of the year, whether in small groups or at events, travellers were continually harassed.

In May and June of 1986, the tribes again tried to gather. More of the same was in store. Huge numbers of police pushed various convoys all over the south of England. Much stress!!

On the 1st June, we arrived at Stoney Cross in the New Forest, Hampshire. The whole issue was on newspaper front pages for a week! Politicians again whipped up the moral outrage.

On the 3rd June the Home Secretary, Douglas Hurd, described the convoy in a speech to the House of Commons as:
“Hon. Members from the west country will be aware of the immense policing difficulties created by the peace convoy, it is anything but peaceful. Indeed, it resembles nothing more than a band of medieval brigands who have no respect for the law or the rights of others”.

The National Council for Civil Liberties (NCCL) observed that this assertion was made without any evidence being presented that the convoy contained a higher proportion of people with criminal records, or evidence the travellers were committing offences on the road.

Two days later on the 5th, Margaret Thatcher said that her government was:

” …. Only too delighted to do anything we can to make life difficult for such things as `hippy convoys”.

Shortly after the `green light’, Hampshire police mounted “Operation Daybreak” on the 9th June. 550 police charged onto the field in support of bailiffs and an eviction order. Many arrests then ensued, the convoy put up no resistance. Policemen carried a large amount of documentation on people and their vehicles, most of which were again impounded.

It was against this background that the now famous `anti-hippy’ clauses where put into the Public Order Act, these powers began to operate in 1987. Section 39 of the Public Order Act makes it a new criminal offence for a trespasser on land not to leave it after being ordered to by police.

After the previous year’s events, this section is seen as yet another example of how the police are being drawn into enforcing the Civil Law and deciding issues which, until then, had been the province of the civil courts. The first time for hundreds of years that trespass had become a criminal offence. It was a most controversial measure, it had been inserted into the Act hurriedly.
Under the powers, the most senior police officer present may direct people to leave land if it is reasonably believed that: two or more people are trespassers intending to remain on land for any period of time and have been asked to leave, damage has been caused to the land or threatening behaviour used against the occupier, or 12 or more vehicles have been brought onto the land.

The Home Office had stated: “That the clause was a response to the `problems’ of new age travellers and that the power is not aimed primarily at Gypsy groups”.

However, according to the National Gypsy Council, by 9.27am on the day the act came into force (1st April 1987), section 39 was being applied against Gypsies by Avon and Somerset police.

The increasingly hostile political climate that followed, had a dramatic affect on the travelling community, frightening away many of the families integral to the community balance of the festival circuit.

for more …. https://alanlodge.co.uk/OnTheRoad/the-story-4

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Facebook Pix : Nottingham Life: A selection of Furries hang-out at the pub

https://tinyurl.com/23frf8zz

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A selection of Furries hang-out at the pub, Nottingham

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Front cover of Festival Eye 1987

…. and then to select this one

…. and thus used here

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Pro-Palestinian Protest, Nottingham 6 April 2024 vid2

Pro-Palestinian Protest, Nottingham 6 April 2024 vid2

Samsung S22 Ultra – 4K Video 3840 x2160

palestine #protest #palestinian #nottingham #samsung #S22ultra

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Pro-Palestinian Protest, Nottingham 6 April 2024 vid1

Pro-Palestinian Protest, Nottingham 6 April 2024 vid1

Samsung S22 Ultra – 4K Video 3840 x2160

palestine #protest #palestinian #nottingham #samsung #S22ultra

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Facebook Pix : Pro-Palestinian Protest, Nottingham. 6 April 2024 46edit

https://tinyurl.com/2dek4g8t

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Alan Lodge, Black & White Surveillance. Salon de Normandy by The Community

Alan Lodge

Alan Lodge, Black & White Surveillance
Salon de Normandy by The Community
Room 412, Normandy Hôtel, 7 Rue de l’Échelle, 75001 Paris, France
October 22nd – 25th, 2020. 

Black & White Surveillance is a presentation of photography and archive materials surveying Alan Lodge’s extensive counter-documentation of police surveillance and his past involvement in legislative action and activism.   

Alan ‘Tash’ Lodge (born 1953 in Luton, Bedfordshire) is a photographer based in Nottingham who has focused on alternative movements since the mid 1970s. After a short career as an emergency paramedic in the London Ambulance Service, Lodge took up photography and documented the early ‘free festivals’ in 1978. In 1985 Lodge joined the Peace Convoy on its way to Stonehenge where a festival was planned to take place and he photographed The Battle of the Beanfield. In 1987 Lodge published the booklet Stonehenge: Solstice Ritual, a photographic account of the rituals taking place at Stonehenge. Since the events at Stonehenge, Lodge has covered a range of issues including the Travellers movement, Reclaim the Streets, the road protests in the mid 1990s and the campaign against the Criminal Justice and Public Order Act 1994. Lodge is also well known for his documentation of police surveillance, in which he received a ‘Winston Award’ for in 1998. Since the late 1990s Lodge has been a major contributor to the media network Indymedia.

In recent years Lodge has continued to extensively document his involvement and attendance of public demonstrations and festivals, and has actively involved himself in various welfare and advice agencies. He has worked as a field worker for the Release organisation and has sat on the management committees of several charities, including Festival Welfare Services, the Travellers Aid Trust and the Standing Conference on Drug Abuse (Scoda)
Lodge’s website One Eye on the Road operates as an extensive archive of his prolific photographic career, as well as an essential resource providing legal information and advice. Lodge has successfully taken the police to court and won damages for false claims made against him. He has also pursued a number of complaints against the police.

Lodge’s work has appeared in publications & journals including Guardian, Independent, i-D, Select, Sounds, DJ, Radio Times, New Statesmen & Society and Squall. His photographs have also been used in TV documentaries across the BBC and Channel 4, including most recently for Jeremy Deller’s BBC documentary piece Everybody in the Place: an Incomplete History of Britain 1984-1992.

Photographs by Aurélien Mole.

Press:
i-D (interview)
Huck Magazine
Flash Art
i-D France (overview)
Purple
Artsy
LesInRocks

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https://www.tgal.co/alan-lodge-salon-de-normandy

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‘Photoshoot’ for the front cover of Festival Eye 1986

Annoying my son to get him to pose, with aggression 🙂 This issue of Festival Eye was the first after the police action at the event that became known as the ‘Battle of the Beanfield‘ when 1600 police officers attacked a convoy of travellers on the way to Stonehenge in June 1985.

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What does Rewilding Look Like – Rewilding Britain

Imagine life bursting back to our land and seas, where wildlife numbers are growing instead of shrinking and we’re working with nature, as a part of nature, instead of exploiting it. Nature can recover when given a chance. We have to give it that chance.

Watch the video below to see the transformation of an ecologically degraded part of Britain’s uplands…

By protecting, restoring and regenerating species-rich mosaics of habitats, rewilding helps reverse biodiversity loss and bring back the abundance of Britain’s wildlife. We’ve demonstrated that rewilding also helps to mitigate climate heating by drawing down millions of tonnes of carbon from the atmosphere. We’ve shown in our report ​‘Adapting to Climate Heating’ report how rewilding allows wildlife to disperse and adapt as our climate heats, saving a significant number from further decline or extinction. 

Rewilding also presents opportunities for communities to diversify and create more resilient, nature-based economies — and reconnects us with the wonders of wild nature, improving physical and mental health. 

The breakdown of our climate and the species extinction crisis are no longer fringe concerns but are increasingly recognised as urgent existential threats to both nature and human society. Yet the gulf between our awareness of that threat and the inadequacy of our current response is terrifying. Now, more than ever, we must reset our relationship with the natural world. Nature is a part of us. It’s our life support system.

Britain should be teeming with wildlife. Instead many of our wildlife populations – from songbirds to insects and plankton – are collapsing. To repair our planet we must urgently achieve net carbon zero — and natural climate solutions can contribute significantly to this aim. Protecting our living world and our climate are largely one and the same. And rewilding, the large-scale restoration of ecosystems to the point where nature can take care of itself, plays a vital role in both.

https://www.rewildingbritain.org.uk/why-rewild/what-is-rewilding/an-introduction-to-rewilding/rewilding-the-uplands

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Facebook Pix : Stonehenge Public Meeting March 1986

Stonehenge Public Meeting March 1986 :

Attended by all sorts of ‘interested parties inc: festival folks, travellers, FWS, English Heritage, farmers, landowners, council, MP etc …. can’t remember now if the police contributed. [Oh and pictures at an exhibition by Tash, of course]

https://tinyurl.com/294pfqts

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 Daniel Meadows : British Documentary Photographer 

https://www.danielmeadows.co.uk

In 1973, Andrew Sproxton of Impressions Gallery in York visited Daniel and, using a pair of scissors, cut freehand from a roll of stickyback plastic, a tailor-made advertisement which he applied to the rear upper exterior of the Free Photographic Omnibus.
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‘Tish’ BBC4 – Tish’s daughter, Ella, uncovers her poignant story in this heartfelt documentary

Broadcast 1st April 2024

https://www.bbc.co.uk/programmes/m001xyrg

Mother, fighter and visionary photographer – Tish Murtha emerged from the north east in Thatcher’s Britain to expose the struggles and triumphs of her local community.

Tish’s daughter, Ella, uncovers her poignant story in this heartfelt documentary, piecing together a portrait of a woman who wielded her camera as a tool to celebrate overlooked working-class lives and to strive for social change.

Tragically, Tish died aged 56, her work relatively unknown, but now, Ella unlocks the doors to her mother’s long-hidden archive. Inside, a treasure trove of unseen images, personal artefacts, letters and diaries awaits, revealing the true essence of this enigmatic artist.

…… I am much affected by her work and this film.

addition …. She enrolled on the ‘Newport course’. I went for interview there and Daniel Meadows described me as ‘an interesting case’ 🙂 But I eventually decided to come here to Nottingham. I might well have met her. Would have learned from her and it I think. https://www.northerneyefestival.co.uk/daniel-meadows

In 1973, Andrew Sproxton of Impressions Gallery in York visited Daniel and, using a pair of scissors, cut freehand from a roll of stickyback plastic, a tailor-made advertisement which he applied to the rear upper exterior of the Free Photographic Omnibus.
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On this day, 1 April 1649, a farmer and writer called Gerrard Winstanley occupied St. George’s Hill

On this day, 1 April 1649, a farmer and writer called Gerrard Winstanley along with a small group of 30 to 40 men and women occupied St. George’s Hill, Watton, Surrey, England and began tilling the land collectively. Over the coming months, numerous local people would join them and for the movement which became known as the Diggers.


Winstanley was a Protestant who began to write pamphlets criticising the church which held that “god is in the heavens above the skies”. Instead he argued that god was “the spirit within you”. In a pamphlet published in January 1649 he wrote: “In the beginning of time God made the earth. Not one word was spoken at the beginning that one branch of mankind should rule over another, but selfish imaginations did set up one man to teach and rule over another.”
The politics of the Diggers were a form of proto-communist anarchism, advocating direct action, common ownership and the dissolution of hierarchy.

More information, sources and map: 

https://stories.workingclasshistory.com/article/8025/the-diggers-occupy-st.-george’s-hill

Google map : https://tinyurl.com/262eo5lw

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First nice spring day in Woodthorpe Park

First nice spring day in Woodthorpe Park

Insta360 Ace Pro – 4K Video 3840 x2160

nottingham #woodthorpe #park #spring #birdsong #insta360 #acepro #4k

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Collected Links : Pro-Palestinian Protest, Nottingham since October

Facebook Pix : Pro-Palestinian Protest, Nottingham. 30 March 2024

Facebook Pix : Pro-Palestinian Protest and Event, Nottingham. 2 March 2024

Facebook Pix : Pro-Palestinian Protest at Barclays Bank’s complicity in the Gaza War. Nottingham. 24 February 2024

Facebook Pix : Pro-Palestinian Protest and Event, Nottingham. 17 February 2024 55edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 3 February 2024 72edit

Facebook Pix : Pro-Palestinian Protest, Barclay’s Bank, Nottingham 27 January 2024

Facebook Pix : Pro-Palestinian Protest, Nottingham. 20 January 2024 60edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 13 January 2024 72edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 6 January 2024 36edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 23 December 2023 25edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 16 December 2023 36edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 9 December 2023 36edit

Facebook Pix : Pro-Palestinian Protest, Nottingham. 2 December 2023

Facebook Pix : Pro-Palestinian Protest, Nottingham. 25 November 2023

Facebook Pix : Pro-Palestinian Protest, Nottingham. 18 November 2023

Facebook Pix : Pro-Palestinian Protest, Nottingham. 11 November 2023

Facebook Pix : Pro-Palestinian Protest, Nottingham. 28 October 2023

Facebook Pix : Pro-Palestinian Protest, Nottingham. 14 October 2023

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